Nineteenth-century opera and the scientific imagination:
Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiol...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2019
|
| Ausgabe: | First published |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period |
| Beschreibung: | xv, 381 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781107111257 9781107529021 |
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Datensatz im Suchindex
| _version_ | 1804180664446091264 |
|---|---|
| adam_text | Contents List of Figures [page vii] List of Tables [ix] List of Music Examples [x] List of Contributors [xi] Acknowledgements [xv] Introduction: The Laboratory and the Stage [1] DAVID TRIPPETT AND BENJAMIN WALTON PART I [19] VOICES 1 Pneumotypes: Jean de Reszke’s High Pianíssimos and the Occult Sciences of Breathing [21] JAMES Q. DAVIES 2 Vocal Culture in the Age of Laryngoscopy [44] BENJAMIN STEEGE 3 Operatic Fantasies in Early Nineteenth-Century Psychiatry [63] CARMEL RAZ 4 Opera and Hypnosis: Victor Maurel’s Experiments with Verdi’s Otello [84] CELINE FRIGAU MANNING PART II EARS [1O7] 5 Hearing in the Music of Hector Berlioz [109] JULIA KURSELL 6 From Distant Sounds to Aeolian Ears: Ernst Kapp’s Auditory Prosthesis [134] DAVID TRIPPETT V
VI Contents 7 Wagner, Hearing Loss and the Urban Soundscape of Late Nineteenth-Century Germany [155] JAMES DEAVILLE PART III TECHNOLOGIES [173] 8 Science, Technology and Love in Late Eighteenth-Century Opera [175] DEIRDRE LOUGHRIDGE 9 Technological Phantoms of the Opéra [199] BENJAMIN WALTON 10 Circuit Listening [227] ELLEN LOCKHART PART IV BODIES [249] 11 Excelsior as Mass Ornament: The Reproduction of Gesture [251] GAVIN WILLIAMS 12 Automata, Physiology and Opera in the Nineteenth Century [269] MYLES W. JACKSON 13 Wagnerian Manipulation: Bayreuth and Nineteenth-Century Sciences of the Mind [287] JAMES KENNAWAY 14 Unsound Seeds [303] ALEXANDER REHDING Bibliography Index [375] f335]
|
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| title_auth | Nineteenth-century opera and the scientific imagination |
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| title_full | Nineteenth-century opera and the scientific imagination edited by David Trippett, Benjamin Walton |
| title_fullStr | Nineteenth-century opera and the scientific imagination edited by David Trippett, Benjamin Walton |
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