Beethoven 1806:
Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been un...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2019]
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| Schriftenreihe: | AMS studies in music
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies |
| Beschreibung: | xxi, 245 Seiten |
| ISBN: | 9780190947187 |
Internformat
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| 520 | 3 | |a Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies | |
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Datensatz im Suchindex
| _version_ | 1804180579468443648 |
|---|---|
| adam_text | TABLES 1.1 1.2 1.3 1.4 2.1 3.1 4.x 4.2a 4.2b 4.3 4.4 5.1 5.2 6.1 Arrangements, editions, and original works based on Cherubini’s Faniska, as advertised in the Wiener Zeitung in 1806. Beethoven’s compositions of 1806 and 1807. Beethoven’s use of the mediant in three opening themes. Adorno’s Hegelian interpretation of the development section of Beethoven, Symphony No. 4, i. Espressivo, dolce, and cantabile markings in the Fourth Piano Concerto. Diagram of Beethoven, Op. 59, no. 2, iii, trio. Haydn’s use of trumpets and timpani in B-flat, 1792-1802. Comparison of themes in Haydn’s Symphony No. 102 and Beethoven’s Symphony No. 4. Karl Nef, “Haydn-Reminiszenzen bei Beethoven” (1912; N.B. includeserrors). Comparison of themes in Haydn’s Symphony No. 9 (i) and Beethoven’s Symphony No. 4 (iv). Nef, “Haydn-Reminiszenzen.” Shared signposts in the Adagio introductions of Haydn, Symphony No. 99 and Beethoven, Symphony No. 4. Selected passages from the slow introductions of Haydn, Symphony No. 99 (Paris: Ignaz Pleyel, 1803) and Beethoven, Symphony No. 4 (Kassel: Bärenreiter, 2001). Diagram of Beethoven, Thirty-Two Variations on an Original Theme, WoO 80 (Vienna: Bureau des Arts et d’industrie, 1807). Beethoven’s piano works, c. 1803-10. Collin and Beethoven, 1801-13. XV 26 30 36 42 62 88 123 135 135 142 143 155 163 180
|
| any_adam_object | 1 |
| author | Ferraguto, Mark ca. 20./21. Jh |
| author_GND | (DE-588)1051746728 |
| author_facet | Ferraguto, Mark ca. 20./21. Jh |
| author_role | aut |
| author_sort | Ferraguto, Mark ca. 20./21. Jh |
| author_variant | m f mf |
| building | Verbundindex |
| bvnumber | BV046198949 |
| classification_rvk | LP 63174 |
| ctrlnum | (OCoLC)1127304950 (DE-599)BVBBV046198949 |
| discipline | Musikwissenschaft |
| era | Geschichte 1806 gnd |
| era_facet | Geschichte 1806 |
| format | Book |
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| id | DE-604.BV046198949 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:38:00Z |
| institution | BVB |
| isbn | 9780190947187 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031578132 |
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| physical | xxi, 245 Seiten |
| psigel | BSB_NED_20191111 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
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| publisher | Oxford University Press |
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| series2 | AMS studies in music |
| spelling | Ferraguto, Mark ca. 20./21. Jh. Verfasser (DE-588)1051746728 aut Beethoven 1806 Mark Ferraguto Beethoven eighteen hundred-six New York, NY Oxford University Press [2019] © 2019 xxi, 245 Seiten txt rdacontent n rdamedia nc rdacarrier AMS studies in music Between early 1806 and early 1807, Ludwig van Beethoven completed a remarkable series of instrumental works. But critics have struggled to reconcile the music of this banner year with Beethoven's "heroic style," the paradigm through which his middle-period works have typically been understood. Drawing on theories of mediation and a wealth of primary sources, Beethoven 1806 explores the specific contexts in which the music of this year was conceived, composed, and heard. As author Mark Ferraguto argues, understanding this music depends on appreciating the relationships that it both creates and reflects. Not only did Beethoven depend on patrons, performers, publishers, critics, and audiences to earn a living, but he also tailored his compositions to suit particular sensibilities, proclivities, and technologies Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Geschichte 1806 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Music / 19th century / History and criticism Beethoven, Ludwig van / 1770-1827 Music 1800-1899 Criticism, interpretation, etc Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Komposition Musik (DE-588)4133320-2 s Geschichte 1806 z DE-604 Komposition (DE-588)4032012-1 s Instrumentalmusik (DE-588)4129951-6 s 1\p DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031578132&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Ferraguto, Mark ca. 20./21. Jh Beethoven 1806 Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Komposition (DE-588)4032012-1 gnd Instrumentalmusik (DE-588)4129951-6 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)118508288 (DE-588)4032012-1 (DE-588)4129951-6 (DE-588)4133320-2 |
| title | Beethoven 1806 |
| title_alt | Beethoven eighteen hundred-six |
| title_auth | Beethoven 1806 |
| title_exact_search | Beethoven 1806 |
| title_full | Beethoven 1806 Mark Ferraguto |
| title_fullStr | Beethoven 1806 Mark Ferraguto |
| title_full_unstemmed | Beethoven 1806 Mark Ferraguto |
| title_short | Beethoven 1806 |
| title_sort | beethoven 1806 |
| topic | Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Komposition (DE-588)4032012-1 gnd Instrumentalmusik (DE-588)4129951-6 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Beethoven, Ludwig van 1770-1827 Komposition Instrumentalmusik Komposition Musik |
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