Beyond Fingal's cave: Ossian in the musical imagination
Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Rochester, NY
University of Rochester Press
2019
|
| Schriftenreihe: | Eastman studies in music
v. 158 |
| Schlagworte: | |
| Online-Zugang: | BSB01 FHN01 UBG01 Volltext |
| Zusammenfassung: | Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 09 Sep 2019) Battling critics, engaging composers : Ossian's spell -- On Macpherson's native heath : primary sources -- A culture without writing, settings without a score, Haydn without copyright, and two Oscars on stage -- "A musical piece" : Harriet Wainewright's opera Comáala (1792) -- Between Gluck and Berlioz : Mâehul's Uthal (1806) -- Fingallo e Comala (1805) and Ardano e Dartula (1825) : the Ossianic operas of Stefano Pavesi -- From Venice to Lisbon and St. Petersburg : Calto, Clato, Aganadeca, Gaulo ed Oitona, and two Fingals -- Beethoven's Ossianic manner, or, Where scholars fear to tread -- Excursus: Mendelssohn waives the rules : "Overture to the Isles of Fingal" (1832) and an "unfinished" coda -- The maiden bereft : "Colma" from Rust (1780) to Schubert (1816) -- Scáenes lyriques sans frontiáeres : Louis Thâeodore Gouvy's Le dernier hymne d'Ossian (1858) and Lucien Hillemacher's Fingal (1880) -- - Ossian in symbolic conflict : Bernhard Hopffer's Darthula's Grabgesang (1878), Jules Bordier's Un rãeve d'Ossian (1885), and Paul Umlauft's Agandecca (1884) -- The musical stages of "Darthula" : from Thomas Linley the Younger (ca. 1776) to Arnold Schoenberg (1903) and Armin Knab (1906) -- The cantata as drama : Joseph Jongen's Comala (1897), J²rgen Malling's Kyvala (1902), and Liza Lehmann's Leaves from Ossian (1909) -- Symphonic poem and orchestral fantasy : Alexandre Levy's Comala (1890) and Charles Villiers Stanford's Irish rhapsody no. 2: Lament for the son of Ossian (1903) -- Neo-Romanticism in Britain and America : John Laurence Seymour's "Shilric's song" (from Six Ossianic odes) and Cedric Thorpe Davie's Dirge for Cuthullin (both 1936) -- Modernity, modernism, and Ossian : Erik Chisholm's Night song of the bards (1944-51), James MacMillan's The death of Oscar (2013), and Jean Guillou's Ballade ossianique, no. 2: Les chants de Selma (1971, rev. 2005) -- - Afterword: The "half-viewless harp"--secondary resonances of Ossian -- Appendix I: Title page and dedication of Harriet Wainewright's Comáala -- Appendix 2: French and German texts of Louis Thâeodore Gouvy's Le dernier hymne d'Ossian -- Appendix 3: Texts of Erik Chisholm's Night song of the bards -- Appendix 4: Provisional list of musical compositions based on the poems of Ossian |
| Beschreibung: | 1 Online-Ressource (xx, 401 Seiten) |
| ISBN: | 9781787444621 |
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| 500 | |a - Ossian in symbolic conflict : Bernhard Hopffer's Darthula's Grabgesang (1878), Jules Bordier's Un rãeve d'Ossian (1885), and Paul Umlauft's Agandecca (1884) -- The musical stages of "Darthula" : from Thomas Linley the Younger (ca. 1776) to Arnold Schoenberg (1903) and Armin Knab (1906) -- The cantata as drama : Joseph Jongen's Comala (1897), J²rgen Malling's Kyvala (1902), and Liza Lehmann's Leaves from Ossian (1909) -- Symphonic poem and orchestral fantasy : Alexandre Levy's Comala (1890) and Charles Villiers Stanford's Irish rhapsody no. 2: Lament for the son of Ossian (1903) -- Neo-Romanticism in Britain and America : John Laurence Seymour's "Shilric's song" (from Six Ossianic odes) and Cedric Thorpe Davie's Dirge for Cuthullin (both 1936) -- Modernity, modernism, and Ossian : Erik Chisholm's Night song of the bards (1944-51), James MacMillan's The death of Oscar (2013), and Jean Guillou's Ballade ossianique, no. 2: Les chants de Selma (1971, rev. 2005) -- | ||
| 500 | |a - Afterword: The "half-viewless harp"--secondary resonances of Ossian -- Appendix I: Title page and dedication of Harriet Wainewright's Comáala -- Appendix 2: French and German texts of Louis Thâeodore Gouvy's Le dernier hymne d'Ossian -- Appendix 3: Texts of Erik Chisholm's Night song of the bards -- Appendix 4: Provisional list of musical compositions based on the poems of Ossian | ||
| 520 | |a Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others | ||
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Datensatz im Suchindex
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| author | Porter, James 1937- |
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| id | DE-604.BV046207013 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:38:15Z |
| institution | BVB |
| isbn | 9781787444621 |
| language | English |
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| publisher | University of Rochester Press |
| record_format | marc |
| series2 | Eastman studies in music v. 158 |
| spelling | Porter, James 1937- (DE-588)1056429577 aut Beyond Fingal's cave Ossian in the musical imagination James Porter Rochester, NY University of Rochester Press 2019 1 Online-Ressource (xx, 401 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music v. 158 Title from publisher's bibliographic system (viewed on 09 Sep 2019) Battling critics, engaging composers : Ossian's spell -- On Macpherson's native heath : primary sources -- A culture without writing, settings without a score, Haydn without copyright, and two Oscars on stage -- "A musical piece" : Harriet Wainewright's opera Comáala (1792) -- Between Gluck and Berlioz : Mâehul's Uthal (1806) -- Fingallo e Comala (1805) and Ardano e Dartula (1825) : the Ossianic operas of Stefano Pavesi -- From Venice to Lisbon and St. Petersburg : Calto, Clato, Aganadeca, Gaulo ed Oitona, and two Fingals -- Beethoven's Ossianic manner, or, Where scholars fear to tread -- Excursus: Mendelssohn waives the rules : "Overture to the Isles of Fingal" (1832) and an "unfinished" coda -- The maiden bereft : "Colma" from Rust (1780) to Schubert (1816) -- Scáenes lyriques sans frontiáeres : Louis Thâeodore Gouvy's Le dernier hymne d'Ossian (1858) and Lucien Hillemacher's Fingal (1880) -- - Ossian in symbolic conflict : Bernhard Hopffer's Darthula's Grabgesang (1878), Jules Bordier's Un rãeve d'Ossian (1885), and Paul Umlauft's Agandecca (1884) -- The musical stages of "Darthula" : from Thomas Linley the Younger (ca. 1776) to Arnold Schoenberg (1903) and Armin Knab (1906) -- The cantata as drama : Joseph Jongen's Comala (1897), J²rgen Malling's Kyvala (1902), and Liza Lehmann's Leaves from Ossian (1909) -- Symphonic poem and orchestral fantasy : Alexandre Levy's Comala (1890) and Charles Villiers Stanford's Irish rhapsody no. 2: Lament for the son of Ossian (1903) -- Neo-Romanticism in Britain and America : John Laurence Seymour's "Shilric's song" (from Six Ossianic odes) and Cedric Thorpe Davie's Dirge for Cuthullin (both 1936) -- Modernity, modernism, and Ossian : Erik Chisholm's Night song of the bards (1944-51), James MacMillan's The death of Oscar (2013), and Jean Guillou's Ballade ossianique, no. 2: Les chants de Selma (1971, rev. 2005) -- - Afterword: The "half-viewless harp"--secondary resonances of Ossian -- Appendix I: Title page and dedication of Harriet Wainewright's Comáala -- Appendix 2: French and German texts of Louis Thâeodore Gouvy's Le dernier hymne d'Ossian -- Appendix 3: Texts of Erik Chisholm's Night song of the bards -- Appendix 4: Provisional list of musical compositions based on the poems of Ossian Demonstrates the profound impact of The Poems of Ossian on composers of the Romantic Era and later: Beethoven, Schubert, Mendelssohn, Brahms, Massenet, and many others Ossian / active 3rd century Ossian Fiktive Gestalt ca. 3. Jh. (DE-588)118747800 gnd rswk-swf Geschichte gnd rswk-swf Music / 19th century / History and criticism Music / 20th century / History and criticism Romanticism in music Musik (DE-588)4040802-4 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Ossian Fiktive Gestalt ca. 3. Jh. (DE-588)118747800 p Rezeption (DE-588)4049716-1 s Musik (DE-588)4040802-4 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe 978-1-58046-945-6 https://www.cambridge.org/core/product/identifier/9781787444621/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Porter, James 1937- Beyond Fingal's cave Ossian in the musical imagination Ossian / active 3rd century Ossian Fiktive Gestalt ca. 3. Jh. (DE-588)118747800 gnd Music / 19th century / History and criticism Music / 20th century / History and criticism Romanticism in music Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118747800 (DE-588)4040802-4 (DE-588)4049716-1 |
| title | Beyond Fingal's cave Ossian in the musical imagination |
| title_auth | Beyond Fingal's cave Ossian in the musical imagination |
| title_exact_search | Beyond Fingal's cave Ossian in the musical imagination |
| title_full | Beyond Fingal's cave Ossian in the musical imagination James Porter |
| title_fullStr | Beyond Fingal's cave Ossian in the musical imagination James Porter |
| title_full_unstemmed | Beyond Fingal's cave Ossian in the musical imagination James Porter |
| title_short | Beyond Fingal's cave |
| title_sort | beyond fingal s cave ossian in the musical imagination |
| title_sub | Ossian in the musical imagination |
| topic | Ossian / active 3rd century Ossian Fiktive Gestalt ca. 3. Jh. (DE-588)118747800 gnd Music / 19th century / History and criticism Music / 20th century / History and criticism Romanticism in music Musik (DE-588)4040802-4 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Ossian / active 3rd century Ossian Fiktive Gestalt ca. 3. Jh. Music / 19th century / History and criticism Music / 20th century / History and criticism Romanticism in music Musik Rezeption |
| url | https://www.cambridge.org/core/product/identifier/9781787444621/type/BOOK |
| work_keys_str_mv | AT porterjames beyondfingalscaveossianinthemusicalimagination |