The digital interface and new media art installations:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2020
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| Schriftenreihe: | Routledge advances in art and visual studies
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Based on the author's thesis (doctoral--Goldsmiths' College, 2017) under the title: The interface is obsolete |
| Beschreibung: | viii, 185 Seiten, 8 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9781138605879 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of Figures Acknowledgments Introduction: Art at the Interface What Is a Digital Interface? 4 A Brief History of Digital Art 6 Chapter Summaries 8 1 The Aesthetic Interface Toward a Digital Aesthetic of the Interface 1S The Aesthetic Interface and the Mediated Experience of Time 18 Aesthetic Distance, Representationalism, and Cartesian Habits of the Mind 20 The Difficulty with Interactivity 24 The Digital Interface Is Obsolete 27 Place and the Aesthetic Interface 30 2 The Embodied Interface The Viewer/Participant or the Interface? 39 The Human “Me” and the Technologized “You” 43 The “Real” and the Representational 48 The Re-use of Cultural Forms: Practice, Potentiality, and Instructional Processes SO 3 The Agential Interface The Agency of Human and Non-human Entities, or Why the Relationship between the Body and Technology Matters 61 The Agential Interface in 768 Pieces 63 Enacting the Agential Cut 66 Collective Spaces of Questioning, Reflection, and Reconsideration 72
viii 4 Contents Instruction and the Interface 78 The Ideological Effects of Instruction 79 Instruction, Learning Processes, and the Cybernetic Feedback Loop of Interaction 81 Pre-programmed Actions and Unexpected Experiences: Instruction as a Rhetorical Device 87 Peripheral Actions and Unintended Consequences: Instruction and the Filtering Process 91 Shared Ontological Systems and the Emergence of Different Dialogues 96 5 The Ubiquitous Interface: Part I 105 What is Ubiquitous Computing? 107 A “Shift” in Computing 108 A Restructuring of Interfaces 114 Re-opening the Question of the Interface: Linear Timelines and Finality 117 In Conclusion 120 6 The Ubiquitous Interface: Part П 125 The Instrumentalization and Commodification of the Ubiquitous Interface 127 “You Are the Controller 129 The Alternative Ubiquitous Interface 133 “A Radically New Tool” 136 In Conclusion 139 7 The Implanted Interface 146 Implanting the Interface 147 The Limited and Limitless Possibilities of the Implant 148 Support: Agency, Identity, and the Implant 150 Mediate: The Social “Time Capsule” 154 Enhance: Performing the Visible Invisible 156 Remediate: Disembodiment, Transcendence, and the Implant 160 Conclusion/Postscript 168 Bibliography Index 173 183
This book is about the digital interface and its use in interactive new media art installations. It examines the aesthetic aspects of the interface through a theoretical exploration of new media artists, who create, and tactically deploy, digital interfaces in their work in order to question the socio-cultural stakes of a technology that shapes and reshapes relationships between humans and non-humans. In this way, it shows how use of the digital interface provides us with a critical framework for understanding our relationship with technology. Phaedra Shanbaum is Lecturer in Digital Arts and Media Education at UCL Knowledge Lab, UCL Institute of Education, University College London, UK.
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| any_adam_object | 1 |
| author | Shanbaum, Phaedra |
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| discipline | Kunstgeschichte Informatik |
| format | Thesis Book |
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| spelling | Shanbaum, Phaedra Verfasser (DE-588)1201308828 aut The interface is obsolete The digital interface and new media art installations Phaedra Shanbaum New York ; London Routledge 2020 viii, 185 Seiten, 8 ungezählte Seiten Tafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier Routledge advances in art and visual studies Based on the author's thesis (doctoral--Goldsmiths' College, 2017) under the title: The interface is obsolete Dissertation Goldsmiths' College 2017 Ästhetik (DE-588)4000626-8 gnd rswk-swf Medienkunst (DE-588)4113418-7 gnd rswk-swf Interaktion (DE-588)4027266-7 gnd rswk-swf New media art Interactive art Installations (Art) Human-computer interaction (DE-588)4113937-9 Hochschulschrift gnd-content Medienkunst (DE-588)4113418-7 s Interaktion (DE-588)4027266-7 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-429-46789-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031597988&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031597988&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title_auth | The digital interface and new media art installations |
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| title_full | The digital interface and new media art installations Phaedra Shanbaum |
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| title_full_unstemmed | The digital interface and new media art installations Phaedra Shanbaum |
| title_short | The digital interface and new media art installations |
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