Nineteenth-century opera and the scientific imagination:
Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiol...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2019
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FHN01 FUBA1 UBG01 UBR01 Volltext |
| Zusammenfassung: | Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period |
| Beschreibung: | 1 Online-Ressource (xv, 381 Seiten) |
| ISBN: | 9781316275863 |
| DOI: | 10.1017/9781316275863 |
Internformat
MARC
| LEADER | 00000nmm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV046189343 | ||
| 003 | DE-604 | ||
| 005 | 20221228 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 191009s2019 |||| o||u| ||||||eng d | ||
| 020 | |a 9781316275863 |c Online |9 978-1-316-27586-3 | ||
| 024 | 7 | |a 10.1017/9781316275863 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9781316275863 | ||
| 035 | |a (OCoLC)1123090539 | ||
| 035 | |a (DE-599)BVBBV046189343 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-92 |a DE-355 |a DE-188 |a DE-11 | ||
| 082 | 0 | |a 782.109/034 | |
| 084 | |a LR 54171 |0 (DE-625)109639: |2 rvk | ||
| 245 | 1 | 0 | |a Nineteenth-century opera and the scientific imagination |c edited by David Trippett, Benjamin Walton |
| 246 | 1 | 3 | |a Nineteenth century opera and the scientific imagination |
| 246 | 1 | 3 | |a 19th-century opera and the scientific imagination |
| 264 | 1 | |a Cambridge, United Kingdom |b Cambridge University Press |c 2019 | |
| 300 | |a 1 Online-Ressource (xv, 381 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period | ||
| 648 | 7 | |a Geschichte 1800-1900 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Opera / 19th century | |
| 650 | 4 | |a Music and science / History / 19th century | |
| 650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Wissenschaft |0 (DE-588)4066562-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Technologie |0 (DE-588)4059276-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Gesang |0 (DE-588)4020470-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Oper |0 (DE-588)4043582-9 |D s |
| 689 | 0 | 1 | |a Gesang |0 (DE-588)4020470-4 |D s |
| 689 | 0 | 2 | |a Wissenschaft |0 (DE-588)4066562-8 |D s |
| 689 | 0 | 3 | |a Technologie |0 (DE-588)4059276-5 |D s |
| 689 | 0 | 4 | |a Geschichte 1800-1900 |A z |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 700 | 1 | |a Trippett, David |d 1980- |0 (DE-588)1026130743 |4 edt | |
| 700 | 1 | |a Walton, Benjamin |d 1972- |0 (DE-588)13392517X |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-1-107-11125-7 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-1-107-52902-1 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9781316275863 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-031568729 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u https://doi.org/10.1017/9781316275863 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781316275863 |l FHN01 |p ZDB-20-CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781316275863 |l FUBA1 |p ZDB-20-CBO |q ZDB-20-CBO 2021 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781316275863 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9781316275863 |l UBR01 |p ZDB-20-CBO |q UBR Sammelbestellung 2021 |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804180561279844352 |
|---|---|
| any_adam_object | |
| author2 | Trippett, David 1980- Walton, Benjamin 1972- |
| author2_role | edt edt |
| author2_variant | d t dt b w bw |
| author_GND | (DE-588)1026130743 (DE-588)13392517X |
| author_facet | Trippett, David 1980- Walton, Benjamin 1972- |
| building | Verbundindex |
| bvnumber | BV046189343 |
| classification_rvk | LR 54171 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781316275863 (OCoLC)1123090539 (DE-599)BVBBV046189343 |
| dewey-full | 782.109/034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.109/034 |
| dewey-search | 782.109/034 |
| dewey-sort | 3782.109 234 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781316275863 |
| era | Geschichte 1800-1900 gnd |
| era_facet | Geschichte 1800-1900 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03791nmm a2200637 c 4500</leader><controlfield tag="001">BV046189343</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20221228 </controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">191009s2019 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781316275863</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-316-27586-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781316275863</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781316275863</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1123090539</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV046189343</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-92</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.109/034</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54171</subfield><subfield code="0">(DE-625)109639:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Nineteenth-century opera and the scientific imagination</subfield><subfield code="c">edited by David Trippett, Benjamin Walton</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Nineteenth century opera and the scientific imagination</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">19th-century opera and the scientific imagination</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, United Kingdom</subfield><subfield code="b">Cambridge University Press</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xv, 381 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera / 19th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music and science / History / 19th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Wissenschaft</subfield><subfield code="0">(DE-588)4066562-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Technologie</subfield><subfield code="0">(DE-588)4059276-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gesang</subfield><subfield code="0">(DE-588)4020470-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Gesang</subfield><subfield code="0">(DE-588)4020470-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Wissenschaft</subfield><subfield code="0">(DE-588)4066562-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Technologie</subfield><subfield code="0">(DE-588)4059276-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1800-1900</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Trippett, David</subfield><subfield code="d">1980-</subfield><subfield code="0">(DE-588)1026130743</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Walton, Benjamin</subfield><subfield code="d">1972-</subfield><subfield code="0">(DE-588)13392517X</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-1-107-11125-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-1-107-52902-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781316275863</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-031568729</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781316275863</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781316275863</subfield><subfield code="l">FHN01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781316275863</subfield><subfield code="l">FUBA1</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">ZDB-20-CBO 2021</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781316275863</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781316275863</subfield><subfield code="l">UBR01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBR Sammelbestellung 2021</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV046189343 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T08:37:43Z |
| institution | BVB |
| isbn | 9781316275863 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031568729 |
| oclc_num | 1123090539 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-92 DE-355 DE-BY-UBR DE-188 DE-11 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-92 DE-355 DE-BY-UBR DE-188 DE-11 |
| physical | 1 Online-Ressource (xv, 381 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO ZDB-20-CBO 2021 ZDB-20-CBO UBG_PDA_CBO ZDB-20-CBO UBR Sammelbestellung 2021 |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Cambridge University Press |
| record_format | marc |
| spelling | Nineteenth-century opera and the scientific imagination edited by David Trippett, Benjamin Walton Nineteenth century opera and the scientific imagination 19th-century opera and the scientific imagination Cambridge, United Kingdom Cambridge University Press 2019 1 Online-Ressource (xv, 381 Seiten) txt rdacontent c rdamedia cr rdacarrier Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period Geschichte 1800-1900 gnd rswk-swf Opera / 19th century Music and science / History / 19th century Oper (DE-588)4043582-9 gnd rswk-swf Wissenschaft (DE-588)4066562-8 gnd rswk-swf Technologie (DE-588)4059276-5 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Oper (DE-588)4043582-9 s Gesang (DE-588)4020470-4 s Wissenschaft (DE-588)4066562-8 s Technologie (DE-588)4059276-5 s Geschichte 1800-1900 z 1\p DE-604 Trippett, David 1980- (DE-588)1026130743 edt Walton, Benjamin 1972- (DE-588)13392517X edt Erscheint auch als Druck-Ausgabe, Hardcover 978-1-107-11125-7 Erscheint auch als Druck-Ausgabe, Paperback 978-1-107-52902-1 https://doi.org/10.1017/9781316275863 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Nineteenth-century opera and the scientific imagination Opera / 19th century Music and science / History / 19th century Oper (DE-588)4043582-9 gnd Wissenschaft (DE-588)4066562-8 gnd Technologie (DE-588)4059276-5 gnd Gesang (DE-588)4020470-4 gnd |
| subject_GND | (DE-588)4043582-9 (DE-588)4066562-8 (DE-588)4059276-5 (DE-588)4020470-4 (DE-588)4143413-4 |
| title | Nineteenth-century opera and the scientific imagination |
| title_alt | Nineteenth century opera and the scientific imagination 19th-century opera and the scientific imagination |
| title_auth | Nineteenth-century opera and the scientific imagination |
| title_exact_search | Nineteenth-century opera and the scientific imagination |
| title_full | Nineteenth-century opera and the scientific imagination edited by David Trippett, Benjamin Walton |
| title_fullStr | Nineteenth-century opera and the scientific imagination edited by David Trippett, Benjamin Walton |
| title_full_unstemmed | Nineteenth-century opera and the scientific imagination edited by David Trippett, Benjamin Walton |
| title_short | Nineteenth-century opera and the scientific imagination |
| title_sort | nineteenth century opera and the scientific imagination |
| topic | Opera / 19th century Music and science / History / 19th century Oper (DE-588)4043582-9 gnd Wissenschaft (DE-588)4066562-8 gnd Technologie (DE-588)4059276-5 gnd Gesang (DE-588)4020470-4 gnd |
| topic_facet | Opera / 19th century Music and science / History / 19th century Oper Wissenschaft Technologie Gesang Aufsatzsammlung |
| url | https://doi.org/10.1017/9781316275863 |
| work_keys_str_mv | AT trippettdavid nineteenthcenturyoperaandthescientificimagination AT waltonbenjamin nineteenthcenturyoperaandthescientificimagination AT trippettdavid 19thcenturyoperaandthescientificimagination AT waltonbenjamin 19thcenturyoperaandthescientificimagination |