Women and embodied mythmaking in Irish theatre:
The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2019
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| Schlagworte: | |
| Online-Zugang: | BSB01 FHN01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hÉireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen Fouéré. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 02 Sep 2019) Introduction: a creative female corporeality -- Revolutionary bodies: mythmaking and Irish feminisms -- Unhomely bodies: transforming space -- Process and resistance: metamorphic 'bodies that matter' -- Staging female death: sacrificial and dying bodies -- Haunted bodies and violent pasts -- Olwen Fouere's corpus: the performer's body and her body of work |
| Beschreibung: | 1 Online-Ressource (x, 257 Seiten) |
| ISBN: | 9781108756327 |
| DOI: | 10.1017/9781108756327 |
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| 520 | |a The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hÉireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen Fouéré. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality | ||
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Datensatz im Suchindex
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| spelling | Hill, Shonagh 1977- (DE-588)1196656584 aut Women and embodied mythmaking in Irish theatre Shonagh Hill Cambridge Cambridge University Press 2019 1 Online-Ressource (x, 257 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 02 Sep 2019) Introduction: a creative female corporeality -- Revolutionary bodies: mythmaking and Irish feminisms -- Unhomely bodies: transforming space -- Process and resistance: metamorphic 'bodies that matter' -- Staging female death: sacrificial and dying bodies -- Haunted bodies and violent pasts -- Olwen Fouere's corpus: the performer's body and her body of work The rich legacy of women's contributions to Irish theatre is traditionally viewed through a male-dominated literary canon and mythmaking, thus arguably silencing their work. In this timely book, Shonagh Hill proposes a feminist genealogy which brings new perspectives to women's mythmaking across the twentieth and twenty-first centuries. The performances considered include the tableaux vivants performed by the Inghinidhe na hÉireann (Daughters of Ireland), plays written by Alice Milligan, Maud Gonne, Lady Augusta Gregory, Eva Gore-Booth, Mary Devenport O'Neill, Mary Elizabeth Burke-Kennedy, Paula Meehan, Edna O'Brien and Marina Carr, as well as plays translated, adapted and performed by Olwen Fouéré. The theatrical work discussed resists the occlusion of women's cultural engagement that results from confinement to idealised myths of femininity. This is realised through embodied mythmaking: a process which exposes how bodies bear the consequences of these myths, while refusing to accept the female body as passive bearer of inscription through the assertion of a creative female corporeality English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 20th century Theater / Political aspects / Ireland / History / 20th century Feminism and theater / Ireland / History / 20th century Women in literature Myth in literature Human body in literature Feminismus (DE-588)4222126-2 gnd rswk-swf Schriftstellerin (DE-588)4053311-6 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Irland (DE-588)4027667-3 gnd rswk-swf Irland (DE-588)4027667-3 g Drama (DE-588)4012899-4 s Schriftstellerin (DE-588)4053311-6 s Feminismus (DE-588)4222126-2 s DE-604 Erscheint auch als Druck-Ausgabe 978-1-108-48533-3 https://doi.org/10.1017/9781108756327 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hill, Shonagh 1977- Women and embodied mythmaking in Irish theatre English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 20th century Theater / Political aspects / Ireland / History / 20th century Feminism and theater / Ireland / History / 20th century Women in literature Myth in literature Human body in literature Feminismus (DE-588)4222126-2 gnd Schriftstellerin (DE-588)4053311-6 gnd Drama (DE-588)4012899-4 gnd |
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| title | Women and embodied mythmaking in Irish theatre |
| title_auth | Women and embodied mythmaking in Irish theatre |
| title_exact_search | Women and embodied mythmaking in Irish theatre |
| title_full | Women and embodied mythmaking in Irish theatre Shonagh Hill |
| title_fullStr | Women and embodied mythmaking in Irish theatre Shonagh Hill |
| title_full_unstemmed | Women and embodied mythmaking in Irish theatre Shonagh Hill |
| title_short | Women and embodied mythmaking in Irish theatre |
| title_sort | women and embodied mythmaking in irish theatre |
| topic | English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 20th century Theater / Political aspects / Ireland / History / 20th century Feminism and theater / Ireland / History / 20th century Women in literature Myth in literature Human body in literature Feminismus (DE-588)4222126-2 gnd Schriftstellerin (DE-588)4053311-6 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | English drama / Irish authors / History and criticism English drama / Women authors / History and criticism Women in the theater / Ireland / History / 20th century Theater / Political aspects / Ireland / History / 20th century Feminism and theater / Ireland / History / 20th century Women in literature Myth in literature Human body in literature Feminismus Schriftstellerin Drama Irland |
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