Ethics of cinematic experience: screens of alterity
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2020
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| Schriftenreihe: | Routledge advances in film studies
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 163 Seiten Illustrationen |
| ISBN: | 9781138370685 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of Figures Acknowledgements Introduction vii ix 1 1 Perspectivalism and Beyond 10 2 Point of View 27 3 The Cinematic Type 47 4 The Face and the Close-Up 66 5 The Face and the Close-Up Take 2 87 6 Becoming-Machine 113 7 Cinema’s Responsibilities 132 Index 155
Ethics of Cinematic Experience Ethics of Cinematic Experience: Screens of Alterity deals with the relationship between cinema and ethics from a philosophical perspec tive, finding an intrinsic connection between film spectatorship and the possibility of being open to different modes of alterity. The book’s main thesis is that openness to otherness is already found in the basic struc tures of cinematic experience. Through a close examination of the ethical relevance of the philos ophy of Maurice Merleau-Ponty, Stanley Cavell, Emmanuel Levinas and Gilles Deleuze to cinema studies, Ethics of Cinematic Experience: Screens of Alterity pursues the question of how film can open the viewer to what is not her and so bring her to encounter otherness in a way that is unique to cinematic experience. The book sees ethics as not just the subject, content or story of a film but part of its aesthetic structure. Accompanied by readings of films mainly from mainstream cinema, each chapter focuses on a different aspect of the encounter with alterity through cinema. The book gives particular attention to how theoretical discussion of the cinematic close-up can lead to ethical insights into the status of both the human and the non-human in film, and thus lead to an understanding of the relationships the viewer makes with them. The book is a helpful resource for students and scholars interested in the relationship between philosophy, film and ethics, and is appropriate for students of philosophy and media and cultural studies. Orna Raviv is a filmmaker and a film theorist. She teaches on the
MA program in the Cultural Studies Department at the University of Haifa, and at the Unit for History and Philosophy of Art, Design and Technology, at Shenkar College.
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| title | Ethics of cinematic experience screens of alterity |
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