Music and the benefit performance in eighteenth-century Britain:
"Although specific financial details about theatrical benefits early in the period are limited, there is sufficient evidence to sketch a broad outline, which should ground investigation into later expansions and refinements of the practice as it morphed from a theatrical innovation into a broad...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2020
|
| Schlagworte: | |
| Zusammenfassung: | "Although specific financial details about theatrical benefits early in the period are limited, there is sufficient evidence to sketch a broad outline, which should ground investigation into later expansions and refinements of the practice as it morphed from a theatrical innovation into a broader performance tradition as the decades passed. Benefit ticket prices varied over time and depended on the type of performance. Dramatic opera and Italian operas typically had the highest ticket prices. Broadly speaking, a guinea a ticket was considered a top price for an evening's entertainment, while the regular charge of 4s for a box seat at a spoken play remained remarkably stable during the first half of the eighteenth century"-- |
| Beschreibung: | xvi, 286 Seiten Illustrationen |
| ISBN: | 9781108492935 |
Internformat
MARC
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| 041 | 0 | |a eng | |
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| 245 | 1 | 0 | |a Music and the benefit performance in eighteenth-century Britain |c edited by Matthew Gardner (Eberhard Karls Universität Tübingen), Alison Clark DeSimone (University of Missouri-Kansas City) |
| 264 | 1 | |a Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore |b Cambridge University Press |c 2020 | |
| 300 | |a xvi, 286 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "Although specific financial details about theatrical benefits early in the period are limited, there is sufficient evidence to sketch a broad outline, which should ground investigation into later expansions and refinements of the practice as it morphed from a theatrical innovation into a broader performance tradition as the decades passed. Benefit ticket prices varied over time and depended on the type of performance. Dramatic opera and Italian operas typically had the highest ticket prices. Broadly speaking, a guinea a ticket was considered a top price for an evening's entertainment, while the regular charge of 4s for a box seat at a spoken play remained remarkably stable during the first half of the eighteenth century"-- | |
| 648 | 7 | |a Geschichte 1700-1800 |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Konzert |g Veranstaltung |0 (DE-588)4317474-7 |2 gnd |9 rswk-swf |
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| 650 | 0 | 7 | |a Musikleben |0 (DE-588)4075128-4 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Großbritannien |0 (DE-588)4022153-2 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Music / Great Britain / 18th century / History and criticism | |
| 653 | 0 | |a Theater / Great Britain / History / 18th century | |
| 653 | 0 | |a Benefit performances / Great Britain / History / 18th century | |
| 653 | 2 | |a Great Britain / Social life and customs / 18th century | |
| 653 | 0 | |a Benefit performances | |
| 653 | 0 | |a Manners and customs | |
| 653 | 0 | |a Music | |
| 653 | 0 | |a Theater | |
| 653 | 2 | |a Great Britain | |
| 653 | 4 | |a 1700-1799 | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 653 | 6 | |a History | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Großbritannien |0 (DE-588)4022153-2 |D g |
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| 689 | 0 | 2 | |a Musikleben |0 (DE-588)4075128-4 |D s |
| 689 | 0 | 3 | |a Wohltätigkeitsveranstaltung |0 (DE-588)4389970-5 |D s |
| 689 | 0 | 4 | |a Geschichte 1700-1800 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Gardner, Matthew |d 1981- |0 (DE-588)1020338393 |4 edt | |
| 700 | 1 | |a DeSimone, Alison Clark |d 1985- |0 (DE-588)1201626560 |4 edt | |
| 776 | 0 | 8 | |i Online version |a Gardner, Matthew |t Music and the benefit performance in eighteenth-century Britain |z 9781108631808 |b 1 |d New York : Cambridge University Press, 2019 |
| 940 | 1 | |q BSB_NED_20200120 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031578526 | ||
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Datensatz im Suchindex
| _version_ | 1804180580283187200 |
|---|---|
| any_adam_object | |
| author2 | Gardner, Matthew 1981- DeSimone, Alison Clark 1985- |
| author2_role | edt edt |
| author2_variant | m g mg a c d ac acd |
| author_GND | (DE-588)1020338393 (DE-588)1201626560 |
| author_facet | Gardner, Matthew 1981- DeSimone, Alison Clark 1985- |
| building | Verbundindex |
| bvnumber | BV046199350 |
| ctrlnum | (OCoLC)1137855802 (DE-599)BVBBV046199350 |
| era | Geschichte 1700-1800 gnd |
| era_facet | Geschichte 1700-1800 |
| format | Book |
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| id | DE-604.BV046199350 |
| illustrated | Illustrated |
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| isbn | 9781108492935 |
| language | English |
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| spelling | Music and the benefit performance in eighteenth-century Britain edited by Matthew Gardner (Eberhard Karls Universität Tübingen), Alison Clark DeSimone (University of Missouri-Kansas City) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2020 xvi, 286 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Although specific financial details about theatrical benefits early in the period are limited, there is sufficient evidence to sketch a broad outline, which should ground investigation into later expansions and refinements of the practice as it morphed from a theatrical innovation into a broader performance tradition as the decades passed. Benefit ticket prices varied over time and depended on the type of performance. Dramatic opera and Italian operas typically had the highest ticket prices. Broadly speaking, a guinea a ticket was considered a top price for an evening's entertainment, while the regular charge of 4s for a box seat at a spoken play remained remarkably stable during the first half of the eighteenth century"-- Geschichte 1700-1800 gnd rswk-swf Konzert Veranstaltung (DE-588)4317474-7 gnd rswk-swf Wohltätigkeitsveranstaltung (DE-588)4389970-5 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Music / Great Britain / 18th century / History and criticism Theater / Great Britain / History / 18th century Benefit performances / Great Britain / History / 18th century Great Britain / Social life and customs / 18th century Benefit performances Manners and customs Music Theater Great Britain 1700-1799 Criticism, interpretation, etc History (DE-588)4143413-4 Aufsatzsammlung gnd-content Großbritannien (DE-588)4022153-2 g Konzert Veranstaltung (DE-588)4317474-7 s Musikleben (DE-588)4075128-4 s Wohltätigkeitsveranstaltung (DE-588)4389970-5 s Geschichte 1700-1800 z DE-604 Gardner, Matthew 1981- (DE-588)1020338393 edt DeSimone, Alison Clark 1985- (DE-588)1201626560 edt Online version Gardner, Matthew Music and the benefit performance in eighteenth-century Britain 9781108631808 1 New York : Cambridge University Press, 2019 |
| spellingShingle | Music and the benefit performance in eighteenth-century Britain Konzert Veranstaltung (DE-588)4317474-7 gnd Wohltätigkeitsveranstaltung (DE-588)4389970-5 gnd Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)4317474-7 (DE-588)4389970-5 (DE-588)4075128-4 (DE-588)4022153-2 (DE-588)4143413-4 |
| title | Music and the benefit performance in eighteenth-century Britain |
| title_auth | Music and the benefit performance in eighteenth-century Britain |
| title_exact_search | Music and the benefit performance in eighteenth-century Britain |
| title_full | Music and the benefit performance in eighteenth-century Britain edited by Matthew Gardner (Eberhard Karls Universität Tübingen), Alison Clark DeSimone (University of Missouri-Kansas City) |
| title_fullStr | Music and the benefit performance in eighteenth-century Britain edited by Matthew Gardner (Eberhard Karls Universität Tübingen), Alison Clark DeSimone (University of Missouri-Kansas City) |
| title_full_unstemmed | Music and the benefit performance in eighteenth-century Britain edited by Matthew Gardner (Eberhard Karls Universität Tübingen), Alison Clark DeSimone (University of Missouri-Kansas City) |
| title_short | Music and the benefit performance in eighteenth-century Britain |
| title_sort | music and the benefit performance in eighteenth century britain |
| topic | Konzert Veranstaltung (DE-588)4317474-7 gnd Wohltätigkeitsveranstaltung (DE-588)4389970-5 gnd Musikleben (DE-588)4075128-4 gnd |
| topic_facet | Konzert Veranstaltung Wohltätigkeitsveranstaltung Musikleben Großbritannien Aufsatzsammlung |
| work_keys_str_mv | AT gardnermatthew musicandthebenefitperformanceineighteenthcenturybritain AT desimonealisonclark musicandthebenefitperformanceineighteenthcenturybritain |