Music in the Moment:
What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues that basic understanding of music...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2018]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues that basic understanding of music only requires properly grounded, present-focused attention, and that virtually everything in the comprehension of extended pieces of music that suggests explicit architectonic awareness can be explained without positing conscious grasp of relationships across broad spans.Levinson rejects the notion that keeping music's large-scale form before the mind is somehow essential to fundamental understanding of it. As evidence, he describes in detail the experience of listening to a wide range of music. He defends, with some qualifications, the views of nineteenth-century musician and psychologist Edmund Gurney, author of The Power of Sound, who argued that musical comprehension requires only attention to the evolution of music from moment to moment.Music theory standardly misapprehends the experience and mindset of most who know and love classical music, concludes Levinson. His book is a defense of the passionate and attentive, though architectonically unconcerned, music listener |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019) |
| Beschreibung: | 1 online resource 13 musical examples |
| ISBN: | 9781501727665 |
| DOI: | 10.7591/9781501727665 |
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Datensatz im Suchindex
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| author | Levinson, Jerrold |
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| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.1/7 |
| dewey-search | 781.1/7 |
| dewey-sort | 3781.1 17 |
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| discipline | Musikwissenschaft |
| doi_str_mv | 10.7591/9781501727665 |
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| isbn | 9781501727665 |
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| spelling | Levinson, Jerrold Verfasser aut Music in the Moment Jerrold Levinson Ithaca, NY Cornell University Press [2018] © 2007 1 online resource 13 musical examples txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019) What is required for a listener to understand a piece of music? Does aural understanding depend upon reflective awareness of musical architecture or large-scale musical structure? Jerrold Levinson thinks not. In contrast to what is commonly assumed, Levinson argues that basic understanding of music only requires properly grounded, present-focused attention, and that virtually everything in the comprehension of extended pieces of music that suggests explicit architectonic awareness can be explained without positing conscious grasp of relationships across broad spans.Levinson rejects the notion that keeping music's large-scale form before the mind is somehow essential to fundamental understanding of it. As evidence, he describes in detail the experience of listening to a wide range of music. He defends, with some qualifications, the views of nineteenth-century musician and psychologist Edmund Gurney, author of The Power of Sound, who argued that musical comprehension requires only attention to the evolution of music from moment to moment.Music theory standardly misapprehends the experience and mindset of most who know and love classical music, concludes Levinson. His book is a defense of the passionate and attentive, though architectonically unconcerned, music listener In English Musical Arts & Ethnomusicology MUSIC / Instruction & Study / Theory bisacsh Music Philosophy and aesthetics Music Psychological aspects Musical perception Musikphilosophie (DE-588)4123809-6 gnd rswk-swf Musikphilosophie (DE-588)4123809-6 s 1\p DE-604 https://doi.org/10.7591/9781501727665 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Levinson, Jerrold Music in the Moment Musical Arts & Ethnomusicology MUSIC / Instruction & Study / Theory bisacsh Music Philosophy and aesthetics Music Psychological aspects Musical perception Musikphilosophie (DE-588)4123809-6 gnd |
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| title | Music in the Moment |
| title_auth | Music in the Moment |
| title_exact_search | Music in the Moment |
| title_full | Music in the Moment Jerrold Levinson |
| title_fullStr | Music in the Moment Jerrold Levinson |
| title_full_unstemmed | Music in the Moment Jerrold Levinson |
| title_short | Music in the Moment |
| title_sort | music in the moment |
| topic | Musical Arts & Ethnomusicology MUSIC / Instruction & Study / Theory bisacsh Music Philosophy and aesthetics Music Psychological aspects Musical perception Musikphilosophie (DE-588)4123809-6 gnd |
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