Rendezvous with Hindi Cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Delhi
Yoda Press
2019
New Delhi SAGE |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 324 Seiten Illustrationen 22 cm |
| ISBN: | 9353286557 9789353286552 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS Foreword by Shabana Azmi vii Introduction ix Part 1: From Single-Screen Theatres to Multiplexes: The Indian Divide 1 Jyothi Kapur Das, Ex-Producer for Viacoml8 Motion Pictures 5 Avtar Panesar, Vice-President of International Operations at Yash Raj Films 19 Nazir Hossein, Exhibitor, Owner of Liberty Cinema 37 Part 2: The ‘Bollywood5 Show 53 Atul Mongia, Casting Director 55 Sneha Khanwalkar, Music Composer 73 Manoshi Nath and Rushi Sharma, Costume Designers 93 Anjum Rajabali, Scriptwriter 109 Part 3: A New Generation in Mumbai 119 Dibakar Banerjee, Director and Producer 123 Mayank Shekhar, Film Critic 143
vi RENDEZVOUS WITH HINDI CINEMA Part 4: Women in the Hindi Film Industry 163 The Female Technicians of Hindi Cinema 167 Namrata Rao, Editor 167 Neha Parti Matiyani, Director of Photography 183 The Young Actresses of Hindi Cinema 201 Kalki Koechlin, Actress 201 Richa Chadha, Actress 217 Part 5: Censorship and Sexuality: The Taboos of Hindi Cinema 233 Pankaja Thakur, Ex-CEO of the Central Board of Film Certification (CBFC) 237 Onir, Director 251 Sridhar Rangayan, Director of the LGBT Film Festival ‘Kashish’ in Mumbai 271 Part 6: The Forgotten Genres: Animation and Documentary 289 Gitanjali Rao, Director 291 Nishtha Jain, Documentary Filmmaker 307 Conclusion 323 Acknowledgements 325 About the Author 327
In Rendezvous with Hindi Cinema, Ophélie Wiel gives us а гаге behind-the-scenes glimpse of the Bombay film industry by conducting no-holds-barred conversations with the people who work in the industry and, therefore, both share in and contribute to Hindi cinema. Wiel speaks to technicians, actors, film-makers, creative collaborators, critics, theatre owners and operations heads about their own location, role and challenges within the industry, the present state of Hindi cinema, and where they think it is headed. By way of these conversations, what emerges is a narrative of all that remains unchanged in the industry from its early days, such as the song-and-dance routine formula, as well as everything that has undergone metamorphosis, such as the diversity of voices Hindi cinema is finally beginning to speak for. This book will be a compelling read for people of the industry themselves, students and scholars of Hindi cinema, and movie buffs across the world, particularly those who have a special interest in Bollywood. Ophétie Wiel is a noted film critic and a renowned specialist of Indian cinema in France. She teaches Film Studies at the Université de la Sorbonne Nouvelle in Paris. She has lived and worked in Mumbai for eight years.
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| any_adam_object | 1 |
| author | Wiel, Ophélie 1981- |
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