Latinx ciné in the twenty-first century:
"A collection of essays that focus on Latinx films in the twenty-first century. It looks at film over a wide variety of genres and their historical, political, and cultural contexts, and considers how production techniques depict the Latinx experience. And it discusses non-Latinx filmmakers who...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Tucson
The University of Arizona Press
[2019]
|
Schriftenreihe: | Latinx pop culture
|
Schlagworte: | |
Zusammenfassung: | "A collection of essays that focus on Latinx films in the twenty-first century. It looks at film over a wide variety of genres and their historical, political, and cultural contexts, and considers how production techniques depict the Latinx experience. And it discusses non-Latinx filmmakers who complicate and enrich our understanding of the Latinx experience"-- |
Beschreibung: | xiii, 506 Seiten Illustrationen |
ISBN: | 9780816537907 |
Internformat
MARC
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245 | 1 | 0 | |a Latinx ciné in the twenty-first century |c edited by Frederick Luis Aldama |
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300 | |a xiii, 506 Seiten |b Illustrationen | ||
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338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Latinx pop culture | |
505 | 8 | 0 | |t The question of twenty-first century Latinx ciné |t What is Latinx in today's documentary filmscape? |r Debra A. Castillo |t Pantelion films and the Latinx Spanish-language film marketplace |r Henry Puente |t Reframing the border in contemporary Mexican American documentary |r Monica Hanna |t Serious docu-games: empathy in action at the virtual border |r Rebecca A. Sheehan |t Reframing and center-staging Latinx nonfiction flicks |t Digitized identidad: color, body, and the tension of DVD-constructed Chicanx heroes |r Samuel Saldívar III |t Salsa on film (corporate) stars, local communities, and global audiences, from Our Latin thing to El Cantante |r Nikolina Dobreva and Enrique García |t Toward a borderland ciné of precarity and situated excess |t On the border between migration and horror: rendering border violence strange in Jonás Cuarón's Desierto |r Lee Behout and Clarissa Goldsmith |t Invisible immigrants: A better life and the cinematic undocumented |r Desirée J. Garcia |t Ex-voto #7: print culture and the creation of an alternative Latinidad in the work of Jim Mendiola |r Ariana Ruiz |t The good, bad, and the messy: Michael Peña's Browning of the twenty-first century silver screen |r Frederick Luis Aldama and Carlos Gabriel Kelly |t Ethnic avengers: machete, django, and the uncertain futures of race and immigration in the United States |r Juan J. Alonzo |t Latinx futurities |t Border securities, drone cultures, and Alex Rivera's Sleep dealer |r Camilla Fojas |t Techno/memo: the politics of cultural memory in Alex Rivera's Sleep dealer |r J.V. Miranda |
505 | 8 | 0 | |t Digital Rasquachismo: Alex Rivera's multimedia storytelling, humor, and transborder Latinx futurity |r Jennifer M. Lozano |t Extra terrestres and the politics of scientific realism |r Matthew David Goodwin |t Superheroic Latinxs |t LatinX-men: Logan's undocumented voices speak |r Jorge Santos |t Laura Kinney as X-treme Niña: monstrosity and citizenship in Marvel's Logan |r Danielle Alexis Orozco |t Pixelated browns |t Very !MACHO! Sonic legacies of Mexican animated villains |r Sara Veronica Hinojos |t The best Mexican is a (Day of the) Dead Mexican: representing Mexicanness in U.S. animated films |r Manuel M. Martin-Rodriguez |t (Re)animating the dead: memory, music, and divine justice in Coco |r John D. "Rio" Riofrio |t "There is no 'I' in Trollhunters": gendered and collective heroism in Guillermo del Toro's multimedial saga |r Iván Eusebio Aguirre Darancou |t Twenty-first-century engenderings of Latinx ciné |t Latinas in biographical film: analyzing the cultivation of a genealogy of Latina Feministas in the United States |r Valentina Montero Román |t Impossible mission: the queer geographies of Peter Bratt's La mission |r Richard T. Rodriguez |t Not-so-great expectations: challenging gender/ethnic roles and achievement in Latinx sports films |r Mauricio Espinoza |t Twenty-first-century Latinx ciné: a coda |r Rosa-Linda Fregoso |
520 | 3 | |a "A collection of essays that focus on Latinx films in the twenty-first century. It looks at film over a wide variety of genres and their historical, political, and cultural contexts, and considers how production techniques depict the Latinx experience. And it discusses non-Latinx filmmakers who complicate and enrich our understanding of the Latinx experience"-- | |
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Datensatz im Suchindex
_version_ | 1804180636826599424 |
---|---|
any_adam_object | |
author2 | Aldama, Frederick Luis 1969- |
author2_role | edt |
author2_variant | f l a fl fla |
author_GND | (DE-588)131428322 |
author_additional | Debra A. Castillo Henry Puente Monica Hanna Rebecca A. Sheehan Samuel Saldívar III Nikolina Dobreva and Enrique García Lee Behout and Clarissa Goldsmith Desirée J. Garcia Ariana Ruiz Frederick Luis Aldama and Carlos Gabriel Kelly Juan J. Alonzo Camilla Fojas J.V. Miranda Jennifer M. Lozano Matthew David Goodwin Jorge Santos Danielle Alexis Orozco Sara Veronica Hinojos Manuel M. Martin-Rodriguez John D. "Rio" Riofrio Iván Eusebio Aguirre Darancou Valentina Montero Román Richard T. Rodriguez Mauricio Espinoza Rosa-Linda Fregoso |
author_facet | Aldama, Frederick Luis 1969- |
building | Verbundindex |
bvnumber | BV046228918 |
classification_rvk | AP 44985 |
contents | The question of twenty-first century Latinx ciné What is Latinx in today's documentary filmscape? Pantelion films and the Latinx Spanish-language film marketplace Reframing the border in contemporary Mexican American documentary Serious docu-games: empathy in action at the virtual border Reframing and center-staging Latinx nonfiction flicks Digitized identidad: color, body, and the tension of DVD-constructed Chicanx heroes Salsa on film (corporate) stars, local communities, and global audiences, from Our Latin thing to El Cantante Toward a borderland ciné of precarity and situated excess On the border between migration and horror: rendering border violence strange in Jonás Cuarón's Desierto Invisible immigrants: A better life and the cinematic undocumented Ex-voto #7: print culture and the creation of an alternative Latinidad in the work of Jim Mendiola The good, bad, and the messy: Michael Peña's Browning of the twenty-first century silver screen Ethnic avengers: machete, django, and the uncertain futures of race and immigration in the United States Latinx futurities Border securities, drone cultures, and Alex Rivera's Sleep dealer Techno/memo: the politics of cultural memory in Alex Rivera's Sleep dealer Digital Rasquachismo: Alex Rivera's multimedia storytelling, humor, and transborder Latinx futurity Extra terrestres and the politics of scientific realism Superheroic Latinxs LatinX-men: Logan's undocumented voices speak Laura Kinney as X-treme Niña: monstrosity and citizenship in Marvel's Logan Pixelated browns Very !MACHO! Sonic legacies of Mexican animated villains The best Mexican is a (Day of the) Dead Mexican: representing Mexicanness in U.S. animated films (Re)animating the dead: memory, music, and divine justice in Coco "There is no 'I' in Trollhunters": gendered and collective heroism in Guillermo del Toro's multimedial saga Twenty-first-century engenderings of Latinx ciné Latinas in biographical film: analyzing the cultivation of a genealogy of Latina Feministas in the United States Impossible mission: the queer geographies of Peter Bratt's La mission Not-so-great expectations: challenging gender/ethnic roles and achievement in Latinx sports films Twenty-first-century Latinx ciné: a coda |
ctrlnum | (OCoLC)1129401289 (DE-599)BVBBV046228918 |
discipline | Allgemeines |
format | Book |
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genre_facet | Aufsatzsammlung |
geographic | Mexiko (DE-588)4039058-5 gnd USA (DE-588)4078704-7 gnd |
geographic_facet | Mexiko USA |
id | DE-604.BV046228918 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:38:55Z |
institution | BVB |
isbn | 9780816537907 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031607428 |
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physical | xiii, 506 Seiten Illustrationen |
publishDate | 2019 |
publishDateSearch | 2019 |
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publisher | The University of Arizona Press |
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series2 | Latinx pop culture |
spelling | Latinx ciné in the twenty-first century edited by Frederick Luis Aldama Tucson The University of Arizona Press [2019] © 2019 xiii, 506 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Latinx pop culture The question of twenty-first century Latinx ciné What is Latinx in today's documentary filmscape? Debra A. Castillo Pantelion films and the Latinx Spanish-language film marketplace Henry Puente Reframing the border in contemporary Mexican American documentary Monica Hanna Serious docu-games: empathy in action at the virtual border Rebecca A. Sheehan Reframing and center-staging Latinx nonfiction flicks Digitized identidad: color, body, and the tension of DVD-constructed Chicanx heroes Samuel Saldívar III Salsa on film (corporate) stars, local communities, and global audiences, from Our Latin thing to El Cantante Nikolina Dobreva and Enrique García Toward a borderland ciné of precarity and situated excess On the border between migration and horror: rendering border violence strange in Jonás Cuarón's Desierto Lee Behout and Clarissa Goldsmith Invisible immigrants: A better life and the cinematic undocumented Desirée J. Garcia Ex-voto #7: print culture and the creation of an alternative Latinidad in the work of Jim Mendiola Ariana Ruiz The good, bad, and the messy: Michael Peña's Browning of the twenty-first century silver screen Frederick Luis Aldama and Carlos Gabriel Kelly Ethnic avengers: machete, django, and the uncertain futures of race and immigration in the United States Juan J. Alonzo Latinx futurities Border securities, drone cultures, and Alex Rivera's Sleep dealer Camilla Fojas Techno/memo: the politics of cultural memory in Alex Rivera's Sleep dealer J.V. Miranda Digital Rasquachismo: Alex Rivera's multimedia storytelling, humor, and transborder Latinx futurity Jennifer M. Lozano Extra terrestres and the politics of scientific realism Matthew David Goodwin Superheroic Latinxs LatinX-men: Logan's undocumented voices speak Jorge Santos Laura Kinney as X-treme Niña: monstrosity and citizenship in Marvel's Logan Danielle Alexis Orozco Pixelated browns Very !MACHO! Sonic legacies of Mexican animated villains Sara Veronica Hinojos The best Mexican is a (Day of the) Dead Mexican: representing Mexicanness in U.S. animated films Manuel M. Martin-Rodriguez (Re)animating the dead: memory, music, and divine justice in Coco John D. "Rio" Riofrio "There is no 'I' in Trollhunters": gendered and collective heroism in Guillermo del Toro's multimedial saga Iván Eusebio Aguirre Darancou Twenty-first-century engenderings of Latinx ciné Latinas in biographical film: analyzing the cultivation of a genealogy of Latina Feministas in the United States Valentina Montero Román Impossible mission: the queer geographies of Peter Bratt's La mission Richard T. Rodriguez Not-so-great expectations: challenging gender/ethnic roles and achievement in Latinx sports films Mauricio Espinoza Twenty-first-century Latinx ciné: a coda Rosa-Linda Fregoso "A collection of essays that focus on Latinx films in the twenty-first century. It looks at film over a wide variety of genres and their historical, political, and cultural contexts, and considers how production techniques depict the Latinx experience. And it discusses non-Latinx filmmakers who complicate and enrich our understanding of the Latinx experience"-- Hispanos Motiv (DE-588)1052304303 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Filmregisseur (DE-588)4154375-0 gnd rswk-swf Hispanos (DE-588)4240086-7 gnd rswk-swf Mexiko (DE-588)4039058-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Hispanic Americans in the motion picture industry / History / 21st century Hispanic Americans in motion pictures / History / 21st century Hispanic Americans in motion pictures Hispanic Americans in the motion picture industry 2000-2099 History (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Mexiko (DE-588)4039058-5 g Film (DE-588)4017102-4 s Hispanos (DE-588)4240086-7 s Filmregisseur (DE-588)4154375-0 s Hispanos Motiv (DE-588)1052304303 s DE-604 Aldama, Frederick Luis 1969- (DE-588)131428322 edt |
spellingShingle | Latinx ciné in the twenty-first century The question of twenty-first century Latinx ciné What is Latinx in today's documentary filmscape? Pantelion films and the Latinx Spanish-language film marketplace Reframing the border in contemporary Mexican American documentary Serious docu-games: empathy in action at the virtual border Reframing and center-staging Latinx nonfiction flicks Digitized identidad: color, body, and the tension of DVD-constructed Chicanx heroes Salsa on film (corporate) stars, local communities, and global audiences, from Our Latin thing to El Cantante Toward a borderland ciné of precarity and situated excess On the border between migration and horror: rendering border violence strange in Jonás Cuarón's Desierto Invisible immigrants: A better life and the cinematic undocumented Ex-voto #7: print culture and the creation of an alternative Latinidad in the work of Jim Mendiola The good, bad, and the messy: Michael Peña's Browning of the twenty-first century silver screen Ethnic avengers: machete, django, and the uncertain futures of race and immigration in the United States Latinx futurities Border securities, drone cultures, and Alex Rivera's Sleep dealer Techno/memo: the politics of cultural memory in Alex Rivera's Sleep dealer Digital Rasquachismo: Alex Rivera's multimedia storytelling, humor, and transborder Latinx futurity Extra terrestres and the politics of scientific realism Superheroic Latinxs LatinX-men: Logan's undocumented voices speak Laura Kinney as X-treme Niña: monstrosity and citizenship in Marvel's Logan Pixelated browns Very !MACHO! Sonic legacies of Mexican animated villains The best Mexican is a (Day of the) Dead Mexican: representing Mexicanness in U.S. animated films (Re)animating the dead: memory, music, and divine justice in Coco "There is no 'I' in Trollhunters": gendered and collective heroism in Guillermo del Toro's multimedial saga Twenty-first-century engenderings of Latinx ciné Latinas in biographical film: analyzing the cultivation of a genealogy of Latina Feministas in the United States Impossible mission: the queer geographies of Peter Bratt's La mission Not-so-great expectations: challenging gender/ethnic roles and achievement in Latinx sports films Twenty-first-century Latinx ciné: a coda Hispanos Motiv (DE-588)1052304303 gnd Film (DE-588)4017102-4 gnd Filmregisseur (DE-588)4154375-0 gnd Hispanos (DE-588)4240086-7 gnd |
subject_GND | (DE-588)1052304303 (DE-588)4017102-4 (DE-588)4154375-0 (DE-588)4240086-7 (DE-588)4039058-5 (DE-588)4078704-7 (DE-588)4143413-4 |
title | Latinx ciné in the twenty-first century |
title_alt | The question of twenty-first century Latinx ciné What is Latinx in today's documentary filmscape? Pantelion films and the Latinx Spanish-language film marketplace Reframing the border in contemporary Mexican American documentary Serious docu-games: empathy in action at the virtual border Reframing and center-staging Latinx nonfiction flicks Digitized identidad: color, body, and the tension of DVD-constructed Chicanx heroes Salsa on film (corporate) stars, local communities, and global audiences, from Our Latin thing to El Cantante Toward a borderland ciné of precarity and situated excess On the border between migration and horror: rendering border violence strange in Jonás Cuarón's Desierto Invisible immigrants: A better life and the cinematic undocumented Ex-voto #7: print culture and the creation of an alternative Latinidad in the work of Jim Mendiola The good, bad, and the messy: Michael Peña's Browning of the twenty-first century silver screen Ethnic avengers: machete, django, and the uncertain futures of race and immigration in the United States Latinx futurities Border securities, drone cultures, and Alex Rivera's Sleep dealer Techno/memo: the politics of cultural memory in Alex Rivera's Sleep dealer Digital Rasquachismo: Alex Rivera's multimedia storytelling, humor, and transborder Latinx futurity Extra terrestres and the politics of scientific realism Superheroic Latinxs LatinX-men: Logan's undocumented voices speak Laura Kinney as X-treme Niña: monstrosity and citizenship in Marvel's Logan Pixelated browns Very !MACHO! Sonic legacies of Mexican animated villains The best Mexican is a (Day of the) Dead Mexican: representing Mexicanness in U.S. animated films (Re)animating the dead: memory, music, and divine justice in Coco "There is no 'I' in Trollhunters": gendered and collective heroism in Guillermo del Toro's multimedial saga Twenty-first-century engenderings of Latinx ciné Latinas in biographical film: analyzing the cultivation of a genealogy of Latina Feministas in the United States Impossible mission: the queer geographies of Peter Bratt's La mission Not-so-great expectations: challenging gender/ethnic roles and achievement in Latinx sports films Twenty-first-century Latinx ciné: a coda |
title_auth | Latinx ciné in the twenty-first century |
title_exact_search | Latinx ciné in the twenty-first century |
title_full | Latinx ciné in the twenty-first century edited by Frederick Luis Aldama |
title_fullStr | Latinx ciné in the twenty-first century edited by Frederick Luis Aldama |
title_full_unstemmed | Latinx ciné in the twenty-first century edited by Frederick Luis Aldama |
title_short | Latinx ciné in the twenty-first century |
title_sort | latinx cine in the twenty first century |
topic | Hispanos Motiv (DE-588)1052304303 gnd Film (DE-588)4017102-4 gnd Filmregisseur (DE-588)4154375-0 gnd Hispanos (DE-588)4240086-7 gnd |
topic_facet | Hispanos Motiv Film Filmregisseur Hispanos Mexiko USA Aufsatzsammlung |
work_keys_str_mv | AT aldamafrederickluis latinxcineinthetwentyfirstcentury |