Art and objects:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, UK ; Medford, MA
polity
2019
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke |
| Beschreibung: | xii, 204 Seiten 23 cm |
| ISBN: | 9781509512676 9781509512683 |
Internformat
MARC
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Datensatz im Suchindex
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Contents Abbreviations Preliminary Note vi ix Introduction: Formalism and the Lessons of Dante 1 1 OOO and Art: A First Summary 12 2 Formalism and its Flaws 32 3 Theatrical, Not Literal 48 4 The Canvas is the Message 83 5 After High Modernism 110 6 Dada, Surrealism, and Literalism 138 7 Weird Formalism 166 Notes Works Cited Index 180 187 196 v
“Artists, critics, theorists, and philosophers engaged in the field s of contemporary art - particularly in interdisciplinary practices or* installation art, performance art, and works in augmented and virtuālu reality - will find Graham Harman’s considerations of the ontological^· vibrancy of art and objects imaginatively contrarian with regard to'ţ most art critical and theoretical writings of the last half century, anďy. usefully provocative as we think about the art to come.” Steven Henry Hadoff, School of Visual Arts NYC •)W “Harman’s writing is always clear, highly readable, and provocative. With Art and Objects Harman continues his project of making aesthetics central to philosophy by turning his maverick theoretical attention to ы art, thus pursuing his ongoing interrogation of objects and the world,”,. «f* Francis Hatsali, National College of Art and Design, Dublin Уі β "Վ-ձ-ձՀՀհ-· ■ W Џ. ’ ’ In this book, the founder of object-oriented ontology develops his view aesthetics is the central discipline of philosophy. Whereas science mus$3 attempt to grasp an object in terms of its observable qualities, philosophy* -and art cannot proceed in this way because they don't have direct access^ to their objects. Hence, philosophy shares the same fate as art in beirjftč compelled to communicate indirectly, allusively, or elliptically, rather than irj\ the clear propositional terms that are often taken - wrongly - to be the solé ՜, stuff of genuine philosophy. Conceiving of philosophy and art in this way allows us to reread key debates^ in aesthetic theory, and to view art
history in a different way. The surrealists,'. among others, gain in importance. It also invites a new periodization -of *, modern philosophy, and the habitual turn away from Kant’s thing-inHtself '■ toward an increase in philosophical “immanence” is shown to be a false dawn. tV'C : ՛ ՛. '· . - /'·· '•■V:.՜;. ՝'*··.r This major work will be of great interest to students and scholars of philosophy,? aesthetics, art history, and cultural theory. аш Ѕ1Ш Grabam Harman is Distinguished Professor Of Philosophy at the Southerns· California institute of Architecture. ՜ * ՝ ■ 1 ՛ ՝ ƒ «sí |
| any_adam_object | 1 |
| author | Harman, Graham 1968- |
| author_GND | (DE-588)1014948061 |
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| building | Verbundindex |
| bvnumber | BV046200275 |
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| ctrlnum | (OCoLC)1124939135 (DE-599)HBZHT019734265 |
| discipline | Philosophie |
| format | Book |
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| isbn | 9781509512676 9781509512683 |
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| physical | xii, 204 Seiten 23 cm |
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| spelling | Harman, Graham 1968- Verfasser (DE-588)1014948061 aut Art and objects Graham Harman Art + objects Cambridge, UK ; Medford, MA polity 2019 © 2020 xii, 204 Seiten 23 cm txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Aesthetics Art and philosophy Object (Philosophy) Dadaismus (DE-588)4010866-1 gnd rswk-swf Ästhetische Kommunikation (DE-588)4254445-2 gnd rswk-swf Surrealismus (DE-588)4058665-0 gnd rswk-swf Objektkunst (DE-588)4131740-3 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Spekulativer Realismus (DE-588)112707718X gnd rswk-swf Ästhetik (DE-588)4000626-8 s Ästhetische Kommunikation (DE-588)4254445-2 s Objektkunst (DE-588)4131740-3 s DE-604 Philosophie (DE-588)4045791-6 s Dadaismus (DE-588)4010866-1 s Surrealismus (DE-588)4058665-0 s Spekulativer Realismus (DE-588)112707718X s Erscheint auch als Online-Ausgabe, EPUB 978-1-509-51271-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031579426&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031579426&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title_full_unstemmed | Art and objects Graham Harman |
| title_short | Art and objects |
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| topic | Aesthetics Art and philosophy Object (Philosophy) Dadaismus (DE-588)4010866-1 gnd Ästhetische Kommunikation (DE-588)4254445-2 gnd Surrealismus (DE-588)4058665-0 gnd Objektkunst (DE-588)4131740-3 gnd Philosophie (DE-588)4045791-6 gnd Ästhetik (DE-588)4000626-8 gnd Spekulativer Realismus (DE-588)112707718X gnd |
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