Dying Swans and Madmen: Ballet, the Body, and Narrative Cinema
From mid-twentieth-century films such as Grand Hotel, Waterloo Bridge, and The Red Shoes to recent box-office hits including Billy Elliot, Save the Last Dance, and The Company, ballet has found its way, time and again, onto the silver screen and into the hearts of many otherwise unlikely audiences....
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2008]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | From mid-twentieth-century films such as Grand Hotel, Waterloo Bridge, and The Red Shoes to recent box-office hits including Billy Elliot, Save the Last Dance, and The Company, ballet has found its way, time and again, onto the silver screen and into the hearts of many otherwise unlikely audiences. In Dying Swans and Madmen, Adrienne L. McLean explores the curious pairing of classical and contemporary, art and entertainment, high culture and popular culture to reveal the ambivalent place that this art form occupies in American life. Drawing on examples that range from musicals to tragic melodramas, she shows how commercial films have produced an image of ballet and its artists that is associated both with joy, fulfillment, fame, and power and with sexual and mental perversity, melancholy, and death. Although ballet is still received by many with a lack of interest or outright suspicion, McLean argues that these attitudes as well as ballet's popularity and its acceptability as a way of life and a profession have often depended on what audiences first learned about it from the movies |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019) |
| Beschreibung: | 1 online resource 50 illustrations |
| ISBN: | 9780813544670 |
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Datensatz im Suchindex
| _version_ | 1804180603879292928 |
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| any_adam_object | |
| author | McLean, Adrienne L. |
| author_facet | McLean, Adrienne L. |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.8 |
| dewey-search | 792.8 |
| dewey-sort | 3792.8 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | McLean, Adrienne L. Verfasser aut Dying Swans and Madmen Ballet, the Body, and Narrative Cinema Adrienne L. McLean New Brunswick, NJ Rutgers University Press [2008] © 2008 1 online resource 50 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019) From mid-twentieth-century films such as Grand Hotel, Waterloo Bridge, and The Red Shoes to recent box-office hits including Billy Elliot, Save the Last Dance, and The Company, ballet has found its way, time and again, onto the silver screen and into the hearts of many otherwise unlikely audiences. In Dying Swans and Madmen, Adrienne L. McLean explores the curious pairing of classical and contemporary, art and entertainment, high culture and popular culture to reveal the ambivalent place that this art form occupies in American life. Drawing on examples that range from musicals to tragic melodramas, she shows how commercial films have produced an image of ballet and its artists that is associated both with joy, fulfillment, fame, and power and with sexual and mental perversity, melancholy, and death. Although ballet is still received by many with a lack of interest or outright suspicion, McLean argues that these attitudes as well as ballet's popularity and its acceptability as a way of life and a profession have often depended on what audiences first learned about it from the movies In English Geschichte gnd rswk-swf PERFORMING ARTS / General bisacsh Ballet in motion pictures, television, etc Ballett (DE-588)4004351-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Ballett Motiv (DE-588)4112661-0 gnd rswk-swf Ballett (DE-588)4004351-4 s Film (DE-588)4017102-4 s Geschichte z 1\p DE-604 Ballett Motiv (DE-588)4112661-0 s 2\p DE-604 https://www.degruyter.com/isbn/9780813544670 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | McLean, Adrienne L. Dying Swans and Madmen Ballet, the Body, and Narrative Cinema PERFORMING ARTS / General bisacsh Ballet in motion pictures, television, etc Ballett (DE-588)4004351-4 gnd Film (DE-588)4017102-4 gnd Ballett Motiv (DE-588)4112661-0 gnd |
| subject_GND | (DE-588)4004351-4 (DE-588)4017102-4 (DE-588)4112661-0 |
| title | Dying Swans and Madmen Ballet, the Body, and Narrative Cinema |
| title_auth | Dying Swans and Madmen Ballet, the Body, and Narrative Cinema |
| title_exact_search | Dying Swans and Madmen Ballet, the Body, and Narrative Cinema |
| title_full | Dying Swans and Madmen Ballet, the Body, and Narrative Cinema Adrienne L. McLean |
| title_fullStr | Dying Swans and Madmen Ballet, the Body, and Narrative Cinema Adrienne L. McLean |
| title_full_unstemmed | Dying Swans and Madmen Ballet, the Body, and Narrative Cinema Adrienne L. McLean |
| title_short | Dying Swans and Madmen |
| title_sort | dying swans and madmen ballet the body and narrative cinema |
| title_sub | Ballet, the Body, and Narrative Cinema |
| topic | PERFORMING ARTS / General bisacsh Ballet in motion pictures, television, etc Ballett (DE-588)4004351-4 gnd Film (DE-588)4017102-4 gnd Ballett Motiv (DE-588)4112661-0 gnd |
| topic_facet | PERFORMING ARTS / General Ballet in motion pictures, television, etc Ballett Film Ballett Motiv |
| url | https://www.degruyter.com/isbn/9780813544670 |
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