The Routledge handbook of Shakespeare and global appropriation:
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2020
|
| Schriftenreihe: | Routledge literature handbooks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Beschreibung: | xxvii, 470 Seiten Illustrationen |
| ISBN: | 9781032475189 9781138050198 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List offigures List of contributors Acknowledgments xxl χχϋ xxvit Introduction: Shakespearean appropriation in inter/national contexts Sujata Iyengar and Miriam Jacobson 1 PARTI Transcultural and intercultural Shakespeares 1 “... the great globe itself... shall dissolve”: art after the apocalypse in Station Eleven Sharon O’Dair 13 15 2 Others within: ethics in the age of Global Shakespeare Alexa Alice Jouhin 25 3 “You say you want a revolution?”: Shakespeare in Mexican [dis]guise Alfredo Michel Modenessi 37 4 “Don’t it make my brown eyes blue”: uneasy assimilation and the Shakespeare—Latinx divide Ruben Espinosa 48 5 “To appropriate these white centuries”: James Baldwin’s race conscious Shakespeare Jason Demeter 59 vii
Contents 6 Bishõnen Hamlet: stealth-queering Shakespeare in Manga Shakespeare: Hamlet Brandon Christopher 69 7 Edmund hosts William: appropriation, polytemporality, and postcoloniality in Frank McGuinness’s Mutabilitie Barbara Sebek 14 8 Shakespeare appropriation and queer Latinx empowerment in Josh Inocencios Ofelia Katherine Gillen 90 9 Caliban Rex? Cultural syncretism in Teatro Buendia’s Otra Tempestad Jennifer Flaherty 102 10 Fooling around with Shakespeare: the curious case of “Indian” Twelfth Nights Poon am Trivedi 113 PARTII Decolonizing Shakespeares 125 11 “Flipping the turtle on its back”: Shakespeare, decolonization, and First Peoples in Canada Daniel Fischlin 127 12 Nomadic Shylock: nationhood and its subversion in The Merchant of Venice Avraham Oz 139 13 “What country, friend, is this?” Carlos Diaz’s Cuban Illyria Donna Woodford-Gormley 150 14 Inheriting the past, surviving the future Adele Seeff 161 15 The politics of African Shakespeare Jane Plastow 171 16 Da Kine Shakespeare: James Grant Benton’s TwelfNite О Wateva! Theresa Μ. DiPasquale viii 181
Contents PART ПІ World pedagogical Shakespeares 193 17 “Make new nations”: Shakespearean communities in the twenty-first century Sheila T. Cavanagh 195 18 Appropriating Shakespeare for marginalized students Jessica Walker 19 Beyond appropriation: teaching Shakespeare with accidental echoes in film Matthew Kozusko 206 217 20 Teaching Global Shakespeare: visual culture projects in action Laurie E. Osborne 227 PART IV Regional, local, and “giocai” Shakespeares 241 21 Othello in Poland, a prevailingly homogeneous ethnic country Krystyna Kujawińska Courtney 243 22 Shakespeare in Ireland: 1916 to 2016 Nicholas Grene 254 23 Shakespeare’s presence in the land of ancient drama: Karolos Koun s attempts to acculturate Shakespeare in Greece Tina Krontiris 267 24 “To be/not to be”: Hamlet and the threshold of potentiality in post-communist Bulgaria Kirilka Stavreva and Boika Sokolova 280 25 What’s in a name? Shakespeare and Japanese pop culture Ryu ta Minami 26 “Subjugating Arab forms to European meters”? Shakespeare, Abu Shadi, and the first translations of the sonnets into Arabic David C. Moberly Ή Shakespeares anãshtd Ahmad Zaki Abū Shādī (translated by David C. Moberly) ix 290 304 315
1 Contents ļ 28 Paul Robeson, Margaret Webster, and their transnational Othello Robert Sawyer 323 J PARTY Transmedia Shakespeares 335 29 Ecologies of the Shakespearean artists’ book Sujata Iyengar 337 30 Falstaff and the constructions of musical nostalgia Stephen Μ. Buhler 348 31 The Moor makes a cameo: Serial, Shakespeare, and the white racial frame Vanessa I. Corredera 359 32 De-emphasizing race in young adult novel adaptations of Othello Keith Botelho 33 Resisting history and atoning for racial privilege: Shakespeare’s Henriad in HBO s The Wire L. Monique Pittman 370 378 34 Indigenizing Shakespeare: Haider and the politics of appropriation Amrita Sen 388 35 Ovidian appropriations, metamorphic illusion, and theatrical practice on the Shakespearean stage Lisa S. Starks 398 36 Determined to prove a villain? Appropriating Richard Ill’s disability in recent graphic novels and comics Marina Gerzic 409 37 Some Tweeting Cleopatra: crossing borders on and off the Shakespearean stage Louise Geddes 420 38 The Sandman as Shakespearean appropriation Miriam Jacobson x 431
Contents 39 Shakespeare s scattered leaves: mutilated books, unbound pages, and the circulation of the First Folio Christy Desmet 442 Index 455
ROUTLEDGE HANDBOOKS The Routledge Handbook of Shakespeare and Global Appropriation brings Together a variety of different voices to examine the ways that Shakespeare has been adapted and appropriated onto stage., screen, page, and a variety of digitai formats. The thirty-nine chapters address topics such as trans- and intermedia performances: Shakespearean utopias and dystopias: the ethics of appropriation: Shakespeare and global justice as guidance on how to approach the teaching of these topics. This collection brings into dialogue three very contemporary and relevant areas: rhe work of women and minority scholars; scholarship from develoomci counties: а^о innovative media renderings of Shakespeare. Each e written, but aiso draws on cutting edge research ano Գ w! s e tabies of contents, offering different pathways througi ՛ e be or - we s. w other by medium - which open the book up to both teaching and research. Offering an overview and history of Shakespearean appropriations, as well as discussing contemporary issues and debates in the field. this book is the ultimate guide to this vibrant topic, it wit be of use to anyone researching or studying Shakespeare, adaptation and global appropriation.
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