The eloquent screen: a rhetoric of film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Minneapolis ; London
University of Minnesota Press
[2019]
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| Schlagworte: | |
| Online-Zugang: | Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxi, 405 Seiten |
| ISBN: | 9780816641338 9780816641321 |
Internformat
MARC
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| 245 | 1 | 0 | |a The eloquent screen |b a rhetoric of film |c Gilberto Perez ; foreword by James Harvey |
| 264 | 1 | |a Minneapolis ; London |b University of Minnesota Press |c [2019] | |
| 264 | 4 | |c © 2019 | |
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Datensatz im Suchindex
| _version_ | 1804180555648991232 |
|---|---|
| adam_text | FILM/THEORY “In this amazing book, there is a powerful kind of film theory that seems not to be a theory at all but only a closely studied collection of film moments. We learn a lot here about the rhetoric of film, how it works, and the many forms it takes. But the range of examples is so wide and so rich, and the discussion of them so detailed, that a second book begins to hover discreetly behind the first: an introduction to the whole art of film itself. It’s a piece of amazing good fortune to have both works together.” —Michael Wood, film critic and author of Alfred Hitchcock: The Man Who Knew Too Much “How fortunate that Gilberto Perez finished this book before his untimely death. His agility in combining criticism and theory—interrogating the rhetoric of films as disparate as Stella Dallas, Shoah, Sherlock Jr., Toni, Caché, The Deer Hunter, Nazarin, and Greed—testifies to his precision. And his graceful prose has the unfashionably literary virtue of honoring his discoveries.” —Jonathan Rosenbaum, film critic and author of Cinematic Encounters inema is commonly hailed as “the universal language,” but how does C it communicate so effortlessly across cultural and linguistic borders? Drawing on a lifetime’s worth of viewing and reviewing, influential critic Gilberto Perez invokes a dizzying array of masters past and present includ Chaplin, Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard-^to explore the transaction between filmmaker and audience. The Eloquent Screen shows how cinema, as the consummate contemporary art form, establishes a
thoroughly modern rhetoric in which different points of view are brought into clear focus. GIL B E RT OPEREZ (1943-2015) held the Noble Chair in Art and Cultural History at Sarah Lawrence College and was author of The Material Ghost: Films and Their Medium. He was film critic for The Yale Review and his essays on film have been published in The Nation, the New York Times, and the London Review ofRooks. JAMES HARVEY is a film critic, essayist, playwright, and author of numerous books on film, including Watching Them Be: Star Presence on the Screen from Garbo to Balthazar
|
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| dewey-full | 791.4301/5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| isbn | 9780816641338 9780816641321 |
| language | English |
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| physical | xxi, 405 Seiten |
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| publisher | University of Minnesota Press |
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| spelling | Perez, Gilberto 1943-2015 Verfasser (DE-588)173249469 aut The eloquent screen a rhetoric of film Gilberto Perez ; foreword by James Harvey Minneapolis ; London University of Minnesota Press [2019] © 2019 xxi, 405 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Film (DE-588)4017102-4 gnd rswk-swf Rhetorik (DE-588)4076704-8 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Motion pictures / Philosophy Subjectivity in motion pictures Metaphor in motion pictures Motion picture plays / History and criticism Film (DE-588)4017102-4 s Rhetorik (DE-588)4076704-8 s Filmtheorie (DE-588)4071216-3 s DE-604 Harvey, James 1987- (DE-588)1196234892 aui Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031565651&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Perez, Gilberto 1943-2015 The eloquent screen a rhetoric of film Film (DE-588)4017102-4 gnd Rhetorik (DE-588)4076704-8 gnd Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4076704-8 (DE-588)4071216-3 |
| title | The eloquent screen a rhetoric of film |
| title_auth | The eloquent screen a rhetoric of film |
| title_exact_search | The eloquent screen a rhetoric of film |
| title_full | The eloquent screen a rhetoric of film Gilberto Perez ; foreword by James Harvey |
| title_fullStr | The eloquent screen a rhetoric of film Gilberto Perez ; foreword by James Harvey |
| title_full_unstemmed | The eloquent screen a rhetoric of film Gilberto Perez ; foreword by James Harvey |
| title_short | The eloquent screen |
| title_sort | the eloquent screen a rhetoric of film |
| title_sub | a rhetoric of film |
| topic | Film (DE-588)4017102-4 gnd Rhetorik (DE-588)4076704-8 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Film Rhetorik Filmtheorie |
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