Roland Barthes and film: myth, eroticism and poetics
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Bloomsbury Academic
2020
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| Schriftenreihe: | Film thinks
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Schreibweise des Namems ist korrekt |
| Beschreibung: | x, 311 Seiten 27 Illustrationen und Portraits |
| ISBN: | 9781788310659 |
Internformat
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Datensatz im Suchindex
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CONTENTS List of Figures Acknowledgments Abbreviations vii ix xi INTRODUCTION I Chapter 1 FILM AS MYTH AND FORM The Face as Object The Space of the Theatre The Visible Surface of Things Toward the Photogram 19 20 40 48 53 Chapter 2 FILMOLOGY AND SEMIOLOGY Barthes and Filmology Semiologies of the Image Barthes and Cahiers du Cinéma: The 1963 Interview Semiology and Cinema: The Image et Son Interview Pesaro 1966 63 63 76 84 91 92 Chapter 3 THE THIRD MEANING Barthes, Cahiers, and Tel Quel Obvious and Obtuse The Big Toe The Filmic Gesture and Tableau Fetishist? 105 105 107 119 124 126 131 Chapter 4 BEYOND “THE THIRD MEANING” The Photogram: Sylvie Pierre Suppressed Emotion: Georges Didi-Huberman Out of Frame: Raymonde Carasco and Gilles Deleuze The Film-Work: Thierry Kuntzel Toward the Punctum: Photography in Cahiers 139 140 144 151 161 168
VI Contents Chapter 5 LEAVING THE CINEMA Film as Jouissance: Figure and Voice A Different Imaginary Ravishment Chapter 6 PHOTOGRAPHY, NOT CINEMA? “This has been”: The Radical Difference between Photography and Cinema Blurring the Radical Difference 179 179 185 198 209 213 226 Chapter 7 DEAR ANTONIONI Loving Vigilance The Possibility of Happiness in the Modern World Barthes and Antonioni in China The Hum of Language 247 247 252 254 261 CONCLUSION 273 Barthes’ Cinema Bibliography Index 276 280 300
Suspicious of what he called the spectator's "sticky" adherence to the screen, Roland Barthes had a cautious attitude towards cinema. Falling into a hypnotic trance, the philosopher warned, an audience can become susceptible to ideology and "myth". In this book, Patrick ffrench explains that although Barthes was wary of film, he engaged deeply with it. Barthes' thought was, ffrench argues, punctuated by the experience of watching films—and likewise his philosophy of photography, culture, semiotics, ethics and theatricality have been immensely important in film theory. Focusing particularly on the essays "The Third Meaning" and "On Leaving the Cinema" and the acclaimed book Camera Lucida, ffrench examines Barthes' writing and traces a persistent interest in films and directors, from Fellini and Antonioni to Eisenstein and the Marx Brothers. PATRICK FFRENCH is Professor of French at King's College London, where he teaches and researches twentieth-century French literature, thought and film. He is the author of After Bataille: Sacrifice, Exposure, Community (2007), The Cut: Reading BataiHe's Story of the Eye (2000) and The Time of Theory: A History ofTel Quel (1996). He is also the co-editor, with RolandFrançois Lack, of The Tel Quel Reader (1998). |
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| spelling | Ffrench, Patrick 1965- Verfasser (DE-588)117136556X aut Roland Barthes and film myth, eroticism and poetics Patrick Ffrench London Bloomsbury Academic 2020 x, 311 Seiten 27 Illustrationen und Portraits txt rdacontent n rdamedia nc rdacarrier Film thinks Schreibweise des Namems ist korrekt Barthes, Roland 1915-1980 (DE-588)118506862 gnd rswk-swf Barthes, Roland 1915-1980 (DE-588)118506862 p DE-604 Erscheint auch als Online-Ausgabe, ePDF 978-1-3501-2051-8 Erscheint auch als Online-Ausgabe 978-1-3501-2052-5 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031583792&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031583792&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Roland Barthes and film myth, eroticism and poetics |
| title_auth | Roland Barthes and film myth, eroticism and poetics |
| title_exact_search | Roland Barthes and film myth, eroticism and poetics |
| title_full | Roland Barthes and film myth, eroticism and poetics Patrick Ffrench |
| title_fullStr | Roland Barthes and film myth, eroticism and poetics Patrick Ffrench |
| title_full_unstemmed | Roland Barthes and film myth, eroticism and poetics Patrick Ffrench |
| title_short | Roland Barthes and film |
| title_sort | roland barthes and film myth eroticism and poetics |
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| topic_facet | Barthes, Roland 1915-1980 |
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