Ethnic Humor in Multiethnic America
Ethnic Humor in Multiethnic America:

When wielded by the white majority, ethnic humor can be used to ridicule and demean marginalized groups. In the hands of ethnic minorities themselves, ethnic humor can work as a site of community building and resistance. In nearly all cases, however, ethnic humor can serve as a window through which...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
1. Verfasser: Gillota, David (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: New Brunswick, NJ Rutgers University Press [2013]
Schlagworte:
SOCIAL SCIENCE / General
American wit and humor > History and criticism
Ethnic wit and humor > United States > History and criticism
Wit and humor > Social aspects > United States
Humor
Witz
Nationalcharakter
Ethnosoziologie
Multikulturelle Gesellschaft
USA
Online-Zugang:DE-1046
DE-859
DE-860
DE-739
DE-473
DE-1043
DE-858
URL des Erstveröffentlichers
Zusammenfassung:When wielded by the white majority, ethnic humor can be used to ridicule and demean marginalized groups. In the hands of ethnic minorities themselves, ethnic humor can work as a site of community building and resistance. In nearly all cases, however, ethnic humor can serve as a window through which to examine the complexities of American race relations. In Ethnic Humor in Multiethnic America, David Gillota explores the ways in which contemporary comic works both reflect and participate in national conversations about race and ethnicity. Gillota investigates the manner in which various humorists respond to multiculturalism and the increasing diversity of the American population. Rather than looking at one or two ethnic groups at a time—as is common scholarly practice—the book focuses on the interplay between humorists from different ethnic communities.
While some comic texts project a fantasy world in which diverse ethnic characters coexist in a rarely disputed harmony, others genuinely engage with the complexities and contradictions of multiethnic America. The first chapter focuses on African American comedy with a discussion of such humorists as Paul Mooney and Chris Rock, who tend to reinforce a black/white vision of American race relations. This approach is contrasted to the comedy of Dave Chappelle, who looks beyond black and white and uses his humor to place blackness within a much wider multiethnic context. Chapter 2 concentrates primarily on the Jewish humorists Sarah Silverman, Larry David, and Sacha Baron Cohen—three artists who use their personas to explore the peculiar position of contemporary Jews who exist in a middle space between white and other.
In chapter 3, Gillota discusses different humorous constructions of whiteness, from a detailed analysis of South Park to "Blue Collar Comedy" and the blog Stuff White People Like. Chapter 4 is focused on the manner in which animated children’s film and the network situation comedy often project simplified and harmonious visions of diversity. In contrast, chapter 5 considers how many recent works, such as Harold and Kumar Go to White Castle and the Showtime series Weeds, engage with diversity in more complex and productive ways
Beschreibung:Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
Beschreibung:1 online resource 11 illustrations
ISBN:9780813561509

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