The Cambridge companion to music in digital culture:
The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these...
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2019
|
| Schriftenreihe: | Cambridge companions to music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production |
| Beschreibung: | xiv, 332 Seiten Illustrationen |
| ISBN: | 9781107161788 9781316614075 |
Internformat
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| 520 | 3 | |a The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production | |
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Datensatz im Suchindex
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| adam_text | Contents List of Figures List of Contributors Acknowledgements page ix x xiv Introduction Nicholas Cook, Monique M. Ingalls and David Trippett 1 1 Digital Technology and Cultural Practice Nicholas Cook 5 Personal Take: Whatever Happened to Tape-Trading? Lee Marshall 29 2 Toward a History of Digital Music: New Technologies, Business Practices and Intellectual Property Regimes Martin Scherzinger 33 Personal Take: On Serving as an Expert Witness in the ‘Blurred Lines’ Case Ingrid Monson 58 3 Shaping the Stream: Techniques and Troubles of Algorithmic Recommendation K. E. Goldschmitt and Nick Seaver 63 Personal Takes: Being a Curator Ben Sinclair 82 Can Machines Have Taste? Stéphan-Eloïse Gras 86 4 Technologies of the Musical Selfie Sumanth Gopinath and Jason Stanyek 89 Personal Take: Vaporwave is Dead, Long Live Vaporwave! Adam Harper 119 5 Witnessing Race in the New Digital Cinema Peter McMurray 124 Personal Take: Giving History a Voice Mariana Lopez 147 6 Digital Devotion: Musical Multimedia in Online Ritual and Religious Practice [vii] Monique M. Ingalls 150
viii Contents Personal Takes: Technicians of Ecstasy Graham St John 168 Live Coded Mashup with the Humming Wires Alan F. Blackwell and Sam Aaron 170 Algorave: Dancing to Algorithms Alex McLean 175 7 Rethinking Liveness in the Digital Age Paul Sanden 178 Personal Takes: Augmenting Musical Performance Andrew McPherson 193 Digital Demons, Real and Imagined Steve Savage 197 Composing with Sounds as Images Julio d Escriván 201 Compositional Approaches to Film, TV and Video Games Stephen Baysted 204 8 Virtual Worlds from Recording to Video Games Isabella van Eiferen 209 9 Digital Voices: Posthumanism and the Generation of Empathy David Trippett 227 Personal Take: In the Wake of the Virtual Frances Dyson 249 10 Digital Inequalities and Global Sounds Shzr Ее Tan 253 11 The Political Economy of Streaming Martin Scherzinger Bibliography Index 274 298 Ъ27
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| spelling | The Cambridge companion to music in digital culture edited by Nicholas Cook (University of Cambridge), Monique M. Ingalls (Baylor University, Texas), David Trippett (University of Cambridge) Music in digital culture Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2019 xiv, 332 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Cambridge companions to music The impact of digital technologies on music has been overwhelming: since the commercialisation of these technologies in the early 1980s, both the practice of music and thinking about it have changed almost beyond all recognition. From the rise of digital music making to digital dissemination, these changes have attracted considerable academic attention across disciplines,within, but also beyond, established areas of academic musical research. Through chapters by scholars at the forefront of research and shorter 'personal takes' from knowledgeable practitioners in the field, this Companion brings the relationship between digital technology and musical culture alive by considering both theory and practice. It provides a comprehensive and balanced introduction to the place of music within digital culture as a whole, with recurring themes and topics that include music and the Internet, social networking and participatory culture, music recommendation systems, virtuality, posthumanism, surveillance, copyright, and new business models for music production Neue Medien (DE-588)4196910-8 gnd rswk-swf Internet (DE-588)4308416-3 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Digitale Revolution (DE-588)7854804-4 gnd rswk-swf Music / Social aspects Digital media / Social aspects Music and the Internet Music and technology (DE-588)4143413-4 Aufsatzsammlung gnd-content Musik (DE-588)4040802-4 s Neue Medien (DE-588)4196910-8 s Internet (DE-588)4308416-3 s Digitale Revolution (DE-588)7854804-4 s DE-604 Cook, Nicholas 1950- (DE-588)114097305 edt win aut Ingalls, Monique 1981- (DE-588)1028233256 edt win aut Trippett, David 1980- (DE-588)1026130743 edt win aut Erscheint auch als Online-Ausgabe 978-1-108-66572-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031585006&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cook, Nicholas 1950- Ingalls, Monique 1981- Trippett, David 1980- The Cambridge companion to music in digital culture Neue Medien (DE-588)4196910-8 gnd Internet (DE-588)4308416-3 gnd Musik (DE-588)4040802-4 gnd Digitale Revolution (DE-588)7854804-4 gnd |
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| title | The Cambridge companion to music in digital culture |
| title_alt | Music in digital culture |
| title_auth | The Cambridge companion to music in digital culture |
| title_exact_search | The Cambridge companion to music in digital culture |
| title_full | The Cambridge companion to music in digital culture edited by Nicholas Cook (University of Cambridge), Monique M. Ingalls (Baylor University, Texas), David Trippett (University of Cambridge) |
| title_fullStr | The Cambridge companion to music in digital culture edited by Nicholas Cook (University of Cambridge), Monique M. Ingalls (Baylor University, Texas), David Trippett (University of Cambridge) |
| title_full_unstemmed | The Cambridge companion to music in digital culture edited by Nicholas Cook (University of Cambridge), Monique M. Ingalls (Baylor University, Texas), David Trippett (University of Cambridge) |
| title_short | The Cambridge companion to music in digital culture |
| title_sort | the cambridge companion to music in digital culture |
| topic | Neue Medien (DE-588)4196910-8 gnd Internet (DE-588)4308416-3 gnd Musik (DE-588)4040802-4 gnd Digitale Revolution (DE-588)7854804-4 gnd |
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