Twentieth-Century Sentimentalism: Narrative Appropriation in American Literature
Today’s critical establishment assumes that sentimentalism is an eighteenth- and nineteenth-century literary mode that all but disappeared by the twentieth century. In this book, Jennifer Williamson argues that sentimentalism is alive and well in the modern era. By examining working-class literature...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2013]
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Schriftenreihe: | The American Literatures Initiative
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Schlagworte: | |
Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
Zusammenfassung: | Today’s critical establishment assumes that sentimentalism is an eighteenth- and nineteenth-century literary mode that all but disappeared by the twentieth century. In this book, Jennifer Williamson argues that sentimentalism is alive and well in the modern era. By examining working-class literature that adopts the rhetoric of "feeling right" in order to promote a proletarian or humanist ideology as well as neo-slave narratives that wrestle with the legacy of slavery and cultural definitions of African American families, she explores the ways contemporary authors engage with familiar sentimental clichés and ideals. Williamson covers new ground by examining authors who are not generally read for their sentimental narrative practices, considering the proletarian novels of Grace Lumpkin, Josephine Johnson, and John Steinbeck alongside neo-slave narratives written by Margaret Walker, Octavia Butler, and Toni Morrison. Through careful close readings, Williamson argues that the appropriation of sentimental modes enables both sympathetic thought and systemic action in the proletarian and neo-slave novels under discussion. She contrasts appropriations that facilitate such cultural work with those that do not, including Kathryn Stockett’s novel and film The Help. The book outlines how sentimentalism remains a viable and important means of promoting social justice while simultaneously recognizing and exploring how sentimentality can further white privilege. Sentimentalism is not only alive in the twentieth century. It is a flourishing rhetorical practice among a range of twentieth-century authors who use sentimental tactics in order to appeal to their readers about a range of social justice issues. This book demonstrates that at stake in their appeals is who is inside and outside of the American family and nation |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019) |
Beschreibung: | 1 online resource |
ISBN: | 9780813562995 |
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520 | |a Today’s critical establishment assumes that sentimentalism is an eighteenth- and nineteenth-century literary mode that all but disappeared by the twentieth century. In this book, Jennifer Williamson argues that sentimentalism is alive and well in the modern era. By examining working-class literature that adopts the rhetoric of "feeling right" in order to promote a proletarian or humanist ideology as well as neo-slave narratives that wrestle with the legacy of slavery and cultural definitions of African American families, she explores the ways contemporary authors engage with familiar sentimental clichés and ideals. Williamson covers new ground by examining authors who are not generally read for their sentimental narrative practices, considering the proletarian novels of Grace Lumpkin, Josephine Johnson, and John Steinbeck alongside neo-slave narratives written by Margaret Walker, Octavia Butler, and Toni Morrison. Through careful close readings, Williamson argues that the appropriation of sentimental modes enables both sympathetic thought and systemic action in the proletarian and neo-slave novels under discussion. She contrasts appropriations that facilitate such cultural work with those that do not, including Kathryn Stockett’s novel and film The Help. The book outlines how sentimentalism remains a viable and important means of promoting social justice while simultaneously recognizing and exploring how sentimentality can further white privilege. Sentimentalism is not only alive in the twentieth century. It is a flourishing rhetorical practice among a range of twentieth-century authors who use sentimental tactics in order to appeal to their readers about a range of social justice issues. This book demonstrates that at stake in their appeals is who is inside and outside of the American family and nation | ||
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Datensatz im Suchindex
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any_adam_object | |
author | Williamson, Jennifer A. |
author_facet | Williamson, Jennifer A. |
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author_sort | Williamson, Jennifer A. |
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spelling | Williamson, Jennifer A. Verfasser aut Twentieth-Century Sentimentalism Narrative Appropriation in American Literature Jennifer A. Williamson New Brunswick, NJ Rutgers University Press [2013] © 2013 1 online resource txt rdacontent c rdamedia cr rdacarrier The American Literatures Initiative Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019) Today’s critical establishment assumes that sentimentalism is an eighteenth- and nineteenth-century literary mode that all but disappeared by the twentieth century. In this book, Jennifer Williamson argues that sentimentalism is alive and well in the modern era. By examining working-class literature that adopts the rhetoric of "feeling right" in order to promote a proletarian or humanist ideology as well as neo-slave narratives that wrestle with the legacy of slavery and cultural definitions of African American families, she explores the ways contemporary authors engage with familiar sentimental clichés and ideals. Williamson covers new ground by examining authors who are not generally read for their sentimental narrative practices, considering the proletarian novels of Grace Lumpkin, Josephine Johnson, and John Steinbeck alongside neo-slave narratives written by Margaret Walker, Octavia Butler, and Toni Morrison. Through careful close readings, Williamson argues that the appropriation of sentimental modes enables both sympathetic thought and systemic action in the proletarian and neo-slave novels under discussion. She contrasts appropriations that facilitate such cultural work with those that do not, including Kathryn Stockett’s novel and film The Help. The book outlines how sentimentalism remains a viable and important means of promoting social justice while simultaneously recognizing and exploring how sentimentality can further white privilege. Sentimentalism is not only alive in the twentieth century. It is a flourishing rhetorical practice among a range of twentieth-century authors who use sentimental tactics in order to appeal to their readers about a range of social justice issues. This book demonstrates that at stake in their appeals is who is inside and outside of the American family and nation In English Geschichte 1900-2000 gnd rswk-swf LITERARY CRITICISM / General bisacsh American literature 20th century History and criticism Sentimentalism in literature Empfindsamkeit (DE-588)4152096-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Empfindsamkeit (DE-588)4152096-8 s Geschichte 1900-2000 z 1\p DE-604 https://www.degruyter.com/isbn/9780813562995 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Williamson, Jennifer A. Twentieth-Century Sentimentalism Narrative Appropriation in American Literature LITERARY CRITICISM / General bisacsh American literature 20th century History and criticism Sentimentalism in literature Empfindsamkeit (DE-588)4152096-8 gnd Literatur (DE-588)4035964-5 gnd |
subject_GND | (DE-588)4152096-8 (DE-588)4035964-5 (DE-588)4078704-7 |
title | Twentieth-Century Sentimentalism Narrative Appropriation in American Literature |
title_auth | Twentieth-Century Sentimentalism Narrative Appropriation in American Literature |
title_exact_search | Twentieth-Century Sentimentalism Narrative Appropriation in American Literature |
title_full | Twentieth-Century Sentimentalism Narrative Appropriation in American Literature Jennifer A. Williamson |
title_fullStr | Twentieth-Century Sentimentalism Narrative Appropriation in American Literature Jennifer A. Williamson |
title_full_unstemmed | Twentieth-Century Sentimentalism Narrative Appropriation in American Literature Jennifer A. Williamson |
title_short | Twentieth-Century Sentimentalism |
title_sort | twentieth century sentimentalism narrative appropriation in american literature |
title_sub | Narrative Appropriation in American Literature |
topic | LITERARY CRITICISM / General bisacsh American literature 20th century History and criticism Sentimentalism in literature Empfindsamkeit (DE-588)4152096-8 gnd Literatur (DE-588)4035964-5 gnd |
topic_facet | LITERARY CRITICISM / General American literature 20th century History and criticism Sentimentalism in literature Empfindsamkeit Literatur USA |
url | https://www.degruyter.com/isbn/9780813562995 |
work_keys_str_mv | AT williamsonjennifera twentiethcenturysentimentalismnarrativeappropriationinamericanliterature |