Reconceptualising film policies:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2019
|
| Ausgabe: | First issued in paperback |
| Schriftenreihe: | Routledge studies in media and cultural industries
2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 306 Seiten Illustration, Diagramm, Karte |
| ISBN: | 9780367409180 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents List of Figures and Tables Foreword Acknowledgements Introduction ix xi xiii 1 NOLWENN MINGANT AND CECILIA TIRTAINE PARTI The Traditional Film Policy Paradigm 1 ‘France needs to position itself on the global media map, as a cultural reference and a production centre’ 13 16 AN INTERVIEW WITH STEPHAN BENDER 2 A Fragile Industry: Government Policy and Dubbing in Quebec 21 A CASE STUDY BY CHRISTINE YORK 3 Monitored Relations: The US Film Industry, Chinese Film Policy and Soft Power 27 DERON OVERPECK 4 Cool Japan and Ideated Politics: Japanese Film and Media Policies within the Economic Politics of Global Markets 41 JENNIFER DEWINTER 5 ‘Sophisticated Cyber Terrorists’: The Film Industry, Rhetoric and National Security A CASE STUDY BY MIKE VAN ESLER 54
vi Contents 6 National Film Policies: Discourses and Loopholes 61 Λ CASE STUDY BY JOEL AUGROS PART 11 The Film Policy Power Struggle 7 ‘Qualified Personalities’: Sociology of the French ‘Media Government’ from Cinema to the Digital Era 67 71 OLIVIER ALEXANDRE 8 Informal Collaborations and Formal Agreements: Chinese-Korean Film Encounters 83 BRIAN YECIES 9 ‘The Petrol in Our Tank’: Public-Private Collaboration in Indian State Animation, Visual Effects, Gaming and Comics (AVGC) Policy 96 TIMOTHY JONES 10 ‘Unionisation of visual effects is inevitable’ 111 AN INTERVIEW WITH JOE PAVLO 11 Tiptoeing the Red Line: PureMovies and Censorship in China 118 A CASE STUDY BY TIECHENG LI 12 Bridging the Gap: Towards a Dialogue between Screen Production, Policy and Scholarship 125 JULIA HAMMETT-JAMART PART III The Film Policy Tangle 139 13 The Ibermedia Programme: How Supra-National Policy Developed the Ibero-American Audiovisual Space 143 CARMINA CRUSAFON 14 Towards a New Film Policy Map in Argentina 157 A CASE STUDY BY LEANDRO GONZÁLEZ 15 T have to make a round of every country’s funding systems’ AN INTERVIEW WITH PRODUCER SABINE SIDAWI 164
Contents vii 16 Cross-Border Collaboration: Suhnational Film Policies and Cultural Frameworks in Belgium and France 168 JAMIE STEELE 17 Between YU and the EU: The Europeanisation of the Serbian Film Policies 183 PETAR MITRIC 18 Reconciling Economic and Cultural Goals in Film Policy: Propositions from Europe 198 A CASE STUDY BY ANNA HEROLD AND CLAUDIA GOLSER PART IV (Re)Inventing the Film Policy Paradigm 205 19 Talking to Netflix with a Canadian Accent: On Digital Platforms and National Media Policies 209 IRA WAGMAN 20 One Script, Several Films: Public Policies and the Digitisation of Movie Theatres in the United States, France and Quebec 222 AURÉLIE PINTO 21 Unwilling and Powerless: Facing Illegal Distribution and Exhibition in Chad 236 A CASE STUDY BY PATRICK NDILTAH 22 From Film Policy to Creative Screen Policies: Media Convergence and Film Policy Trends in Flanders 241 A CASE STUDY BY GERTJAN WILLEMS, DANIEL BILTEREYST, PHILIPPE MEERS AND ROEL VANDE WINKEL 23 South African Post-Apartheid Film Policy: Shifting Discourses on Film, National Identity and Cultural/ Creative Industries 247 NATALIE KOWALIK AND PHILIPPE MEERS 24 The Vertical Axis of Film Policies in Europe: Between Subsidiarity and Local Anarchy MARCO CUCCO 263
viii Contents 25 The Film Code ‘will promote the development of the film industry and make Togolese cinema visible and competitive internationally’ 276 AN INTERVIEW WITH KOMI ATI 26 Films ex-nihilo: Abu Dhabi’s Greenfields Film and Media Policy Model 282 N01.WENN MINGANT List of Contributors Index 296 301
Reconceptualising Film Policies This volume explores and interrogates the shifts in film policies over the past thirty years. It assesses the logic that has traditionally guided policy-makers, while bringing to light the agency of film professionals. It covers film industries from all over the world, foregrounding issues relating to geographical and economic integration, political regimes and new technologies. Featuring chapters by leading and rising acade mics, in-depth case studies and interviews with practitioners and policy makers, this book provides a timely overview of governments’ and industries’ responses to the changing landscape of the production, dis tribution and consumption of films. Nolwenn Mingant is a Senior Lecturer in American Studies at the University of Nantes, France and co-editor of Film Marketing into the Twenty-First Century (BFI/Palgrave Macmillan, 2015). Her research interests include film industries around the world and the international distribution of Hollywood films. Cecilia Tirtaine is a Senior Lecturer in British Studies at the University of Nantes, France. She is the co-editor of Film Marketing into the TwentyFirst Century (BFI/Palgrave Macmillan, 2015). Her research interests include the British film industry and film and television policies.
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| spelling | Reconceptualising film policies edited by Nolwenn Mingant and Cecilia Tirtaine First issued in paperback New York ; London Routledge 2019 xii, 306 Seiten Illustration, Diagramm, Karte txt rdacontent n rdamedia nc rdacarrier Routledge studies in media and cultural industries 2 Geschichte 1984-2017 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Filmpolitik (DE-588)4154372-5 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmpolitik (DE-588)4154372-5 s Filmproduktion (DE-588)4124971-9 s Filmwirtschaft (DE-588)4154384-1 s Geschichte 1984-2017 z DE-604 Mingant, Nolwenn 19XX- (DE-588)1201023394 edt Tirtaine, Cecilia (DE-588)109620679X edt Äquivalent Druck-Ausgabe, Hardcover 978-1-138-72930-8 Routledge studies in media and cultural industries 2 (DE-604)BV044533852 2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031595104&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031595104&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Reconceptualising film policies Routledge studies in media and cultural industries Filmwirtschaft (DE-588)4154384-1 gnd Filmproduktion (DE-588)4124971-9 gnd Filmpolitik (DE-588)4154372-5 gnd |
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| title | Reconceptualising film policies |
| title_auth | Reconceptualising film policies |
| title_exact_search | Reconceptualising film policies |
| title_full | Reconceptualising film policies edited by Nolwenn Mingant and Cecilia Tirtaine |
| title_fullStr | Reconceptualising film policies edited by Nolwenn Mingant and Cecilia Tirtaine |
| title_full_unstemmed | Reconceptualising film policies edited by Nolwenn Mingant and Cecilia Tirtaine |
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