Sociology on Film: Postwar Hollywood's Prestige Commodity
After World War II, Hollywood’s "social problem films"—tackling topical issues that included racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers alike. In an era of film famed for its reliance on pop psychology, these movies were a form of popular so...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2016]
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| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | After World War II, Hollywood’s "social problem films"—tackling topical issues that included racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers alike. In an era of film famed for its reliance on pop psychology, these movies were a form of popular sociology, bringing the academic discipline’s concerns to a much broader audience. Sociology on Film examines how the postwar "problem film" translated contemporary policy debates and intellectual discussions into cinematic form in order to become one of the preeminent genres of prestige drama. Chris Cagle chronicles how these movies were often politically fractious, the work of progressive directors and screenwriters who drew scrutiny from the House Un-American Activities Committee. Yet he also proposes that the genre helped to construct an abstract discourse of "society" that served to unify a middlebrow American audience. As he considers the many forms of print media that served to inspire social problem films, including journalism, realist novels, and sociological texts, Cagle also explores their distinctive cinematic aesthetics. Through a close analysis of films like Gentleman’s Agreement, The Lost Weekend, and Intruder in the Dust, he presents a compelling case that the visual style of these films was intimately connected to their more expressly political and sociological aspirations. Sociology on Film demonstrates how the social problem picture both shaped and reflected the middle-class viewer’s national self-image, making a lasting impact on Hollywood’s aesthetic direction |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) |
| Beschreibung: | 1 online resource 15 photographs, 6 tables |
| ISBN: | 9780813576961 |
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| 520 | |a After World War II, Hollywood’s "social problem films"—tackling topical issues that included racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers alike. In an era of film famed for its reliance on pop psychology, these movies were a form of popular sociology, bringing the academic discipline’s concerns to a much broader audience. Sociology on Film examines how the postwar "problem film" translated contemporary policy debates and intellectual discussions into cinematic form in order to become one of the preeminent genres of prestige drama. Chris Cagle chronicles how these movies were often politically fractious, the work of progressive directors and screenwriters who drew scrutiny from the House Un-American Activities Committee. Yet he also proposes that the genre helped to construct an abstract discourse of "society" that served to unify a middlebrow American audience. As he considers the many forms of print media that served to inspire social problem films, including journalism, realist novels, and sociological texts, Cagle also explores their distinctive cinematic aesthetics. Through a close analysis of films like Gentleman’s Agreement, The Lost Weekend, and Intruder in the Dust, he presents a compelling case that the visual style of these films was intimately connected to their more expressly political and sociological aspirations. Sociology on Film demonstrates how the social problem picture both shaped and reflected the middle-class viewer’s national self-image, making a lasting impact on Hollywood’s aesthetic direction | ||
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Datensatz im Suchindex
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| author | Cagle, Chris |
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| dewey-raw | 791.436556 |
| dewey-search | 791.436556 |
| dewey-sort | 3791.436556 |
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| discipline | Allgemeines |
| era | Geschichte 1945-1967 gnd |
| era_facet | Geschichte 1945-1967 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T08:38:23Z |
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| isbn | 9780813576961 |
| language | English |
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| spelling | Cagle, Chris Verfasser aut Sociology on Film Postwar Hollywood's Prestige Commodity Chris Cagle New Brunswick, NJ Rutgers University Press [2016] © 2016 1 online resource 15 photographs, 6 tables txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) After World War II, Hollywood’s "social problem films"—tackling topical issues that included racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers alike. In an era of film famed for its reliance on pop psychology, these movies were a form of popular sociology, bringing the academic discipline’s concerns to a much broader audience. Sociology on Film examines how the postwar "problem film" translated contemporary policy debates and intellectual discussions into cinematic form in order to become one of the preeminent genres of prestige drama. Chris Cagle chronicles how these movies were often politically fractious, the work of progressive directors and screenwriters who drew scrutiny from the House Un-American Activities Committee. Yet he also proposes that the genre helped to construct an abstract discourse of "society" that served to unify a middlebrow American audience. As he considers the many forms of print media that served to inspire social problem films, including journalism, realist novels, and sociological texts, Cagle also explores their distinctive cinematic aesthetics. Through a close analysis of films like Gentleman’s Agreement, The Lost Weekend, and Intruder in the Dust, he presents a compelling case that the visual style of these films was intimately connected to their more expressly political and sociological aspirations. Sociology on Film demonstrates how the social problem picture both shaped and reflected the middle-class viewer’s national self-image, making a lasting impact on Hollywood’s aesthetic direction In English Geschichte 1945-1967 gnd rswk-swf PERFORMING ARTS / General bisacsh Motion pictures History 20th century United States Motion pictures Social aspects United States Motion pictures United States History 20th century Social problems in motion pictures Soziologie (DE-588)4077624-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 g Film (DE-588)4017102-4 s Soziologie (DE-588)4077624-4 s Geschichte 1945-1967 z 1\p DE-604 https://www.degruyter.com/isbn/9780813576961 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Cagle, Chris Sociology on Film Postwar Hollywood's Prestige Commodity PERFORMING ARTS / General bisacsh Motion pictures History 20th century United States Motion pictures Social aspects United States Motion pictures United States History 20th century Social problems in motion pictures Soziologie (DE-588)4077624-4 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4077624-4 (DE-588)4017102-4 (DE-588)4099817-4 |
| title | Sociology on Film Postwar Hollywood's Prestige Commodity |
| title_auth | Sociology on Film Postwar Hollywood's Prestige Commodity |
| title_exact_search | Sociology on Film Postwar Hollywood's Prestige Commodity |
| title_full | Sociology on Film Postwar Hollywood's Prestige Commodity Chris Cagle |
| title_fullStr | Sociology on Film Postwar Hollywood's Prestige Commodity Chris Cagle |
| title_full_unstemmed | Sociology on Film Postwar Hollywood's Prestige Commodity Chris Cagle |
| title_short | Sociology on Film |
| title_sort | sociology on film postwar hollywood s prestige commodity |
| title_sub | Postwar Hollywood's Prestige Commodity |
| topic | PERFORMING ARTS / General bisacsh Motion pictures History 20th century United States Motion pictures Social aspects United States Motion pictures United States History 20th century Social problems in motion pictures Soziologie (DE-588)4077624-4 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | PERFORMING ARTS / General Motion pictures History 20th century United States Motion pictures Social aspects United States Motion pictures United States History 20th century Social problems in motion pictures Soziologie Film Los Angeles- Hollywood |
| url | https://www.degruyter.com/isbn/9780813576961 |
| work_keys_str_mv | AT caglechris sociologyonfilmpostwarhollywoodsprestigecommodity |