The Great White Way: Race and the Broadway Musical
Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? The Great White Way is the first book to reveal t...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2014]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States. Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927–1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon—Show Boat (1927), Oklahoma! (1943), Annie Get YourGun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) |
| Beschreibung: | 1 online resource 17 photographs |
| ISBN: | 9780813563367 |
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| author | Hoffman, Warren |
| author_facet | Hoffman, Warren |
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| bvnumber | BV046211321 |
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| dewey-full | 792.6089/0097471 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.6089/0097471 |
| dewey-search | 792.6089/0097471 |
| dewey-sort | 3792.6089 597471 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1927-2011 gnd Geschichte 1927-2019 gnd |
| era_facet | Geschichte 1927-2011 Geschichte 1927-2019 |
| format | Electronic eBook |
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| geographic | USA (DE-588)4078704-7 gnd Broadway New York, NY (DE-588)4075359-1 gnd |
| geographic_facet | USA Broadway New York, NY |
| id | DE-604.BV046211321 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:38:23Z |
| institution | BVB |
| isbn | 9780813563367 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031590208 |
| oclc_num | 1125189447 |
| open_access_boolean | |
| owner | DE-1046 DE-859 DE-Aug4 DE-860 DE-739 DE-473 DE-BY-UBG DE-1043 DE-858 |
| owner_facet | DE-1046 DE-859 DE-Aug4 DE-860 DE-739 DE-473 DE-BY-UBG DE-1043 DE-858 |
| physical | 1 online resource 17 photographs |
| psigel | ZDB-23-DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Rutgers University Press |
| record_format | marc |
| spelling | Hoffman, Warren Verfasser aut The Great White Way Race and the Broadway Musical Warren Hoffman New Brunswick, NJ Rutgers University Press [2014] © 2014 1 online resource 17 photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) Broadway musicals are one of America’s most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation? The Great White Way is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from Show Boat (1927) to The Scottsboro Boys (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States. Presented chronologically, The Great White Way shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927–1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon—Show Boat (1927), Oklahoma! (1943), Annie Get YourGun (1946), The Music Man (1957), West Side Story (1957), A Chorus Line (1975), and 42nd Street (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment In English Geschichte 1927-2011 gnd rswk-swf Geschichte 1927-2019 gnd rswk-swf PERFORMING ARTS / General bisacsh Music and race Musical theater Political aspects United States History 20th century Musical theater Political aspects United States History 21st century Musical theater Social aspects United States History 20th century Musical theater Social aspects United States History 21st century Race in musical theater Ethnische Identität Motiv (DE-588)4543530-3 gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf Musiktheater (DE-588)4040874-7 gnd rswk-swf Rassenpolitik (DE-588)4115694-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Broadway New York, NY (DE-588)4075359-1 gnd rswk-swf USA (DE-588)4078704-7 g Broadway New York, NY (DE-588)4075359-1 g Musical (DE-588)4040801-2 s Ethnische Identität Motiv (DE-588)4543530-3 s Geschichte 1927-2011 z 1\p DE-604 Musiktheater (DE-588)4040874-7 s Rassenpolitik (DE-588)4115694-8 s 2\p DE-604 Geschichte 1927-2019 z 3\p DE-604 4\p DE-604 https://www.degruyter.com/isbn/9780813563367 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hoffman, Warren The Great White Way Race and the Broadway Musical PERFORMING ARTS / General bisacsh Music and race Musical theater Political aspects United States History 20th century Musical theater Political aspects United States History 21st century Musical theater Social aspects United States History 20th century Musical theater Social aspects United States History 21st century Race in musical theater Ethnische Identität Motiv (DE-588)4543530-3 gnd Musical (DE-588)4040801-2 gnd Musiktheater (DE-588)4040874-7 gnd Rassenpolitik (DE-588)4115694-8 gnd |
| subject_GND | (DE-588)4543530-3 (DE-588)4040801-2 (DE-588)4040874-7 (DE-588)4115694-8 (DE-588)4078704-7 (DE-588)4075359-1 |
| title | The Great White Way Race and the Broadway Musical |
| title_auth | The Great White Way Race and the Broadway Musical |
| title_exact_search | The Great White Way Race and the Broadway Musical |
| title_full | The Great White Way Race and the Broadway Musical Warren Hoffman |
| title_fullStr | The Great White Way Race and the Broadway Musical Warren Hoffman |
| title_full_unstemmed | The Great White Way Race and the Broadway Musical Warren Hoffman |
| title_short | The Great White Way |
| title_sort | the great white way race and the broadway musical |
| title_sub | Race and the Broadway Musical |
| topic | PERFORMING ARTS / General bisacsh Music and race Musical theater Political aspects United States History 20th century Musical theater Political aspects United States History 21st century Musical theater Social aspects United States History 20th century Musical theater Social aspects United States History 21st century Race in musical theater Ethnische Identität Motiv (DE-588)4543530-3 gnd Musical (DE-588)4040801-2 gnd Musiktheater (DE-588)4040874-7 gnd Rassenpolitik (DE-588)4115694-8 gnd |
| topic_facet | PERFORMING ARTS / General Music and race Musical theater Political aspects United States History 20th century Musical theater Political aspects United States History 21st century Musical theater Social aspects United States History 20th century Musical theater Social aspects United States History 21st century Race in musical theater Ethnische Identität Motiv Musical Musiktheater Rassenpolitik USA Broadway New York, NY |
| url | https://www.degruyter.com/isbn/9780813563367 |
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