Leandro Erlich - liminal:
More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox...
Gespeichert in:
Hauptverfasser: | , , |
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Format: | Buch |
Sprache: | Spanish English |
Veröffentlicht: |
Ciudad Autónoma de Buenos Aires
Malba
2019
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Ausgabe: | 1a. edición bilingüe |
Schlagworte: | |
Zusammenfassung: | More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world. Liminalis the first monographic survey exhibition of Erlichs workthroughout the American continent and brings together a selection of twenty-one installations, produced since 1996 to date. The title of the exhibition references a zone that exists at the threshold of another space, suggests a position of being on the verge of crossing over, or entering into, a specific destination or state of existence, but without ever fully getting there. To hover at the liminal edge of an experience suggests that one is perpetually caught between a prior reality that has been left behind, and a new reality beckoning at close range, but leaving us stranded if we were to linger. Over the past two decades, his work has been shown internationally and featured in the permanent collections of major museums and private collectors. He enjoys particular renown in Asia, and his most recent exhibitions at the MORI Art Museum (Tokyo, 2017) and the HOW Art Museum (Shanghai, 2018) have attracted hundreds of thousands of visitors. On June his new show Próximamenteopens at the Ruth Benzacar Gallery in Buenos Aires, followed by LIMINAL. On July, he will become the first non-Chinese artist to occupy the entire exhibition space at the CAFAM (Central Academy of Fine Arts, Beijing), Chinas premiere museum, with the show The Confines of The Great Void |
Beschreibung: | Titelblatt auf Seite [43]. - Exposición: "Leandro Erlich. Liminal" Del 5 de julio al 27 de octubre de 2019 (Créditos) |
Beschreibung: | 149 Seiten, 42 ungezählte Seiten Illustrationen 26 cm |
ISBN: | 9789874713735 9874713739 |
Internformat
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500 | |a Titelblatt auf Seite [43]. - Exposición: "Leandro Erlich. Liminal" Del 5 de julio al 27 de octubre de 2019 (Créditos) | ||
505 | 8 | |a Los ordenes arbitrarios = Arbitrary orders / Luis Camnitzer -- Atravesar El umbral = Crossing the threshold / Dan Cameron -- Las cosas como son, como son = Things as they are, as they are not / Julia Napier -- Obras = Works -- Nota biografica = Biographical note | |
520 | 3 | |a More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world. Liminalis the first monographic survey exhibition of Erlichs workthroughout the American continent and brings together a selection of twenty-one installations, produced since 1996 to date. The title of the exhibition references a zone that exists at the threshold of another space, suggests a position of being on the verge of crossing over, or entering into, a specific destination or state of existence, but without ever fully getting there. To hover at the liminal edge of an experience suggests that one is perpetually caught between a prior reality that has been left behind, and a new reality beckoning at close range, but leaving us stranded if we were to linger. Over the past two decades, his work has been shown internationally and featured in the permanent collections of major museums and private collectors. He enjoys particular renown in Asia, and his most recent exhibitions at the MORI Art Museum (Tokyo, 2017) and the HOW Art Museum (Shanghai, 2018) have attracted hundreds of thousands of visitors. On June his new show Próximamenteopens at the Ruth Benzacar Gallery in Buenos Aires, followed by LIMINAL. On July, he will become the first non-Chinese artist to occupy the entire exhibition space at the CAFAM (Central Academy of Fine Arts, Beijing), Chinas premiere museum, with the show The Confines of The Great Void | |
546 | |a Text spanisch und englisch | ||
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700 | 1 | |a Cameron, Dan |d 1956- |0 (DE-588)1056464356 |4 aut | |
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Datensatz im Suchindex
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author | Camnitzer, Luis 1937- Cameron, Dan 1956- Napier, Julia |
author_GND | (DE-588)122344103 (DE-588)119246775 (DE-588)1056464356 |
author_facet | Camnitzer, Luis 1937- Cameron, Dan 1956- Napier, Julia |
author_role | aut aut aut |
author_sort | Camnitzer, Luis 1937- |
author_variant | l c lc d c dc j n jn |
building | Verbundindex |
bvnumber | BV046206058 |
contents | Los ordenes arbitrarios = Arbitrary orders / Luis Camnitzer -- Atravesar El umbral = Crossing the threshold / Dan Cameron -- Las cosas como son, como son = Things as they are, as they are not / Julia Napier -- Obras = Works -- Nota biografica = Biographical note |
ctrlnum | (OCoLC)1124795363 (DE-599)BVBBV046206058 |
edition | 1a. edición bilingüe |
format | Book |
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genre_facet | Ausstellungskatalog Museo de Arte Latinoamericano 05.07.2019-27.10.2019 Buenos Aires |
id | DE-604.BV046206058 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:38:13Z |
institution | BVB |
institution_GND | (DE-588)1249962-6 |
isbn | 9789874713735 9874713739 |
language | Spanish English |
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physical | 149 Seiten, 42 ungezählte Seiten Illustrationen 26 cm |
publishDate | 2019 |
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publisher | Malba |
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spelling | Leandro Erlich - liminal Luis Camnitzer, Dan Cameron, Julia Napier Liminal 1a. edición bilingüe Ciudad Autónoma de Buenos Aires Malba 2019 149 Seiten, 42 ungezählte Seiten Illustrationen 26 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Titelblatt auf Seite [43]. - Exposición: "Leandro Erlich. Liminal" Del 5 de julio al 27 de octubre de 2019 (Créditos) Los ordenes arbitrarios = Arbitrary orders / Luis Camnitzer -- Atravesar El umbral = Crossing the threshold / Dan Cameron -- Las cosas como son, como son = Things as they are, as they are not / Julia Napier -- Obras = Works -- Nota biografica = Biographical note More than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world. Liminalis the first monographic survey exhibition of Erlichs workthroughout the American continent and brings together a selection of twenty-one installations, produced since 1996 to date. The title of the exhibition references a zone that exists at the threshold of another space, suggests a position of being on the verge of crossing over, or entering into, a specific destination or state of existence, but without ever fully getting there. To hover at the liminal edge of an experience suggests that one is perpetually caught between a prior reality that has been left behind, and a new reality beckoning at close range, but leaving us stranded if we were to linger. Over the past two decades, his work has been shown internationally and featured in the permanent collections of major museums and private collectors. He enjoys particular renown in Asia, and his most recent exhibitions at the MORI Art Museum (Tokyo, 2017) and the HOW Art Museum (Shanghai, 2018) have attracted hundreds of thousands of visitors. On June his new show Próximamenteopens at the Ruth Benzacar Gallery in Buenos Aires, followed by LIMINAL. On July, he will become the first non-Chinese artist to occupy the entire exhibition space at the CAFAM (Central Academy of Fine Arts, Beijing), Chinas premiere museum, with the show The Confines of The Great Void Text spanisch und englisch Erlich, Leandro 1973- (DE-588)122344103 gnd rswk-swf Erlich, Leandro / 1973- / Exhibitions Installations (Art) / Exhibitions Visual perception in art / Exhibitions Erlich, Leandro / 1973- Installations (Art) Visual perception in art Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog Museo de Arte Latinoamericano 05.07.2019-27.10.2019 Buenos Aires gnd-content Erlich, Leandro 1973- (DE-588)122344103 p DE-604 Erlich, Leandro 1973- (DE-588)122344103 art Camnitzer, Luis 1937- (DE-588)119246775 aut Cameron, Dan 1956- (DE-588)1056464356 aut Napier, Julia aut Museo de Arte Latinoamericano (Buenos Aires) (DE-588)1249962-6 isb orm |
spellingShingle | Camnitzer, Luis 1937- Cameron, Dan 1956- Napier, Julia Leandro Erlich - liminal Los ordenes arbitrarios = Arbitrary orders / Luis Camnitzer -- Atravesar El umbral = Crossing the threshold / Dan Cameron -- Las cosas como son, como son = Things as they are, as they are not / Julia Napier -- Obras = Works -- Nota biografica = Biographical note Erlich, Leandro 1973- (DE-588)122344103 gnd |
subject_GND | (DE-588)122344103 (DE-588)4135467-9 |
title | Leandro Erlich - liminal |
title_alt | Liminal |
title_auth | Leandro Erlich - liminal |
title_exact_search | Leandro Erlich - liminal |
title_full | Leandro Erlich - liminal Luis Camnitzer, Dan Cameron, Julia Napier |
title_fullStr | Leandro Erlich - liminal Luis Camnitzer, Dan Cameron, Julia Napier |
title_full_unstemmed | Leandro Erlich - liminal Luis Camnitzer, Dan Cameron, Julia Napier |
title_short | Leandro Erlich - liminal |
title_sort | leandro erlich liminal |
topic | Erlich, Leandro 1973- (DE-588)122344103 gnd |
topic_facet | Erlich, Leandro 1973- Ausstellungskatalog Museo de Arte Latinoamericano 05.07.2019-27.10.2019 Buenos Aires |
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