Loving music till it hurts:
Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the 'Star-Spangled Banner' at the Super Bowl. An under...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York, NY
Oxford University Press
2019
|
Schriftenreihe: | Oxford scholarship online
|
Schlagworte: | |
Online-Zugang: | BSB01 Volltext |
Zusammenfassung: | Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the 'Star-Spangled Banner' at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection |
Beschreibung: | Also issued in print: 2019. - Includes bibliographical references and index |
Beschreibung: | 1 Online-Ressource Illustrationen |
ISBN: | 9780190620165 |
DOI: | 10.1093/oso/9780190620134.001.0001 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV046219334 | ||
003 | DE-604 | ||
005 | 20211130 | ||
007 | cr|uuu---uuuuu | ||
008 | 191029s2019 |||| o||u| ||||||eng d | ||
020 | |a 9780190620165 |c Online |9 978-0-19-062016-5 | ||
024 | 7 | |a 10.1093/oso/9780190620134.001.0001 |2 doi | |
035 | |a (ZDB-28-OSM)EDZ0002112413 | ||
035 | |a (OCoLC)1126545945 | ||
035 | |a (DE-599)BVBBV046219334 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 | ||
084 | |a MUS |q DE-12 |2 fid | ||
100 | 1 | |a Cheng, William |d 1985- |0 (DE-588)1028354010 |4 aut | |
245 | 1 | 0 | |a Loving music till it hurts |c William Cheng |
264 | 1 | |a New York, NY |b Oxford University Press |c 2019 | |
300 | |a 1 Online-Ressource |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Oxford scholarship online | |
500 | |a Also issued in print: 2019. - Includes bibliographical references and index | ||
520 | |a Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the 'Star-Spangled Banner' at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection | ||
650 | 4 | |a Music / Social aspects | |
650 | 4 | |a Music / Moral and ethical aspects | |
650 | 0 | 7 | |a Ethik |0 (DE-588)4015602-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Moral |0 (DE-588)4040222-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Musikleben |0 (DE-588)4075128-4 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Musikleben |0 (DE-588)4075128-4 |D s |
689 | 0 | 1 | |a Moral |0 (DE-588)4040222-8 |D s |
689 | 0 | 2 | |a Ethik |0 (DE-588)4015602-3 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-0-19-062013-4 |
856 | 4 | 0 | |u https://doi.org/10.1093/oso/9780190620134.001.0001 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-28-OSM | ||
940 | 1 | |q BSB_NED_20191217 | |
940 | 1 | |q ZDB-1-UMC | |
999 | |a oai:aleph.bib-bvb.de:BVB01-031598035 | ||
942 | 1 | 1 | |c 780 |e 22/bsb |
942 | 1 | 1 | |c 780.2 |e 22/bsb |
942 | 1 | 1 | |c 780.1 |e 22/bsb |
966 | e | |u https://doi.org/10.1093/oso/9780190620134.001.0001 |l BSB01 |p ZDB-28-OSM |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804180619432820736 |
---|---|
any_adam_object | |
author | Cheng, William 1985- |
author_GND | (DE-588)1028354010 |
author_facet | Cheng, William 1985- |
author_role | aut |
author_sort | Cheng, William 1985- |
author_variant | w c wc |
building | Verbundindex |
bvnumber | BV046219334 |
collection | ZDB-28-OSM |
ctrlnum | (ZDB-28-OSM)EDZ0002112413 (OCoLC)1126545945 (DE-599)BVBBV046219334 |
doi_str_mv | 10.1093/oso/9780190620134.001.0001 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02482nmm a2200553zc 4500</leader><controlfield tag="001">BV046219334</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20211130 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">191029s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190620165</subfield><subfield code="c">Online</subfield><subfield code="9">978-0-19-062016-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1093/oso/9780190620134.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-28-OSM)EDZ0002112413</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1126545945</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046219334</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cheng, William</subfield><subfield code="d">1985-</subfield><subfield code="0">(DE-588)1028354010</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Loving music till it hurts</subfield><subfield code="c">William Cheng</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford scholarship online</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Also issued in print: 2019. - Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the 'Star-Spangled Banner' at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Social aspects</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music / Moral and ethical aspects</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ethik</subfield><subfield code="0">(DE-588)4015602-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Moral</subfield><subfield code="0">(DE-588)4040222-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikleben</subfield><subfield code="0">(DE-588)4075128-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Moral</subfield><subfield code="0">(DE-588)4040222-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Ethik</subfield><subfield code="0">(DE-588)4015602-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-0-19-062013-4</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1093/oso/9780190620134.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSM</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20191217</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-1-UMC</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031598035</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/oso/9780190620134.001.0001</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-28-OSM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV046219334 |
illustrated | Not Illustrated |
indexdate | 2024-07-10T08:38:38Z |
institution | BVB |
isbn | 9780190620165 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031598035 |
oclc_num | 1126545945 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource Illustrationen |
psigel | ZDB-28-OSM BSB_NED_20191217 ZDB-1-UMC |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Oxford University Press |
record_format | marc |
series2 | Oxford scholarship online |
spelling | Cheng, William 1985- (DE-588)1028354010 aut Loving music till it hurts William Cheng New York, NY Oxford University Press 2019 1 Online-Ressource Illustrationen txt rdacontent sti rdacontent c rdamedia cr rdacarrier Oxford scholarship online Also issued in print: 2019. - Includes bibliographical references and index Can music feel pain? Do songs possess dignity? Do symphonies have rights? Of course not, you might say. Yet think of how we anthropomorphize music, not least when we believe it has been somehow mistreated. A singer butchered or mangled the 'Star-Spangled Banner' at the Super Bowl. An underrehearsed cover band made a mockery of Led Zeppelin's classics. An orchestra didn't quite do justice to Mozart's Requiem. Such lively language upholds music as a sentient companion susceptible to injury and in need of fierce protection Music / Social aspects Music / Moral and ethical aspects Ethik (DE-588)4015602-3 gnd rswk-swf Moral (DE-588)4040222-8 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Musikleben (DE-588)4075128-4 s Moral (DE-588)4040222-8 s Ethik (DE-588)4015602-3 s DE-604 Erscheint auch als Druck-Ausgabe 978-0-19-062013-4 https://doi.org/10.1093/oso/9780190620134.001.0001 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Cheng, William 1985- Loving music till it hurts Music / Social aspects Music / Moral and ethical aspects Ethik (DE-588)4015602-3 gnd Moral (DE-588)4040222-8 gnd Musikleben (DE-588)4075128-4 gnd |
subject_GND | (DE-588)4015602-3 (DE-588)4040222-8 (DE-588)4075128-4 |
title | Loving music till it hurts |
title_auth | Loving music till it hurts |
title_exact_search | Loving music till it hurts |
title_full | Loving music till it hurts William Cheng |
title_fullStr | Loving music till it hurts William Cheng |
title_full_unstemmed | Loving music till it hurts William Cheng |
title_short | Loving music till it hurts |
title_sort | loving music till it hurts |
topic | Music / Social aspects Music / Moral and ethical aspects Ethik (DE-588)4015602-3 gnd Moral (DE-588)4040222-8 gnd Musikleben (DE-588)4075128-4 gnd |
topic_facet | Music / Social aspects Music / Moral and ethical aspects Ethik Moral Musikleben |
url | https://doi.org/10.1093/oso/9780190620134.001.0001 |
work_keys_str_mv | AT chengwilliam lovingmusictillithurts |