German operetta on Broadway and in the West End, 1900-1940:
Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Der...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core |
| Beschreibung: | x, 383 Seiten Illustrationen, Notenbeispiele, Portraits |
| ISBN: | 9781108484589 |
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| 505 | 8 | |a Introduction -- Part I. The production of operetta. The music of operetta ; Cultural transfer : translation and transcreation ; The business of operetta ; Producers, directors, designers, and performers -- Part II. The reception of operetta. The reception of operetta in London and New York ; Operetta and intermediality ; Operetta and modernity ; Operetta and cosmopolitanism -- Postlude : the demise of operetta -- Appendices | |
| 520 | 3 | |a Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core | |
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Datensatz im Suchindex
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| adam_text | Contents List of Figures and Tables [page vii] List of Music Examples [ix] Acknowledgements [x] Introduction [1] PARTI THE PRODUCTION OF OPERETTA 1 The Music of Operetta [17] [19] 2 Cultural Transfer: Translation and Transcreation 3 The Business of Operetta [55] [89] 4 Producers, Directors, Designers, and Performers PART II THE RECEPTION OF OPERETTA [125] [159] 5 The Reception of Operetta in London and New York 6 Operetta and Intermediality 7 Operetta and Modernity [161] [191] [221] 8 Operetta and Cosmopolitanism Postlude: The Demise of Operetta [252] [277] Appendix 1 Productions of Operetta from the German Stage on Broadway and in the West End, 1900-1940 [284] Appendix 2 Longest Runs of First Performances of Operettas from the German Stage on Broadway and in the West End, 1900-1940 [317] Appendix 3 Operettas with English Librettos by Composers for the German Stage [319]
VI Contents Appendix 4 Selected Period Recordings of English Versions of Operettafrom the German Stage [324] Appendix 5 Selected Films in English of Operettas by Composers for the German Stage [341] Appendix 6 Research Resources [345] Bibliography [351] Index [368]
|
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| author | Scott, Derek B. 1950- |
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| building | Verbundindex |
| bvnumber | BV046232794 |
| contents | Introduction -- Part I. The production of operetta. The music of operetta ; Cultural transfer : translation and transcreation ; The business of operetta ; Producers, directors, designers, and performers -- Part II. The reception of operetta. The reception of operetta in London and New York ; Operetta and intermediality ; Operetta and modernity ; Operetta and cosmopolitanism -- Postlude : the demise of operetta -- Appendices |
| ctrlnum | (OCoLC)1128846069 (DE-599)BVBBV046232794 |
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| era_facet | Geschichte 1900-1944 |
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| spelling | Scott, Derek B. 1950- Verfasser (DE-588)1025960858 aut German operetta on Broadway and in the West End, 1900-1940 Derek B. Scott (University of Leeds) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2019 x, 383 Seiten Illustrationen, Notenbeispiele, Portraits txt rdacontent n rdamedia nc rdacarrier Introduction -- Part I. The production of operetta. The music of operetta ; Cultural transfer : translation and transcreation ; The business of operetta ; Producers, directors, designers, and performers -- Part II. The reception of operetta. The reception of operetta in London and New York ; Operetta and intermediality ; Operetta and modernity ; Operetta and cosmopolitanism -- Postlude : the demise of operetta -- Appendices Academic attention has focused on America's influence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900-1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period - from modernity and gender relations to new technology and new media - and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core Geschichte 1900-1944 gnd rswk-swf Operette (DE-588)4043602-0 gnd rswk-swf Kulturkontakt (DE-588)4033569-0 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf West End London (DE-588)4595170-6 gnd rswk-swf Broadway New York, NY (DE-588)4075359-1 gnd rswk-swf Operetta / 20th century Operetta 1900-1999 Deutschland (DE-588)4011882-4 g Operette (DE-588)4043602-0 s Rezeption (DE-588)4049716-1 s Broadway New York, NY (DE-588)4075359-1 g West End London (DE-588)4595170-6 g Kulturkontakt (DE-588)4033569-0 s Geschichte 1900-1944 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031611256&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Scott, Derek B. 1950- German operetta on Broadway and in the West End, 1900-1940 Introduction -- Part I. The production of operetta. The music of operetta ; Cultural transfer : translation and transcreation ; The business of operetta ; Producers, directors, designers, and performers -- Part II. The reception of operetta. The reception of operetta in London and New York ; Operetta and intermediality ; Operetta and modernity ; Operetta and cosmopolitanism -- Postlude : the demise of operetta -- Appendices Operette (DE-588)4043602-0 gnd Kulturkontakt (DE-588)4033569-0 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4043602-0 (DE-588)4033569-0 (DE-588)4049716-1 (DE-588)4011882-4 (DE-588)4595170-6 (DE-588)4075359-1 |
| title | German operetta on Broadway and in the West End, 1900-1940 |
| title_auth | German operetta on Broadway and in the West End, 1900-1940 |
| title_exact_search | German operetta on Broadway and in the West End, 1900-1940 |
| title_full | German operetta on Broadway and in the West End, 1900-1940 Derek B. Scott (University of Leeds) |
| title_fullStr | German operetta on Broadway and in the West End, 1900-1940 Derek B. Scott (University of Leeds) |
| title_full_unstemmed | German operetta on Broadway and in the West End, 1900-1940 Derek B. Scott (University of Leeds) |
| title_short | German operetta on Broadway and in the West End, 1900-1940 |
| title_sort | german operetta on broadway and in the west end 1900 1940 |
| topic | Operette (DE-588)4043602-0 gnd Kulturkontakt (DE-588)4033569-0 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Operette Kulturkontakt Rezeption Deutschland West End London Broadway New York, NY |
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