Time, existential presence and the cinematic image: ethics and emergence to being in film
In Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of 'delayed cinema' to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2018]
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| Schlagworte: | |
| Zusammenfassung: | In Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of 'delayed cinema' to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey's phrase, 'stillness and the moving image' enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens 'free' cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative |
| Beschreibung: | vii, 191 Seiten 13 Illustrationen 25 cm |
| ISBN: | 9781474436236 1474436234 |
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| illustrated | Illustrated |
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| isbn | 9781474436236 1474436234 |
| language | English |
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| physical | vii, 191 Seiten 13 Illustrationen 25 cm |
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| publisher | Edinburgh University Press |
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| spelling | Girgus, Sam B. 1941- Verfasser (DE-588)141508671 aut Time, existential presence and the cinematic image ethics and emergence to being in film Sam B. Girgus Edinburgh Edinburgh University Press [2018] © 2018 vii, 191 Seiten 13 Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier Machine generated contents note In Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of 'delayed cinema' to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey's phrase, 'stillness and the moving image' enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens 'free' cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative Film (DE-588)4017102-4 gnd rswk-swf Zeit Motiv (DE-588)4207564-6 gnd rswk-swf Motion pictures / Philosophy Existentialism in motion pictures Motion pictures / Moral and ethical aspects Film (DE-588)4017102-4 s Zeit Motiv (DE-588)4207564-6 s DE-604 Electronic version Girgus, Sam B., 1941- Time, existential presence, and the cinematic image Edinburgh : Edinburgh University Press, 2018 9781474436250 |
| spellingShingle | Girgus, Sam B. 1941- Time, existential presence and the cinematic image ethics and emergence to being in film Machine generated contents note Film (DE-588)4017102-4 gnd Zeit Motiv (DE-588)4207564-6 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4207564-6 |
| title | Time, existential presence and the cinematic image ethics and emergence to being in film |
| title_auth | Time, existential presence and the cinematic image ethics and emergence to being in film |
| title_exact_search | Time, existential presence and the cinematic image ethics and emergence to being in film |
| title_full | Time, existential presence and the cinematic image ethics and emergence to being in film Sam B. Girgus |
| title_fullStr | Time, existential presence and the cinematic image ethics and emergence to being in film Sam B. Girgus |
| title_full_unstemmed | Time, existential presence and the cinematic image ethics and emergence to being in film Sam B. Girgus |
| title_short | Time, existential presence and the cinematic image |
| title_sort | time existential presence and the cinematic image ethics and emergence to being in film |
| title_sub | ethics and emergence to being in film |
| topic | Film (DE-588)4017102-4 gnd Zeit Motiv (DE-588)4207564-6 gnd |
| topic_facet | Film Zeit Motiv |
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