American Cinema of the 1930s: Themes and Variations
Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but ar...
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Weitere Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2007]
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Schriftenreihe: | Screen Decades: American Culture/America
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Schlagworte: | |
Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 URL des Erstveröffentlichers |
Zusammenfassung: | Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but aroused threats of censorship in the heartland. Whether the film business could survive the economic effects of the Crash was up in the air. By 1939, popularly called "Hollywood's Greatest Year," films like Gone With the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The "mature oligopoly" that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse. The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes toWashington, and Stagecoach |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019) |
Beschreibung: | 1 online resource 33 |
ISBN: | 9780813543031 |
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Datensatz im Suchindex
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any_adam_object | |
author2 | Hark, Ina Rae |
author2_role | edt |
author2_variant | i r h ir irh |
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discipline | Allgemeines |
era | Geschichte 1930-1939 gnd |
era_facet | Geschichte 1930-1939 |
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spelling | American Cinema of the 1930s Themes and Variations Ina Rae Hark New Brunswick, NJ Rutgers University Press [2007] © 2007 1 online resource 33 txt rdacontent c rdamedia cr rdacarrier Screen Decades: American Culture/America Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019) Probably no decade saw as many changes in the Hollywood film industry and its product as the 1930s did. At the beginning of the decade, the industry was still struggling with the transition to talking pictures. Gangster films and naughty comedies starring Mae West were popular in urban areas, but aroused threats of censorship in the heartland. Whether the film business could survive the economic effects of the Crash was up in the air. By 1939, popularly called "Hollywood's Greatest Year," films like Gone With the Wind and The Wizard of Oz used both color and sound to spectacular effect, and remain American icons today. The "mature oligopoly" that was the studio system had not only weathered the Depression and become part of mainstream culture through the establishment and enforcement of the Production Code, it was a well-oiled, vertically integrated industrial powerhouse. The ten original essays in American Cinema of the 1930s focus on sixty diverse films of the decade, including Dracula, The Public Enemy, Trouble in Paradise, 42nd Street, King Kong, Imitation of Life, The Adventures of Robin Hood, Swing Time, Angels with Dirty Faces, Nothing Sacred, Jezebel, Mr. Smith Goes toWashington, and Stagecoach In English Geschichte 1930-1939 gnd rswk-swf PERFORMING ARTS / General bisacsh Motion pictures -- United States -- History Motion pictures United States History Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Geschichte 1930-1939 z 2\p DE-604 Hark, Ina Rae edt https://www.degruyter.com/isbn/9780813543031 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | American Cinema of the 1930s Themes and Variations PERFORMING ARTS / General bisacsh Motion pictures -- United States -- History Motion pictures United States History Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4143413-4 |
title | American Cinema of the 1930s Themes and Variations |
title_auth | American Cinema of the 1930s Themes and Variations |
title_exact_search | American Cinema of the 1930s Themes and Variations |
title_full | American Cinema of the 1930s Themes and Variations Ina Rae Hark |
title_fullStr | American Cinema of the 1930s Themes and Variations Ina Rae Hark |
title_full_unstemmed | American Cinema of the 1930s Themes and Variations Ina Rae Hark |
title_short | American Cinema of the 1930s |
title_sort | american cinema of the 1930s themes and variations |
title_sub | Themes and Variations |
topic | PERFORMING ARTS / General bisacsh Motion pictures -- United States -- History Motion pictures United States History Film (DE-588)4017102-4 gnd |
topic_facet | PERFORMING ARTS / General Motion pictures -- United States -- History Motion pictures United States History Film USA Aufsatzsammlung |
url | https://www.degruyter.com/isbn/9780813543031 |
work_keys_str_mv | AT harkinarae americancinemaofthe1930sthemesandvariations |