In almost every picture:

From careful brushes to jealous scribbles, the stylistic range of how figures are censored is quite diverse. But the defacements here seem more concerned with the censor's own feelings rather than enhancing the overall aesthetic. In these images it is easy to deduce that the censored figures ar...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
Weitere Verfasser: Kessels, Erik 1966- (FotografIn, HerausgeberIn)
Format: Buch
Sprache:English
Veröffentlicht: Amsterdam, The Netherlands KesselsKramer Publishing 2019
Schriftenreihe:In almost every picture #15
Schlagworte:
Zusammenfassung:From careful brushes to jealous scribbles, the stylistic range of how figures are censored is quite diverse. But the defacements here seem more concerned with the censor's own feelings rather than enhancing the overall aesthetic. In these images it is easy to deduce that the censored figures are women - snippets of purses or high heels, the blobs - lingering feminine form. The censor's hand lends them an eerie quality, whether by accident or not. Yet the pictures are also very romantic. A woman loves her man so much, she wishes to never see him with anyone else but her. Rather than destroying or discarding the pictures entirely, her markings let everyone know, "He's mine"
Beschreibung:Edited by Erik Kessels. Photographs from the Horus archive, Sandor Kardos
Beschreibung:104 ungezählte Seiten
ISBN:9789070478506
9070478501

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