Phantom Ladies: Hollywood Horror and the Home Front
Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted th...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2014]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 URL des Erstveröffentlichers |
| Zusammenfassung: | Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of "women’s genres" like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) |
| Beschreibung: | 1 online resource 16 photographs |
| ISBN: | 9780813570440 |
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| 520 | |a Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of "women’s genres" like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Snelson, Tim |
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| spelling | Snelson, Tim Verfasser aut Phantom Ladies Hollywood Horror and the Home Front Tim Snelson New Brunswick, NJ Rutgers University Press [2014] © 2014 1 online resource 16 photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of "women’s genres" like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era In English Geschichte 1940-1946 gnd rswk-swf PERFORMING ARTS / General bisacsh Horror films United States History and criticism Motion pictures and women Sex role in motion pictures Women in motion pictures Horrorfilm (DE-588)4127415-5 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Horrorfilm (DE-588)4127415-5 s Frau Motiv (DE-588)4113617-2 s Geschichte 1940-1946 z 1\p DE-604 https://www.degruyter.com/isbn/9780813570440 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Snelson, Tim Phantom Ladies Hollywood Horror and the Home Front PERFORMING ARTS / General bisacsh Horror films United States History and criticism Motion pictures and women Sex role in motion pictures Women in motion pictures Horrorfilm (DE-588)4127415-5 gnd Frau Motiv (DE-588)4113617-2 gnd |
| subject_GND | (DE-588)4127415-5 (DE-588)4113617-2 (DE-588)4078704-7 |
| title | Phantom Ladies Hollywood Horror and the Home Front |
| title_auth | Phantom Ladies Hollywood Horror and the Home Front |
| title_exact_search | Phantom Ladies Hollywood Horror and the Home Front |
| title_full | Phantom Ladies Hollywood Horror and the Home Front Tim Snelson |
| title_fullStr | Phantom Ladies Hollywood Horror and the Home Front Tim Snelson |
| title_full_unstemmed | Phantom Ladies Hollywood Horror and the Home Front Tim Snelson |
| title_short | Phantom Ladies |
| title_sort | phantom ladies hollywood horror and the home front |
| title_sub | Hollywood Horror and the Home Front |
| topic | PERFORMING ARTS / General bisacsh Horror films United States History and criticism Motion pictures and women Sex role in motion pictures Women in motion pictures Horrorfilm (DE-588)4127415-5 gnd Frau Motiv (DE-588)4113617-2 gnd |
| topic_facet | PERFORMING ARTS / General Horror films United States History and criticism Motion pictures and women Sex role in motion pictures Women in motion pictures Horrorfilm Frau Motiv USA |
| url | https://www.degruyter.com/isbn/9780813570440 |
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