The birth of intertextuality: the riddle of creativity
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2020
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| Schriftenreihe: | Routledge interdisciplinary perspectives on literature
104 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xviii, 381 Seiten Illustrationen |
| ISBN: | 9780415899048 |
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Datensatz im Suchindex
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| adam_text | Contents List of Figures Acknowledgements List of Abbreviations Note on Translations Introduction 1 Darwin’s ‘Universal Acid Preamble: Making Biology Literal, Making Literature Biological 34 Darwin’s Theory 37 Open Fields: The Darwinian Revolution 45 Religion 47 Philosophy 51 Herbert Spencer 51 John Addington Symonds 54 Henri Bergson 56 Applications to Literature and Culture 65 Generalizability and Interdisciplinary Extensions 65 Literature and Literary Criticism 66 Herbert Spencer 66 Hippolyte Taine 67 G.H. Lewes 68 Leslie Stephen 70 John Addington Symonds 71 T.S. Eliot 74 Northrop Frye 85 Evolution and Intertextuality 88 Genealogy: Organic Descent, Metaphorical Dissent 90 The Trees of Life of Life and Culture 90 Anastomosis 93 The Rhizome 97 Lrom Analogy to Homology: Memes 98 Creativity and Selfhood 102 XI ХШ XV XIX 1 33
viii Contents The Intentional Stance 106 The Intentional Fallacy 107 Intentionality, Allusion, and Genetic Criticism 109 2 Nietzsche: Murdering Authority, Liberating Interpretation 113 The Seeds of Intertextuality 113 Biographical Intimations of an Intertextual Outlook 113 Overcoming Influence 114 Writing, Reading 119 Theoretical Intimations of Intertextuality 126 Nietzsche’s Critique of Language 126 Illusory Subjects 136 Rhetorical Intimations of Intertextuality 146 Author as Spider, Text as Net 146 After Fixity, Flux 147 The Death of the Author 148 After Destruction, Creation; After Death, Birth 150 The Birth of Intertextuality 151 ‘Some Are Born Posthumously’: Nietzsche’s Posthumous Birth in France 151 Rewriting Nietzsche 153 ‘Text Means Tissue’: Text as Spider’s Web 154 The Death of the Author 157 ‘Words Spoken in the Past’: Intertextuality as Repetition 164 Willing Distortion 166 Nietzsche and the Stages of Revaluation 166 Nietzsche and Flaubert 168 Flaubert, Impersonality, and the Ascetic Ideal 169 Flaubert, Repetition, and Bourgeois Stupidity 175 Philosophical Responses to the Intertextualist Appropriation of Nietzsche 179 Nietzsche and the Unity of Self and Culture 179 Nietzsche and the Problem of Interpretation 180 3 Freud and The Riddle of Creativity ‘A Crusade of Revolution’ 193 ‘Conquistador’ ֊ Freud’s Will to Truth 198 Scientific Ambitions 200 After Darwin and Nietzsche 201 Roads to the Unconscious 204 Self-Analysis and Dream-Analysis 205 ‘The Solution of the Riddle of Dreams’ 207 The Genesis of Dreams 207 The Art of Interpretation 215 192
Contents ix The Mental Apparatus: Memory and Repetition 216 Memory and the Unconscious 216 Memory and Dreams 217 Analogies for Memory 219 Memory, Repetition, and Pleasure 220 Art and the Riddle of Creativity 222 Art, Dreams, and Psychoanalysis 222 Determinism and the Dream of a Metapsychology 223 Freud-Work: The Theory of Intertextuality 225 Lacan 226 Derrida 228 Kristeva 231 Kofman 233 Demystifying the Author-God 233 Creativity as Combination 234 The Unconscious Determinations of Art 235 Freud’s Non-Mimetic View of Art and the Referential Fallacy 235 Alongside and After Post-Structuralism: Harold Bloom and Extended Mind Theory 236 Harold Bloom 236 Extended Mind Theory and the Cognitive Case against Mimesis 240 Being Reborn Posthumously 245 Literary Criticism and the Dream of a ‘Science of Culture’: Saussurean Linguistics, Russian Formalism, Structuralism 248 Saussure and Structuralist Linguistics 248 From Philology to Linguistics via Natural Science 248 Saussure and the Synchronic Turn 249 Langue and Parole 251 Arbitrary Signs 252 Synchrony and Causation 253 Semiology 253 Russian Formalism 254 The Organic Model 255 The Linguistic Model 256 Structuralism: ‘Culture, in all its Aspects, Is a Language’ 257 Roland Barthes and ‘the Constitution of a Unique Science of Culture’ 258 A Shifting Target 260 From Structuralism to Post-Structuralism and from Science to Literature 260 The Demise of a Dream 262
x Contents 5 Bakhtin: ‘The Word in Language Is Half Someone Else’s’ From the Shadows to the Limelight: Praise and Confusion in the Bakhtinian Renaissance 263 Intertextuality Avant la Lettre; Bakhtin’s Theories of Language and Literature 270 Against Saussurean Linguistics 270 263 Language as Discourse 272 Language in History 278 Against Russian Formalism 280 Literature and Evolution 284 Genre 286 The Novel 288 The Already 291 Preserving Creativity 297 6 Kristeva and the Birth of Intertextuality General Contexts 301 From Sofia to Paris 301 Philippe Sollers, Tel Quel, Communism 304 ‘The Structuralist Epoch’: ‘Everything Is Illuminated by Reference to Structure’ 306 Contemporary Linguistics and the Human Sciences 307 ‘Doing Something Else’ 313 Two Major Influences: Saussure, Bakhtin 314 Saussure 314 301 The ‘Second Saussurean Revolution’ 314 ‘Towards a Semiology of Paragrams’ 317 Intimations of Intertextuality in ‘Towards a Semiology of Paragrams’ 321 Bakhtin 322 Introducing Bakhtin 323 Placing Bakhtin 327 Enter Intertextuality 332 ‘An Intersection of Textual Surfaces’ 333 ‘A Mosaic of Quotations’ 335 ‘Absorption and Transformation’ 337 Exit Intersubjectivity 338 ‘A Permutation of Texts, an Intertextuality’ 339 Genotext and Phenotext 340 ‘Theory of the Text’: A Barthesian Synopsis 342 Conclusion 345 Bibliography Index 347 371
The Birth of Intertextuality Why was the term ‘intertextuality’ coined? Why did its first theorists feel the need to replace or complement those terms - of quotation, allusion, echo, reference, influence, imitation, parody, pastiche, among others ֊ which had previously seemed adequate and sufficient to the description of literary relations? Why, especially in view of the fact that it is still met with resistance, did the new concept achieve such popularity so fast? Why has it retained its currency in spite of its inherent paradoxes? Since 1966, when Kristeva defined every text as a ‘mosaic of quotations’, ‘intertextuality’ has become an all-pervasive catchword in literature and other humanities departments; yet the notion, as commonly used, re mains nebulous to the point of meaninglessness. This book seeks to shed light on this thought-provoking but treacherously polyvalent concept by tracing the theory’s core ideas and emblematic images to paradigm shifts in the fields of science, philosophy, psychoanalysis, and linguistics, focusing on the shaping roles of Darwin, Nietzsche, Freud, Saussure, and Bakhtin. In so doing, it elucidates the meaning of one of the most frequently used terms in contemporary criticism, thereby providing a much-needed foundation for clearer discussions of literary relations across the discipline and beyond.
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