Worlds enough: the invention of realism in the Victorian novel
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Princeton ; Oxford
Princeton University Press
2019
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xxii, 152 Seiten 23 cm |
ISBN: | 0691193304 9780691193304 |
Internformat
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Datensatz im Suchindex
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adam_text | CONTENTS Preface: Worlds Enough ■ ix Acknowledgments · xix introduction How the Victorian Novel Became Realistic (in a French Way), Reactionary, and Great 1 CASE STUDY 1 Denotation 34 CASE STUDY 2 Omniscience 53 CASE STUDY 3 Paratext 77 CASE STUDY 4 Hetero-Ontologicality 99 CASE STUDY 5 Reference 115 CONCLUSION Decolonizing the Novel 134 Index ■ 147
Now praised for its realism and formal coherence, the Victorian novel was not always great, or even good, in the eyes of its critics. As Elaine Freedgood reveals in Worlds Enough, it was only in the late 1970s that literary critics constructed a prestigious version of British realism, erasing more than a century of controversy about the value of Victorian fiction. Examining criticism of Victorian novels since the 1850s, Freedgood demonstrates that while they were praised for their ability to bring certain social truths to fictional life, these novels were also criticized for their formal failures and compared unfavorably to their French and German counterparts. She analyzes the characteristics of realismdenotation, omniscience, paratext, reference, and ontology—and the politics inherent in them, arguing that if critics displaced the nineteenth-century realist novel as the standard by which others are judged, literary history might be richer. It would allow peripheral literatures and the neglected wisdom of their critics to come fully into view. She concludes by questioning the aesthetic racism built into prevailing ideas about the centrality of realism in the novel, and how those ideas have affected debates about world literature. By re-examining the critical reception of the Victorian novel, Worlds Enough suggests how we can rethink our practices and perceptions about books we think we know.
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spellingShingle | Freedgood, Elaine Worlds enough the invention of realism in the Victorian novel Englisch (DE-588)4014777-0 gnd Rezeption (DE-588)4049716-1 gnd Roman (DE-588)4050479-7 gnd |
subject_GND | (DE-588)4014777-0 (DE-588)4049716-1 (DE-588)4050479-7 |
title | Worlds enough the invention of realism in the Victorian novel |
title_auth | Worlds enough the invention of realism in the Victorian novel |
title_exact_search | Worlds enough the invention of realism in the Victorian novel |
title_full | Worlds enough the invention of realism in the Victorian novel Elaine Freedgood |
title_fullStr | Worlds enough the invention of realism in the Victorian novel Elaine Freedgood |
title_full_unstemmed | Worlds enough the invention of realism in the Victorian novel Elaine Freedgood |
title_short | Worlds enough |
title_sort | worlds enough the invention of realism in the victorian novel |
title_sub | the invention of realism in the Victorian novel |
topic | Englisch (DE-588)4014777-0 gnd Rezeption (DE-588)4049716-1 gnd Roman (DE-588)4050479-7 gnd |
topic_facet | Englisch Rezeption Roman |
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