Freedom and censorship in early modern English literature:
Gespeichert in:
| Körperschaft: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Tagungsbericht Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2019
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| Schriftenreihe: | Routledge studies in Renaissance literature and culture
48 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xii, 235 Seiten Illustrationen |
| ISBN: | 9781138366534 |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations Notes on Contributors Acknowledgements Textual Note General Introduction: “To be seen and allowed”: Early Modern Regulation Practices vii ix xiii xv 1 SOPHIE CHIARI PARTI Burning, Forbidding, Controlling: The Power of Censors 1 An Incident in the History of English Book Burning 19 21 EDWARD PÁLÉIT 2 Satire, Immoderation and the Bishops’ Ban of 1599 37 PER SIVEFORS 3 “I like not this”: Censorship, Self-Censorship and Collaboration in Early Modern Dramatic Manuscripts 48 JANET CLARE 4 The Limits of a Censor’s Authority: The Case of the Masters of the Revels 66 RICHARD DUTTON PART II Dramatic Constraints, Dramatic Freedom: Case Studies 5 Revisiting an Old Controversy: Censorship in Doctor Faustus ROY ERIKSEN 79 81
vi Contents 6 “An you talk in blank verse”: The Poetics of Liberty in As You Like It 105 DYMPNA CALLAGHAN 7 The Malcontent’s Fool, Censorship and the Construction of the Subject 121 PELIN DOĞAN 8 “Let him speak no more”: Trust, Censorship and Early Modern Anti-Confession 132 JOSEPH STERRETT PART III Censorship on the Page: Translation, Poetry, and Editorial Practices 9 What Fiorio did not Translate: The Return of the Repressed in the English Rendering of Montaigne’s Essays 141 143 JONATHAN POLLOCK 10 Spenser’s Strategies of Indirect Representation in The Faerie Queene (1590) 155 LAETITIA ŞANSONETTİ 11 (Self-)Censorship in Lady Mary Wroth’s The Countess of Montgomery’s Urania (1621-1630?) 167 AURÉLIE GRIFFIN 12 “No cloudy stuff to puzzle the brain”: ‘Fair Editing’ and Censorship in John Benson’s Edition of Shakespeare’s Poems (1640) 177 LINE COTTEGNIES Coda: Early Modern English Censorship in European Context 191 ROGER CHARTIER Bibliography Index 207 231
Freedom and Censorship in Early Modern English Literature Broadening the notion of censorship, this volume explores the transformative role played by early modern censors in the fashioning of a distinct English literature in the sixteenth and seventeenth centuries. In early modern England, the Privy Council, the Bishop of London and the Archbishop of Canterbury, the Stationers’ Company and the Master of the Revels each dealt with their own prerogatives and implemented different forms of censorship, with the result that authors penning both plays and satires had to juggle with various authorities and unequal degrees of freedom from one sector to the other. Text and press control thus did not give way to systematic intervention but to particular responses adapted to specific texts in a specific time. If the restrictions imposed by regulation practices are duly acknowl edged in this edited collection, the different contributors are also keen to enhance the positive impact of censorship on early modern literature. The most difficult task consists in finding the exact moment when the balance tips in favour of creativity, and the zone where, in matters of artistic freedom, the disadvantages outweigh the benefits. This is what the twelve chapters of the volume proceed to do. Thanks to a wide vari ety of examples, they show that, in the Elizabethan and Jacobean eras, regulations seldom prevented writers from making themselves heard, al beit through indirect channels. By contrast, in the 1630s, the increased supremacy of the Church seemed to tip the balance the other way.
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1500-1650 gnd |
| era_facet | Geschichte 1500-1650 |
| format | Conference Proceeding Book |
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