Online music distribution - how much exclusivity is needed?: a study of international, European, German and U. S. copyright systems and their objectives
Intro -- Acknowledgements -- Contents -- Abbreviations -- List of Figures -- List of Tables -- Chapter 1: Introduction -- A. Background -- B. Research Questions and Methodological Remarks -- C. Terminology -- D. Issues Beyond the Scope of This Study -- E. How Is This Study Organized? -- Part I: Onli...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg ; Berlin
Springer
[2019]
|
| Schriftenreihe: | Munich Studies on Innovation and Competition
volume 12 |
| Schlagworte: | |
| Online-Zugang: | https://ebookcentral.proquest.com/lib/gbv/detail.action?docID=5889013 Buchcover |
| Zusammenfassung: | Intro -- Acknowledgements -- Contents -- Abbreviations -- List of Figures -- List of Tables -- Chapter 1: Introduction -- A. Background -- B. Research Questions and Methodological Remarks -- C. Terminology -- D. Issues Beyond the Scope of This Study -- E. How Is This Study Organized? -- Part I: Online Music Distribution: Current Legal Situation -- Chapter 2: Relevant Online Music Uses -- A. Downloading: Permanent and Limited -- B. Streaming: Interactive and Non-interactive -- Chapter 3: Relevant Rights and Their Applicability to Online Music Uses -- A. International Law -- I. Relevant Rights of Authors in Musical Works -- 1. Berne Convention -- a) Reproduction Right: Art. 9(1) -- b) Communication Rights -- 2. Universal Copyright Convention -- 3. TRIPS -- 4. WCT -- a) Reproduction Right -- b) Communication to the Public, Including Making Available on Demand -- c) Distribution and Rental Rights -- II. Relevant Rights of Performers in Performances -- 1. Rome Convention -- 2. TRIPS -- 3. WPPT -- III. Relevant Rights of Phonogram Producers in Phonograms -- 1. Rome Convention -- 2. Geneva Phonograms Convention -- 3. TRIPS -- 4. WPPT -- B. European Law -- I. Relevant Rights of Authors in Musical Works -- 1. Reproduction Right -- a) Broad Reproduction Right -- b) Mandatory Exemption for Temporary Reproductions -- 2. Communication to the Public, Making Available on Demand, Distribution and Rental: Confusing Qualification -- II. Relevant Rights of Performers in Performances -- III. Relevant Rights of Phonogram Producers in Phonograms -- C. German Law -- I. Relevant Rights of Authors in Musical Works -- 1. General Broad Exploitation Rights: Sec. 15 UrhG -- 2. Reproduction Right: Secs. 16 and 44a UrhG -- 3. Making Available to the Public: Sec. 19a UrhG -- 4. Broadcasting: Sec. 20 UrhG -- 5. Distribution and Rental: Sec. 17 UrhG. |
| Beschreibung: | Description based on publisher supplied metadata and other sources |
| Beschreibung: | 1 Online-Ressource (XIX, 423 Seiten) |
| ISBN: | 9783662596999 |
Internformat
MARC
| LEADER | 00000nmm a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV046215567 | ||
| 003 | DE-604 | ||
| 005 | 20231212 | ||
| 006 | a m||| 00||| | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 191024s2019 |||| o||u| ||||||eng d | ||
| 020 | |a 9783662596999 |9 978-3-662-59699-9 | ||
| 035 | |a (DE-599)KEP046855866 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M382 | ||
| 084 | |a 86.59 |2 bkl | ||
| 084 | |a 86.28 |2 bkl | ||
| 100 | 1 | |a Malevanny, Nikita |d 1985- |e Verfasser |0 (DE-588)1197330097 |4 aut | |
| 245 | 1 | 0 | |a Online music distribution - how much exclusivity is needed? |b a study of international, European, German and U. S. copyright systems and their objectives |c Nikita Malevanny |
| 264 | 1 | |a Heidelberg ; Berlin |b Springer |c [2019] | |
| 300 | |a 1 Online-Ressource (XIX, 423 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 1 | |a Munich Studies on Innovation and Competition |v volume 12 | |
| 500 | |a Description based on publisher supplied metadata and other sources | ||
| 502 | |b Dissertation |c Max Planck Institute for Innovation and Competition and Ludwig Maximilian University of Munich |d 2018 | ||
| 520 | 3 | |a Intro -- Acknowledgements -- Contents -- Abbreviations -- List of Figures -- List of Tables -- Chapter 1: Introduction -- A. Background -- B. Research Questions and Methodological Remarks -- C. Terminology -- D. Issues Beyond the Scope of This Study -- E. How Is This Study Organized? -- Part I: Online Music Distribution: Current Legal Situation -- Chapter 2: Relevant Online Music Uses -- A. Downloading: Permanent and Limited -- B. Streaming: Interactive and Non-interactive -- Chapter 3: Relevant Rights and Their Applicability to Online Music Uses -- A. International Law -- I. Relevant Rights of Authors in Musical Works -- 1. Berne Convention -- a) Reproduction Right: Art. 9(1) -- b) Communication Rights -- 2. Universal Copyright Convention -- 3. TRIPS -- 4. WCT -- a) Reproduction Right -- b) Communication to the Public, Including Making Available on Demand -- c) Distribution and Rental Rights -- II. Relevant Rights of Performers in Performances -- 1. Rome Convention -- 2. TRIPS -- 3. WPPT -- III. Relevant Rights of Phonogram Producers in Phonograms -- 1. Rome Convention -- 2. Geneva Phonograms Convention -- 3. TRIPS -- 4. WPPT -- B. European Law -- I. Relevant Rights of Authors in Musical Works -- 1. Reproduction Right -- a) Broad Reproduction Right -- b) Mandatory Exemption for Temporary Reproductions -- 2. Communication to the Public, Making Available on Demand, Distribution and Rental: Confusing Qualification -- II. Relevant Rights of Performers in Performances -- III. Relevant Rights of Phonogram Producers in Phonograms -- C. German Law -- I. Relevant Rights of Authors in Musical Works -- 1. General Broad Exploitation Rights: Sec. 15 UrhG -- 2. Reproduction Right: Secs. 16 and 44a UrhG -- 3. Making Available to the Public: Sec. 19a UrhG -- 4. Broadcasting: Sec. 20 UrhG -- 5. Distribution and Rental: Sec. 17 UrhG. | |
| 650 | 0 | 7 | |a Urheberrecht |0 (DE-588)4062127-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Rechtsvergleich |0 (DE-588)4115712-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Internet |0 (DE-588)4308416-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikwirtschaft |0 (DE-588)4268614-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Downloading |0 (DE-588)4202369-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Streaming |g Kommunikationstechnik |0 (DE-588)4614855-3 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Electronic books | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Musikwirtschaft |0 (DE-588)4268614-3 |D s |
| 689 | 0 | 1 | |a Urheberrecht |0 (DE-588)4062127-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 1 | 1 | |a Internet |0 (DE-588)4308416-3 |D s |
| 689 | 1 | 2 | |a Streaming |g Kommunikationstechnik |0 (DE-588)4614855-3 |D s |
| 689 | 1 | 3 | |a Downloading |0 (DE-588)4202369-5 |D s |
| 689 | 1 | 4 | |a Urheberrecht |0 (DE-588)4062127-3 |D s |
| 689 | 1 | 5 | |a Rechtsvergleich |0 (DE-588)4115712-6 |D s |
| 689 | 1 | |8 1\p |5 DE-604 | |
| 710 | 2 | |a Springer-Verlag |0 (DE-588)2121514-5 |4 pbl | |
| 830 | 0 | |a Munich Studies on Innovation and Competition |v volume 12 |w (DE-604)BV043768297 |9 12 | |
| 856 | 4 | 0 | |m X:EBC |u https://ebookcentral.proquest.com/lib/gbv/detail.action?docID=5889013 |x Aggregator |
| 856 | 4 | 2 | |m SWB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031594352&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Buchcover |
| 912 | |a ZDB-30-PQE | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031594352 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
Datensatz im Suchindex
| _version_ | 1804180612293066752 |
|---|---|
| any_adam_object | 1 |
| author | Malevanny, Nikita 1985- |
| author_GND | (DE-588)1197330097 |
| author_facet | Malevanny, Nikita 1985- |
| author_role | aut |
| author_sort | Malevanny, Nikita 1985- |
| author_variant | n m nm |
| building | Verbundindex |
| bvnumber | BV046215567 |
| collection | ZDB-30-PQE |
| ctrlnum | (DE-599)KEP046855866 |
| format | Thesis Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04725nmm a2200625 cb4500</leader><controlfield tag="001">BV046215567</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20231212 </controlfield><controlfield tag="006">a m||| 00||| </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">191024s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783662596999</subfield><subfield code="9">978-3-662-59699-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KEP046855866</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M382</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">86.59</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">86.28</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Malevanny, Nikita</subfield><subfield code="d">1985-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1197330097</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Online music distribution - how much exclusivity is needed?</subfield><subfield code="b">a study of international, European, German and U. S. copyright systems and their objectives</subfield><subfield code="c">Nikita Malevanny</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Heidelberg ; Berlin</subfield><subfield code="b">Springer</subfield><subfield code="c">[2019]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (XIX, 423 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Munich Studies on Innovation and Competition</subfield><subfield code="v">volume 12</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on publisher supplied metadata and other sources</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">Max Planck Institute for Innovation and Competition and Ludwig Maximilian University of Munich</subfield><subfield code="d">2018</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Intro -- Acknowledgements -- Contents -- Abbreviations -- List of Figures -- List of Tables -- Chapter 1: Introduction -- A. Background -- B. Research Questions and Methodological Remarks -- C. Terminology -- D. Issues Beyond the Scope of This Study -- E. How Is This Study Organized? -- Part I: Online Music Distribution: Current Legal Situation -- Chapter 2: Relevant Online Music Uses -- A. Downloading: Permanent and Limited -- B. Streaming: Interactive and Non-interactive -- Chapter 3: Relevant Rights and Their Applicability to Online Music Uses -- A. International Law -- I. Relevant Rights of Authors in Musical Works -- 1. Berne Convention -- a) Reproduction Right: Art. 9(1) -- b) Communication Rights -- 2. Universal Copyright Convention -- 3. TRIPS -- 4. WCT -- a) Reproduction Right -- b) Communication to the Public, Including Making Available on Demand -- c) Distribution and Rental Rights -- II. Relevant Rights of Performers in Performances -- 1. Rome Convention -- 2. TRIPS -- 3. WPPT -- III. Relevant Rights of Phonogram Producers in Phonograms -- 1. Rome Convention -- 2. Geneva Phonograms Convention -- 3. TRIPS -- 4. WPPT -- B. European Law -- I. Relevant Rights of Authors in Musical Works -- 1. Reproduction Right -- a) Broad Reproduction Right -- b) Mandatory Exemption for Temporary Reproductions -- 2. Communication to the Public, Making Available on Demand, Distribution and Rental: Confusing Qualification -- II. Relevant Rights of Performers in Performances -- III. Relevant Rights of Phonogram Producers in Phonograms -- C. German Law -- I. Relevant Rights of Authors in Musical Works -- 1. General Broad Exploitation Rights: Sec. 15 UrhG -- 2. Reproduction Right: Secs. 16 and 44a UrhG -- 3. Making Available to the Public: Sec. 19a UrhG -- 4. Broadcasting: Sec. 20 UrhG -- 5. Distribution and Rental: Sec. 17 UrhG.</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Urheberrecht</subfield><subfield code="0">(DE-588)4062127-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rechtsvergleich</subfield><subfield code="0">(DE-588)4115712-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Downloading</subfield><subfield code="0">(DE-588)4202369-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Streaming</subfield><subfield code="g">Kommunikationstechnik</subfield><subfield code="0">(DE-588)4614855-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Electronic books</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Urheberrecht</subfield><subfield code="0">(DE-588)4062127-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Internet</subfield><subfield code="0">(DE-588)4308416-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Streaming</subfield><subfield code="g">Kommunikationstechnik</subfield><subfield code="0">(DE-588)4614855-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Downloading</subfield><subfield code="0">(DE-588)4202369-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Urheberrecht</subfield><subfield code="0">(DE-588)4062127-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="5"><subfield code="a">Rechtsvergleich</subfield><subfield code="0">(DE-588)4115712-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Springer-Verlag</subfield><subfield code="0">(DE-588)2121514-5</subfield><subfield code="4">pbl</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Munich Studies on Innovation and Competition</subfield><subfield code="v">volume 12</subfield><subfield code="w">(DE-604)BV043768297</subfield><subfield code="9">12</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="m">X:EBC</subfield><subfield code="u">https://ebookcentral.proquest.com/lib/gbv/detail.action?docID=5889013</subfield><subfield code="x">Aggregator</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">SWB Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031594352&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Buchcover</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-30-PQE</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031594352</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV046215567 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:38:32Z |
| institution | BVB |
| institution_GND | (DE-588)2121514-5 |
| isbn | 9783662596999 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031594352 |
| open_access_boolean | |
| owner | DE-M382 |
| owner_facet | DE-M382 |
| physical | 1 Online-Ressource (XIX, 423 Seiten) |
| psigel | ZDB-30-PQE |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Springer |
| record_format | marc |
| series | Munich Studies on Innovation and Competition |
| series2 | Munich Studies on Innovation and Competition |
| spelling | Malevanny, Nikita 1985- Verfasser (DE-588)1197330097 aut Online music distribution - how much exclusivity is needed? a study of international, European, German and U. S. copyright systems and their objectives Nikita Malevanny Heidelberg ; Berlin Springer [2019] 1 Online-Ressource (XIX, 423 Seiten) txt rdacontent c rdamedia cr rdacarrier Munich Studies on Innovation and Competition volume 12 Description based on publisher supplied metadata and other sources Dissertation Max Planck Institute for Innovation and Competition and Ludwig Maximilian University of Munich 2018 Intro -- Acknowledgements -- Contents -- Abbreviations -- List of Figures -- List of Tables -- Chapter 1: Introduction -- A. Background -- B. Research Questions and Methodological Remarks -- C. Terminology -- D. Issues Beyond the Scope of This Study -- E. How Is This Study Organized? -- Part I: Online Music Distribution: Current Legal Situation -- Chapter 2: Relevant Online Music Uses -- A. Downloading: Permanent and Limited -- B. Streaming: Interactive and Non-interactive -- Chapter 3: Relevant Rights and Their Applicability to Online Music Uses -- A. International Law -- I. Relevant Rights of Authors in Musical Works -- 1. Berne Convention -- a) Reproduction Right: Art. 9(1) -- b) Communication Rights -- 2. Universal Copyright Convention -- 3. TRIPS -- 4. WCT -- a) Reproduction Right -- b) Communication to the Public, Including Making Available on Demand -- c) Distribution and Rental Rights -- II. Relevant Rights of Performers in Performances -- 1. Rome Convention -- 2. TRIPS -- 3. WPPT -- III. Relevant Rights of Phonogram Producers in Phonograms -- 1. Rome Convention -- 2. Geneva Phonograms Convention -- 3. TRIPS -- 4. WPPT -- B. European Law -- I. Relevant Rights of Authors in Musical Works -- 1. Reproduction Right -- a) Broad Reproduction Right -- b) Mandatory Exemption for Temporary Reproductions -- 2. Communication to the Public, Making Available on Demand, Distribution and Rental: Confusing Qualification -- II. Relevant Rights of Performers in Performances -- III. Relevant Rights of Phonogram Producers in Phonograms -- C. German Law -- I. Relevant Rights of Authors in Musical Works -- 1. General Broad Exploitation Rights: Sec. 15 UrhG -- 2. Reproduction Right: Secs. 16 and 44a UrhG -- 3. Making Available to the Public: Sec. 19a UrhG -- 4. Broadcasting: Sec. 20 UrhG -- 5. Distribution and Rental: Sec. 17 UrhG. Urheberrecht (DE-588)4062127-3 gnd rswk-swf Rechtsvergleich (DE-588)4115712-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Internet (DE-588)4308416-3 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Downloading (DE-588)4202369-5 gnd rswk-swf Streaming Kommunikationstechnik (DE-588)4614855-3 gnd rswk-swf Electronic books (DE-588)4113937-9 Hochschulschrift gnd-content Musikwirtschaft (DE-588)4268614-3 s Urheberrecht (DE-588)4062127-3 s DE-604 Musik (DE-588)4040802-4 s Internet (DE-588)4308416-3 s Streaming Kommunikationstechnik (DE-588)4614855-3 s Downloading (DE-588)4202369-5 s Rechtsvergleich (DE-588)4115712-6 s 1\p DE-604 Springer-Verlag (DE-588)2121514-5 pbl Munich Studies on Innovation and Competition volume 12 (DE-604)BV043768297 12 X:EBC https://ebookcentral.proquest.com/lib/gbv/detail.action?docID=5889013 Aggregator SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031594352&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Buchcover 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Malevanny, Nikita 1985- Online music distribution - how much exclusivity is needed? a study of international, European, German and U. S. copyright systems and their objectives Munich Studies on Innovation and Competition Urheberrecht (DE-588)4062127-3 gnd Rechtsvergleich (DE-588)4115712-6 gnd Musik (DE-588)4040802-4 gnd Internet (DE-588)4308416-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd Downloading (DE-588)4202369-5 gnd Streaming Kommunikationstechnik (DE-588)4614855-3 gnd |
| subject_GND | (DE-588)4062127-3 (DE-588)4115712-6 (DE-588)4040802-4 (DE-588)4308416-3 (DE-588)4268614-3 (DE-588)4202369-5 (DE-588)4614855-3 (DE-588)4113937-9 |
| title | Online music distribution - how much exclusivity is needed? a study of international, European, German and U. S. copyright systems and their objectives |
| title_auth | Online music distribution - how much exclusivity is needed? a study of international, European, German and U. S. copyright systems and their objectives |
| title_exact_search | Online music distribution - how much exclusivity is needed? a study of international, European, German and U. S. copyright systems and their objectives |
| title_full | Online music distribution - how much exclusivity is needed? a study of international, European, German and U. S. copyright systems and their objectives Nikita Malevanny |
| title_fullStr | Online music distribution - how much exclusivity is needed? a study of international, European, German and U. S. copyright systems and their objectives Nikita Malevanny |
| title_full_unstemmed | Online music distribution - how much exclusivity is needed? a study of international, European, German and U. S. copyright systems and their objectives Nikita Malevanny |
| title_short | Online music distribution - how much exclusivity is needed? |
| title_sort | online music distribution how much exclusivity is needed a study of international european german and u s copyright systems and their objectives |
| title_sub | a study of international, European, German and U. S. copyright systems and their objectives |
| topic | Urheberrecht (DE-588)4062127-3 gnd Rechtsvergleich (DE-588)4115712-6 gnd Musik (DE-588)4040802-4 gnd Internet (DE-588)4308416-3 gnd Musikwirtschaft (DE-588)4268614-3 gnd Downloading (DE-588)4202369-5 gnd Streaming Kommunikationstechnik (DE-588)4614855-3 gnd |
| topic_facet | Urheberrecht Rechtsvergleich Musik Internet Musikwirtschaft Downloading Streaming Kommunikationstechnik Hochschulschrift |
| url | https://ebookcentral.proquest.com/lib/gbv/detail.action?docID=5889013 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031594352&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV043768297 |
| work_keys_str_mv | AT malevannynikita onlinemusicdistributionhowmuchexclusivityisneededastudyofinternationaleuropeangermananduscopyrightsystemsandtheirobjectives AT springerverlag onlinemusicdistributionhowmuchexclusivityisneededastudyofinternationaleuropeangermananduscopyrightsystemsandtheirobjectives |