The Song of Songs: a biography
An essential biography of the greatest love poem ever writtenThe Song of Songs has been embraced for centuries as the ultimate song of love. But the kind of love readers have found in this ancient poem is strikingly varied. Ilana Pardes invites us to explore the dramatic shift from readings of the S...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Princeton, New Jersey ; Oxford
Princeton University Press
[2019]
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| Schriftenreihe: | Lives of great religious books
|
| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-188 DE-473 DE-739 Volltext |
| Zusammenfassung: | An essential biography of the greatest love poem ever writtenThe Song of Songs has been embraced for centuries as the ultimate song of love. But the kind of love readers have found in this ancient poem is strikingly varied. Ilana Pardes invites us to explore the dramatic shift from readings of the Song as a poem on divine love to celebrations of its exuberant account of human love. With a refreshingly nuanced approach, she reveals how allegorical and literal interpretive lines are inextricably intertwined in the Song's tumultuous life. The body in all its aspects—pleasure and pain, even erotic fervor—is key to many allegorical commentaries. And although the literal, sensual Song thrives in modernity, allegory has not disappeared. New modes of allegory have emerged in modern settings, from the literary and the scholarly to the communal.Offering rare insights into the story of this remarkable poem, Pardes traces a variegated line of passionate readers. She looks at Jewish and Christian interpreters of late antiquity who were engaged in disputes over the Song's allegorical meaning, at medieval Hebrew poets who introduced it into the opulent world of courtly banquets, and at kabbalists who used it as a springboard to the celestial spheres. She shows how feminist critics have marveled at the Song's egalitarian representation of courtship, and how it became a song of America for Walt Whitman, Herman Melville, and Toni Morrison. Throughout these explorations of the Song's reception, Pardes highlights the unparalleled beauty of its audacious language of love |
| Beschreibung: | 1 Online-Ressource (xii, 280 Seiten) Illustrationen |
| ISBN: | 9780691194240 |
| DOI: | 10.1515/9780691194240 |
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| spelling | Pardes, Ilanah 1956- Verfasser (DE-588)122323653 aut The Song of Songs a biography Ilana Pardes Princeton, New Jersey ; Oxford Princeton University Press [2019] © 2019 1 Online-Ressource (xii, 280 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Lives of great religious books An essential biography of the greatest love poem ever writtenThe Song of Songs has been embraced for centuries as the ultimate song of love. But the kind of love readers have found in this ancient poem is strikingly varied. Ilana Pardes invites us to explore the dramatic shift from readings of the Song as a poem on divine love to celebrations of its exuberant account of human love. With a refreshingly nuanced approach, she reveals how allegorical and literal interpretive lines are inextricably intertwined in the Song's tumultuous life. The body in all its aspects—pleasure and pain, even erotic fervor—is key to many allegorical commentaries. And although the literal, sensual Song thrives in modernity, allegory has not disappeared. New modes of allegory have emerged in modern settings, from the literary and the scholarly to the communal.Offering rare insights into the story of this remarkable poem, Pardes traces a variegated line of passionate readers. She looks at Jewish and Christian interpreters of late antiquity who were engaged in disputes over the Song's allegorical meaning, at medieval Hebrew poets who introduced it into the opulent world of courtly banquets, and at kabbalists who used it as a springboard to the celestial spheres. She shows how feminist critics have marveled at the Song's egalitarian representation of courtship, and how it became a song of America for Walt Whitman, Herman Melville, and Toni Morrison. Throughout these explorations of the Song's reception, Pardes highlights the unparalleled beauty of its audacious language of love Bibel Hoheslied (DE-588)4072593-5 gnd rswk-swf Geschichte gnd rswk-swf RELIGION / Biblical Criticism & Interpretation / General bisacsh Exegese (DE-588)4015950-4 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Bibel Hoheslied (DE-588)4072593-5 u Exegese (DE-588)4015950-4 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-691-14606-5 https://doi.org/10.1515/9780691194240 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Pardes, Ilanah 1956- The Song of Songs a biography Bibel Hoheslied (DE-588)4072593-5 gnd RELIGION / Biblical Criticism & Interpretation / General bisacsh Exegese (DE-588)4015950-4 gnd |
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| title | The Song of Songs a biography |
| title_auth | The Song of Songs a biography |
| title_exact_search | The Song of Songs a biography |
| title_full | The Song of Songs a biography Ilana Pardes |
| title_fullStr | The Song of Songs a biography Ilana Pardes |
| title_full_unstemmed | The Song of Songs a biography Ilana Pardes |
| title_short | The Song of Songs |
| title_sort | the song of songs a biography |
| title_sub | a biography |
| topic | Bibel Hoheslied (DE-588)4072593-5 gnd RELIGION / Biblical Criticism & Interpretation / General bisacsh Exegese (DE-588)4015950-4 gnd |
| topic_facet | Bibel Hoheslied RELIGION / Biblical Criticism & Interpretation / General Exegese Biografie |
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