Holocaust Memory Reframed: Museums and the Challenges of Representation
Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are al...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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New Brunswick, NJ
Rutgers University Press
[2014]
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| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering. In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind’s architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country’s current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim. Hansen-Glucklich explores how each museum’s concept of the sacred shapes the design and choreography of visitors’ experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) |
| Beschreibung: | 1 online resource 20 photographs |
| ISBN: | 9780813565255 |
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| 520 | |a Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering. In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. | ||
| 520 | |a As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind’s architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country’s current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. | ||
| 520 | |a One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim. Hansen-Glucklich explores how each museum’s concept of the sacred shapes the design and choreography of visitors’ experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage | ||
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| spelling | Hansen-Glucklich, Jennifer Verfasser aut Holocaust Memory Reframed Museums and the Challenges of Representation Jennifer Hansen-Glucklich New Brunswick, NJ Rutgers University Press [2014] © 2014 1 online resource 20 photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019) Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people’s experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering. In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel’s Yad Vashem in Jerusalem, Germany’s Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind’s architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country’s current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim. Hansen-Glucklich explores how each museum’s concept of the sacred shapes the design and choreography of visitors’ experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage In English Berlin-Museum Abteilung Jüdisches Museum (DE-588)2080316-3 gnd rswk-swf ART / General bisacsh Museumsbau (DE-588)4124970-7 gnd rswk-swf Judenvernichtung (DE-588)4073091-8 gnd rswk-swf Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Judenvernichtung (DE-588)4073091-8 s Kollektives Gedächtnis (DE-588)4200793-8 s Museumsbau (DE-588)4124970-7 s Berlin-Museum Abteilung Jüdisches Museum (DE-588)2080316-3 b 1\p DE-604 https://www.degruyter.com/isbn/9780813565255 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Hansen-Glucklich, Jennifer Holocaust Memory Reframed Museums and the Challenges of Representation Berlin-Museum Abteilung Jüdisches Museum (DE-588)2080316-3 gnd ART / General bisacsh Museumsbau (DE-588)4124970-7 gnd Judenvernichtung (DE-588)4073091-8 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd |
| subject_GND | (DE-588)2080316-3 (DE-588)4124970-7 (DE-588)4073091-8 (DE-588)4200793-8 |
| title | Holocaust Memory Reframed Museums and the Challenges of Representation |
| title_auth | Holocaust Memory Reframed Museums and the Challenges of Representation |
| title_exact_search | Holocaust Memory Reframed Museums and the Challenges of Representation |
| title_full | Holocaust Memory Reframed Museums and the Challenges of Representation Jennifer Hansen-Glucklich |
| title_fullStr | Holocaust Memory Reframed Museums and the Challenges of Representation Jennifer Hansen-Glucklich |
| title_full_unstemmed | Holocaust Memory Reframed Museums and the Challenges of Representation Jennifer Hansen-Glucklich |
| title_short | Holocaust Memory Reframed |
| title_sort | holocaust memory reframed museums and the challenges of representation |
| title_sub | Museums and the Challenges of Representation |
| topic | Berlin-Museum Abteilung Jüdisches Museum (DE-588)2080316-3 gnd ART / General bisacsh Museumsbau (DE-588)4124970-7 gnd Judenvernichtung (DE-588)4073091-8 gnd Kollektives Gedächtnis (DE-588)4200793-8 gnd |
| topic_facet | Berlin-Museum Abteilung Jüdisches Museum ART / General Museumsbau Judenvernichtung Kollektives Gedächtnis |
| url | https://www.degruyter.com/isbn/9780813565255 |
| work_keys_str_mv | AT hansenglucklichjennifer holocaustmemoryreframedmuseumsandthechallengesofrepresentation |