Spectral characters: genre and materiality on the modern stage
"Theater's materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by cos...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Ann Arbor
University of Michigan Press
August 2019
|
Schlagworte: | |
Zusammenfassung: | "Theater's materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don't appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism"-- |
Beschreibung: | viii, 190 Seiten Illustrationen 24 cm |
ISBN: | 9780472131488 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV046210364 | ||
003 | DE-604 | ||
005 | 20201002 | ||
007 | t | ||
008 | 191023s2019 a||| b||| 00||| eng d | ||
020 | |a 9780472131488 |c hbk. |9 978-0-4721-3148-8 | ||
035 | |a (OCoLC)1129400397 | ||
035 | |a (DE-599)BVBBV046210364 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-355 | ||
084 | |a AP 67000 |0 (DE-625)7850: |2 rvk | ||
100 | 1 | |a Balkin, Sarah |d 1982- |e Verfasser |0 (DE-588)120065059X |4 aut | |
245 | 1 | 0 | |a Spectral characters |b genre and materiality on the modern stage |c Sarah Balkin |
264 | 1 | |a Ann Arbor |b University of Michigan Press |c August 2019 | |
300 | |a viii, 190 Seiten |b Illustrationen |c 24 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
505 | 8 | |a Introduction : melodrama and the material occult -- The spectral individual : Ibsen's dead realism -- Imaginary characters : Wilde's unrealized personalities -- Language and materiality : Strindberg's vampiric narrators -- Old new materialisms : monist dramaturgy in Strindberg's The black glove -- Modernist afterlives : Genet, Kopit, Beckett | |
520 | 3 | |a "Theater's materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don't appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism"-- | |
648 | 7 | |a Geschichte 1850-1980 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Vampir |0 (DE-588)4187368-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Theater |0 (DE-588)4059702-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Geist |g Motiv |0 (DE-588)7854333-2 |2 gnd |9 rswk-swf |
651 | 7 | |a Europa |0 (DE-588)4015701-5 |2 gnd |9 rswk-swf | |
653 | 0 | |a Drama / 19th century / History and criticism | |
653 | 0 | |a Characters and characteristics in literature | |
653 | 0 | |a Human body in literature | |
653 | 0 | |a Characters and characteristics in literature | |
653 | 0 | |a Drama | |
653 | 0 | |a Human body in literature | |
653 | 4 | |a 1800-1899 | |
653 | 6 | |a Criticism, interpretation, etc | |
689 | 0 | 0 | |a Europa |0 (DE-588)4015701-5 |D g |
689 | 0 | 1 | |a Theater |0 (DE-588)4059702-7 |D s |
689 | 0 | 2 | |a Drama |0 (DE-588)4012899-4 |D s |
689 | 0 | 3 | |a Geist |g Motiv |0 (DE-588)7854333-2 |D s |
689 | 0 | 4 | |a Vampir |0 (DE-588)4187368-3 |D s |
689 | 0 | 5 | |a Geschichte 1850-1980 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-4721-2582-1 |
999 | |a oai:aleph.bib-bvb.de:BVB01-031589270 |
Datensatz im Suchindex
_version_ | 1804180601826181120 |
---|---|
any_adam_object | |
author | Balkin, Sarah 1982- |
author_GND | (DE-588)120065059X |
author_facet | Balkin, Sarah 1982- |
author_role | aut |
author_sort | Balkin, Sarah 1982- |
author_variant | s b sb |
building | Verbundindex |
bvnumber | BV046210364 |
classification_rvk | AP 67000 |
contents | Introduction : melodrama and the material occult -- The spectral individual : Ibsen's dead realism -- Imaginary characters : Wilde's unrealized personalities -- Language and materiality : Strindberg's vampiric narrators -- Old new materialisms : monist dramaturgy in Strindberg's The black glove -- Modernist afterlives : Genet, Kopit, Beckett |
ctrlnum | (OCoLC)1129400397 (DE-599)BVBBV046210364 |
discipline | Allgemeines |
era | Geschichte 1850-1980 gnd |
era_facet | Geschichte 1850-1980 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03385nam a2200553 c 4500</leader><controlfield tag="001">BV046210364</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20201002 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">191023s2019 a||| b||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780472131488</subfield><subfield code="c">hbk.</subfield><subfield code="9">978-0-4721-3148-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1129400397</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046210364</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-355</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 67000</subfield><subfield code="0">(DE-625)7850:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Balkin, Sarah</subfield><subfield code="d">1982-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)120065059X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Spectral characters</subfield><subfield code="b">genre and materiality on the modern stage</subfield><subfield code="c">Sarah Balkin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ann Arbor</subfield><subfield code="b">University of Michigan Press</subfield><subfield code="c">August 2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 190 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">24 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction : melodrama and the material occult -- The spectral individual : Ibsen's dead realism -- Imaginary characters : Wilde's unrealized personalities -- Language and materiality : Strindberg's vampiric narrators -- Old new materialisms : monist dramaturgy in Strindberg's The black glove -- Modernist afterlives : Genet, Kopit, Beckett</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Theater's materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don't appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1850-1980</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Vampir</subfield><subfield code="0">(DE-588)4187368-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geist</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)7854333-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Drama / 19th century / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Characters and characteristics in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Human body in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Characters and characteristics in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Drama</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Human body in literature</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1800-1899</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Europa</subfield><subfield code="0">(DE-588)4015701-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Theater</subfield><subfield code="0">(DE-588)4059702-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geist</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)7854333-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Vampir</subfield><subfield code="0">(DE-588)4187368-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1850-1980</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-4721-2582-1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031589270</subfield></datafield></record></collection> |
geographic | Europa (DE-588)4015701-5 gnd |
geographic_facet | Europa |
id | DE-604.BV046210364 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:38:21Z |
institution | BVB |
isbn | 9780472131488 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031589270 |
oclc_num | 1129400397 |
open_access_boolean | |
owner | DE-12 DE-355 DE-BY-UBR |
owner_facet | DE-12 DE-355 DE-BY-UBR |
physical | viii, 190 Seiten Illustrationen 24 cm |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | University of Michigan Press |
record_format | marc |
spelling | Balkin, Sarah 1982- Verfasser (DE-588)120065059X aut Spectral characters genre and materiality on the modern stage Sarah Balkin Ann Arbor University of Michigan Press August 2019 viii, 190 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Introduction : melodrama and the material occult -- The spectral individual : Ibsen's dead realism -- Imaginary characters : Wilde's unrealized personalities -- Language and materiality : Strindberg's vampiric narrators -- Old new materialisms : monist dramaturgy in Strindberg's The black glove -- Modernist afterlives : Genet, Kopit, Beckett "Theater's materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don't appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism"-- Geschichte 1850-1980 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Vampir (DE-588)4187368-3 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Geist Motiv (DE-588)7854333-2 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Drama / 19th century / History and criticism Characters and characteristics in literature Human body in literature Drama 1800-1899 Criticism, interpretation, etc Europa (DE-588)4015701-5 g Theater (DE-588)4059702-7 s Drama (DE-588)4012899-4 s Geist Motiv (DE-588)7854333-2 s Vampir (DE-588)4187368-3 s Geschichte 1850-1980 z DE-604 Erscheint auch als Online-Ausgabe 978-0-4721-2582-1 |
spellingShingle | Balkin, Sarah 1982- Spectral characters genre and materiality on the modern stage Introduction : melodrama and the material occult -- The spectral individual : Ibsen's dead realism -- Imaginary characters : Wilde's unrealized personalities -- Language and materiality : Strindberg's vampiric narrators -- Old new materialisms : monist dramaturgy in Strindberg's The black glove -- Modernist afterlives : Genet, Kopit, Beckett Drama (DE-588)4012899-4 gnd Vampir (DE-588)4187368-3 gnd Theater (DE-588)4059702-7 gnd Geist Motiv (DE-588)7854333-2 gnd |
subject_GND | (DE-588)4012899-4 (DE-588)4187368-3 (DE-588)4059702-7 (DE-588)7854333-2 (DE-588)4015701-5 |
title | Spectral characters genre and materiality on the modern stage |
title_auth | Spectral characters genre and materiality on the modern stage |
title_exact_search | Spectral characters genre and materiality on the modern stage |
title_full | Spectral characters genre and materiality on the modern stage Sarah Balkin |
title_fullStr | Spectral characters genre and materiality on the modern stage Sarah Balkin |
title_full_unstemmed | Spectral characters genre and materiality on the modern stage Sarah Balkin |
title_short | Spectral characters |
title_sort | spectral characters genre and materiality on the modern stage |
title_sub | genre and materiality on the modern stage |
topic | Drama (DE-588)4012899-4 gnd Vampir (DE-588)4187368-3 gnd Theater (DE-588)4059702-7 gnd Geist Motiv (DE-588)7854333-2 gnd |
topic_facet | Drama Vampir Theater Geist Motiv Europa |
work_keys_str_mv | AT balkinsarah spectralcharactersgenreandmaterialityonthemodernstage |