Create, produce, consume: new models for understanding music business
"Music usually begins as an idea or a feeling. Understanding how or why is a mystery beyond the scope of this text. Instead, we will take musical creation as a given and focus on what comes after: shared musical experience, what makes it happen, and the forms of value it can generate. Musical e...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Music usually begins as an idea or a feeling. Understanding how or why is a mystery beyond the scope of this text. Instead, we will take musical creation as a given and focus on what comes after: shared musical experience, what makes it happen, and the forms of value it can generate. Musical experience depends upon someone making and someone else listening to music. Performance can be technologically mediated so that performer and listener don't need to be in the same space at the same time. Or the performer and listener can be in the same room (or even be the same person). But for music to have wider impact, the minimum "equation" is one performer plus one listener equals a musical experience. How music moves from an idea--creation--to the ears of listeners--reception--is where the production structures of music enterprise come into play. All forms of music production provide access to musical experience, regardless of venue or technological medium. Access to music and musicians is what brings music commerce, community, and culture to life. Consequently, managing access and the complex relationship between artist and audience is the essential mission of every music enterprise, regardless of where or when or in what genre it happens"--Provided by publisher |
| Beschreibung: | 414 Seiten Illustrationen |
| ISBN: | 9780520303515 9780520303508 |
Internformat
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| 505 | 8 | |a Inception : creation, production, reception -- Production : art, science, commerce -- Reception : listeners, fans, consumers -- Commodification : product, process, culture -- Monetization : publishing, performing, recording -- Location : scenes, venues, labels -- Diffusion : here, there, everywhere -- Disruption : pattern, deviation, adaptation -- Connection : artists, audiences, networks -- Incorporation : production, monetization, affiliation -- Aggregation : consumption, production, prediction -- Simulation : creation, production, consumption | |
| 520 | 3 | |a "Music usually begins as an idea or a feeling. Understanding how or why is a mystery beyond the scope of this text. Instead, we will take musical creation as a given and focus on what comes after: shared musical experience, what makes it happen, and the forms of value it can generate. Musical experience depends upon someone making and someone else listening to music. Performance can be technologically mediated so that performer and listener don't need to be in the same space at the same time. Or the performer and listener can be in the same room (or even be the same person). But for music to have wider impact, the minimum "equation" is one performer plus one listener equals a musical experience. How music moves from an idea--creation--to the ears of listeners--reception--is where the production structures of music enterprise come into play. All forms of music production provide access to musical experience, regardless of venue or technological medium. Access to music and musicians is what brings music commerce, community, and culture to life. Consequently, managing access and the complex relationship between artist and audience is the essential mission of every music enterprise, regardless of where or when or in what genre it happens"--Provided by publisher | |
| 650 | 0 | 7 | |a Musikwirtschaft |0 (DE-588)4268614-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Unterhaltungsmusik |0 (DE-588)4061916-3 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Music trade | |
| 653 | 0 | |a Popular music / Social aspects | |
| 653 | 0 | |a Music trade | |
| 653 | 0 | |a Popular music / Social aspects | |
| 689 | 0 | 0 | |a Unterhaltungsmusik |0 (DE-588)4061916-3 |D s |
| 689 | 0 | 1 | |a Musikwirtschaft |0 (DE-588)4268614-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk |z 978-0-520-97273-5 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031578421&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
| _version_ | 1804180580060889088 |
|---|---|
| adam_text | CONTENTS Introduction I i. Inception: Creation, Production, Reception 7 2. Production: Art, Science, Enterprise 32 3. Reception: Listeners, Fans, Consumers 57 4. Commodification: Product, Process, Culture 82 5. Monetization: Publishing, Performing, Recording 108 6. Location: Scenes, Venues, Labels 43 7. Diffusion: Here, There, Everywhere 176
8. Disruption: Pattern, Deviation, Adaptation 205 9. Connection: Artists, Audiences, Networks 237 10. Incorporation: Production, Monetization, Affiliation 270 n. Aggregation: Consumption, Production, Prediction 298 12. Simulation: Creation, Production, Consumption 32Ճ Notes 357 Bibliography 389 Index 411
|
| any_adam_object | 1 |
| author | Bruenger, David 1953- |
| author_GND | (DE-588)1126197521 |
| author_facet | Bruenger, David 1953- |
| author_role | aut |
| author_sort | Bruenger, David 1953- |
| author_variant | d b db |
| building | Verbundindex |
| bvnumber | BV046199244 |
| classification_rvk | QR 750 |
| contents | Inception : creation, production, reception -- Production : art, science, commerce -- Reception : listeners, fans, consumers -- Commodification : product, process, culture -- Monetization : publishing, performing, recording -- Location : scenes, venues, labels -- Diffusion : here, there, everywhere -- Disruption : pattern, deviation, adaptation -- Connection : artists, audiences, networks -- Incorporation : production, monetization, affiliation -- Aggregation : consumption, production, prediction -- Simulation : creation, production, consumption |
| ctrlnum | (OCoLC)1128844919 (DE-599)BVBBV046199244 |
| discipline | Wirtschaftswissenschaften |
| format | Book |
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| id | DE-604.BV046199244 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:38:01Z |
| institution | BVB |
| isbn | 9780520303515 9780520303508 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031578421 |
| oclc_num | 1128844919 |
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| owner_facet | DE-12 DE-11 |
| physical | 414 Seiten Illustrationen |
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| publishDate | 2019 |
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| publishDateSort | 2019 |
| publisher | University of California Press |
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| spelling | Bruenger, David 1953- Verfasser (DE-588)1126197521 aut Create, produce, consume new models for understanding music business David Bruenger Oakland, California University of California Press [2019] © 2019 414 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Inception : creation, production, reception -- Production : art, science, commerce -- Reception : listeners, fans, consumers -- Commodification : product, process, culture -- Monetization : publishing, performing, recording -- Location : scenes, venues, labels -- Diffusion : here, there, everywhere -- Disruption : pattern, deviation, adaptation -- Connection : artists, audiences, networks -- Incorporation : production, monetization, affiliation -- Aggregation : consumption, production, prediction -- Simulation : creation, production, consumption "Music usually begins as an idea or a feeling. Understanding how or why is a mystery beyond the scope of this text. Instead, we will take musical creation as a given and focus on what comes after: shared musical experience, what makes it happen, and the forms of value it can generate. Musical experience depends upon someone making and someone else listening to music. Performance can be technologically mediated so that performer and listener don't need to be in the same space at the same time. Or the performer and listener can be in the same room (or even be the same person). But for music to have wider impact, the minimum "equation" is one performer plus one listener equals a musical experience. How music moves from an idea--creation--to the ears of listeners--reception--is where the production structures of music enterprise come into play. All forms of music production provide access to musical experience, regardless of venue or technological medium. Access to music and musicians is what brings music commerce, community, and culture to life. Consequently, managing access and the complex relationship between artist and audience is the essential mission of every music enterprise, regardless of where or when or in what genre it happens"--Provided by publisher Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Music trade Popular music / Social aspects Unterhaltungsmusik (DE-588)4061916-3 s Musikwirtschaft (DE-588)4268614-3 s DE-604 Erscheint auch als Online-Ausgabe, ebk 978-0-520-97273-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031578421&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bruenger, David 1953- Create, produce, consume new models for understanding music business Inception : creation, production, reception -- Production : art, science, commerce -- Reception : listeners, fans, consumers -- Commodification : product, process, culture -- Monetization : publishing, performing, recording -- Location : scenes, venues, labels -- Diffusion : here, there, everywhere -- Disruption : pattern, deviation, adaptation -- Connection : artists, audiences, networks -- Incorporation : production, monetization, affiliation -- Aggregation : consumption, production, prediction -- Simulation : creation, production, consumption Musikwirtschaft (DE-588)4268614-3 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd |
| subject_GND | (DE-588)4268614-3 (DE-588)4061916-3 |
| title | Create, produce, consume new models for understanding music business |
| title_auth | Create, produce, consume new models for understanding music business |
| title_exact_search | Create, produce, consume new models for understanding music business |
| title_full | Create, produce, consume new models for understanding music business David Bruenger |
| title_fullStr | Create, produce, consume new models for understanding music business David Bruenger |
| title_full_unstemmed | Create, produce, consume new models for understanding music business David Bruenger |
| title_short | Create, produce, consume |
| title_sort | create produce consume new models for understanding music business |
| title_sub | new models for understanding music business |
| topic | Musikwirtschaft (DE-588)4268614-3 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd |
| topic_facet | Musikwirtschaft Unterhaltungsmusik |
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