A brief history of Chinese aesthetic culture:
Gespeichert in:
| Hauptverfasser: | , , , |
|---|---|
| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English Chinese |
| Veröffentlicht: |
Bochum ; Freiburg
projekt verlag
[2019]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 382 Seiten Illustrationen 21 cm, 650 g |
| ISBN: | 9783897333680 3897333686 |
Internformat
MARC
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| 100 | 1 | |a Chen, Yan |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a A brief history of Chinese aesthetic culture |c Chen Yan, Liao Qun, Yi Pingce, Wang Xiaoshu ; translated by Zhai Jiangyue & Wang Xiaonong |
| 264 | 1 | |a Bochum ; Freiburg |b projekt verlag |c [2019] | |
| 300 | |a 382 Seiten |b Illustrationen |c 21 cm, 650 g | ||
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Datensatz im Suchindex
| _version_ | 1804180552115290112 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
CHAPTER
1
PREHISTORIC
AGE
OF
CHINESE
AESTHETIC
CULTURE
.....................
19
1.1
FISH,
FROG,
AND
BIRD
IMAGES
ON
PAINTED
POTTERY
.................................
19
1.2
TOTEM
DANCE
AND
MOTHER
GODDESS:
IDOLATRY
OF
MATRIARCHAL
SOCIETY...
22
1.3
BEAST-FACED
CONG:
SYMBOL
OF
PATRIARCHY
AND
MYSTERIOUS
POWER
.....
25
1.4
HYMNS
TO
BLOOD
AND
FIRE
IN
THE
HERO-GOD
ERA
...................................
28
CHAPTER
2
SORCER-SCRIBES
*
ART
IN
TRANSITION
FROM
XIA
TO
SHANG
.........
31
2.1
PROPENSITY
FOR
LARGENESS:
UTENSIL
CARVING
AND
MUSIC
DANCE
OF
XIA
IN
LEGENDS
................................................................................
32
2.2
ORACLE
GRAPHS:
CULTURAL
SYMBOLS,
WRITTEN
*
LITERATURE
*
,
AND
*
ART
OF
LINES
*...............................................................................
33
2.3
TAOTIE
ON
BRONZE
VESSELS:
MATERIALIZED
WORSHIP
OF
DEITY
AND
POWER
IN
SHANG
............................................................................
37
2.4
SHEEP,
MAN,
AND
THE
SORCER-DANCER
...................................................
40
CHAPTER
3
RITES
AND
MUSIC
FEATURING
ZHOU
DYNASTY
...........................
41
3.1
BELLS
AND
DRUMS
CHIMING:
RITUALIZED
LIFE
IN
ZHOU
DYNASTY
............
41
3.2
TRIPOD
INSCRIPTIONS
AND
STATUE
IMAGES:
ELEGANCE
AND
FACTUALISM
OF
ZHOU
ART
AND
ARTIFACTS
................................................
45
3.3
*
SET
UP
IMAGE
TO
EXPRESS
MEANING
FULLY
*
:
POETIC
CONVEYANCE
OF
WISDOM
IN
ZHOUYI
...........................................................................
50
3.4
SHIJING:
EXPRESSING
EMOTION
AND
INTENT
IN
SECULAR
LIFE
....................
53
CHAPTER
4
PASSIONATE
DISPLAY
OF
INDIVIDUALITY
IN
WARRING
STATES
PERIOD
.............................................................................................
57
4.1
DIFFERENTIATION
AND
OPPOSITION
IN
AESTHETIC
CONCEPTS
AMONG
THE
PRE-QIN
SCHOOLS
OF
THOUGHT
............................................
59
4.2
NEW
MUSIC
AND
DANCE
MADE
MORE
SECULAR
AND
ARTISTIC
....................
69
4.3
EXQUISITE
CARVING
AND
RESPLENDENT
COLORING
....................................
70
4.4
WRITING
ON
BAMBOO
AND
SILK,
AND
CARVING
ON
BRONZE
AND
STONE
.....
73
CHAPTER
5
*
GRAND
BEAUTY
*
OF
QIN
AND
EARLY
WESTERN
HAN
..................
77
5.1
BOLD
AND
UNRESTRAINED
FORMS
OF
MUSIC
AND
DANCE
............................
77
5.2
GRAND
AND
MAJESTIC
CONSTRUCTIONS
OF
WESTERN
HAN
.........................
83
5.3
HYPERBOLE
AND
ELOQUENCE
IN
*
BROAD
AND
GRAND
WORDING
*
................
88
5.4
BEAUTY
OF
PERSONALITY
MODELED
ON
*
TRUE
GREAT
MAN*
........................
91
15
CHAPTER
6
REALISTIC
TURN
IN
EASTERN
HAN
AESTHETICS
............................
95
6.1
BELIEF
OF
RETURNING
TO
LIFE
AFTER
DEATH:
SECULAR
PURSUITS
IN
ART
OF
TOMBS
........................................................................................
95
6.2
REALISTIC
PURPORT
OF
THE
YUEFU
FOLK
SONGS
OF
HAN
............................
103
6.3
TURNING
FOR
REALITY
IN
POETRY:
AESTHETIC
THOUGHTS
IN
MAOS*
PREFACE
TO
SHIJING
AND
OF
WANG
CHONG
..............................................
105
CHAPTER
7
*
SELF-TRANSCENDENCE
*
IN
THE
TRANSITION
FROM
WEI
TO
JIN....
109
7.1
INDULGENT
AND
ABSURD
BEHAVIOR
AND
TRUE
AND
FRANK
DISPOSITION
..
109
7.2
FULL
AESTHETIC
DISPLAY
OF
THE
SUBJECT
*
S
RATIONAL
SPIRIT
...................
113
7.3
APPEARANCE
ADORATION
AND
PHYSICAL
BEAUTY
APPRECIATION
...........
118
CHAPTER
8
*
TOUCHING
THE
SOUL
*
IN
EASTERN
JIN
AND
SOUTHERN
DYNASTIES
.......................................................................
125
8.1
*
TREASURING
SELF
AND
*
MENTAL
JOY*
:
FROM
PASTORAL
POEMS
TO
LANDSCAPE
POEMS
..............................................................................
125
8.2
*
CONVEYING
SPIRIT
*
AND
*
SMOOTH
IN
SPIRIT
*
:
FROM
FIGURE
PAINTING
TO
LANDSCAPE
PAINTING
..............................................................................
133
8.3
*
POWERFUL
STYLE
*
AND
*
CHARMFUL
STYLE
*
IN
CALLIGRAPHY
............................
139
CHAPTER
9
AESTHETIC
RE-SYNTHESIS
IN
SOUTHERN
AND
NORTHERN
DYNASTIES
........................................................................
147
9.1
AESTHETIC
INTERPRETATION
OF
THE
PALACE
STYLE
POETRY
.......................
147
9.2
*
SEEKING
ONLY
UNBIASED
ANALYSIS
*
:
CONFRONTATION
AND
RECONCILIATION
BETWEEN
THEORIES.........................................................
151
9.3
*
THE
DIVINE
*
AND
*
THE
SECULAR
*
:
TRANSMUTATION
OF
SCULPTURAL
ART
....................................................................................
161
CHAPTER
10
A
COMPLETELY
NEW
LOOK
IN
EARLY
TANG
..............................
167
10.1
ARCHITECTURE
......................................................................................
167
10.2
DRESS
AND
PERSONAL
ADORNMENT
.......................................................
173
10.3
CALLIGRAPHY
........................................................................................
176
10.4
POETRY
................................................................................................
182
16
CHAPTER
11
SPECTACULAR
SCENES
OF
HIGH
TANG.......................................
193
11.1
SCULPTURE
...........................................................................................
194
11.2
MUSIC
AND
DANCE
..............................................................................
199
11.3
POETRY
...............................................................................................
205
11.4
CALLIGRAPHY
AND
PAINTING
.................................................................
216
CHAPTER
12
AESTHETIC
MULTICOLOR
IN
MIDDLE TANG................................
223
12.1
THE
ART
OF
TEA
...................................................................................
223
12.2
POETRY
...............................................................................................
229
CHAPTER
13
PATHETIC
AND
SENTIMENTAL
CHARM
OF
LATE
TANG
...............
243
13.1
PAINTING
............................................................................................
244
13.2
SHI
AND
CI
POETRY
..............................................................................
255
CHAPTER
14
GORGEOUS
CULTURESCAPE
OF
NORTHERN
SONG
........................
267
14.1
CERAMICS
...........................................................................................
267
14.2
ESSAYS
...............................................................................................
272
CHAPTER
15
REDUCED
LANDSCAPE
OF
SOUTHERN
SONG
..............................
279
15.1
PAINTING
............................................................................................
279
15.2
POETRY
...............................................................................................
287
CHAPTER
16
OPERA,
VISUAL
ARTS,
LITERATURE,
AND
GRASSLAND
CUSTOM
OF
YUAN........................................................................................
297
16.1
THE
MOVING
ZAJU
IN
THE
THEME
OF
RESISTANCE
...............................
297
16.2
PECULIAR
SANQII
IN
TRADITION
OF
MUSIC
VERSE
...................................
306
16.3
THE
LANDSCAPE
COMPLEX
OF
THE
LITERATI-PAINTERS
..........................
311
16.4
THE
GRASSLAND
CUSTOM
AND
NEW
AESTHETIC
FASHION
.......................
319
CHAPTER
17
URBAN
LIFE,
VERNACULAR
FICTION
AND
OPERA
OF
MING
.......
323
17.1
BREAKING
THROUGH
ALL
TRADITIONAL
LIVING
PRINCIPLES
......................
323
17.2
EXQUISITE
ARTIFACTS
IMBUED
WITH
PASSION
AND
INDIVIDUALITY
.........
326
17.3
VERNACULAR
FICTION:
RETURNING
FROM
DIVINITY
TO
HUMANITY
...........
332
17.4
PERFORMING
ARTS
IN
CONFLICT
AND
CONFRONTATION
.............................
339
17
CHAPTER
18
PURSUIT
OF
ELEGANCE
AND
CRITICISM
IN
YING,
THE
LAST
FEUDAL
DYNASTY
OF
CHINA
........................................................................
345
18.1
CALLIGRAPHY
AND
SEAL-CUTTING
STRIVING
FOR
PERFECTION
OF
CLASSIC
BEAUTY
.............................................................................
345
18.2
CONFUCIANISM
AND
DAOISM
IN
CONSTRUCTION
OF
PALACES
AND
GARDENS
.....................................................................................
353
18.3
DRAMA
AS
HISTORY:
TWO
FAMOUS
DRAMAS
AND
TWO
EVALUATIONS
....
359
18.4
THE
WORRYING
MIND:
THE
LAST
PEAK
OF
CLASSICAL
CHINESE
NOVELS
..
362
18.5
ECCENTRICITY
AS
BEAUTY
PURSUED
IN
REBELLION
AGAINST
TRADITION
AND
EXPRESSION
OF
SELF
......................................................................
369
MAJOR
REFERENCES
.......................................................................................
377
TRANSLATORS
*
POSTSCRIPT
..............................................................................
379
ABOUT
THE
TRANSLATORS
...............................................................................
382
18
|
| any_adam_object | 1 |
| author | Chen, Yan Liao, Qun Yi, Pingce Wang, Xiaoshu |
| author2 | Zhai, Jiangyue Wang, Xiaoping 1975- |
| author2_role | trl trl |
| author2_variant | j z jz x w xw |
| author_GND | (DE-588)1112576118 (DE-588)1164198084 |
| author_facet | Chen, Yan Liao, Qun Yi, Pingce Wang, Xiaoshu Zhai, Jiangyue Wang, Xiaoping 1975- |
| author_role | aut aut aut aut |
| author_sort | Chen, Yan |
| author_variant | y c yc q l ql p y py x w xw |
| building | Verbundindex |
| bvnumber | BV046184178 |
| classification_rvk | LO 88900 |
| ctrlnum | (OCoLC)1100535823 (DE-599)DNB1179844289 |
| dewey-full | 701.170951 709.51 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts 709 - History, geographic treatment, biography |
| dewey-raw | 701.170951 709.51 |
| dewey-search | 701.170951 709.51 |
| dewey-sort | 3701.170951 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Philosophie |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| geographic | China (DE-588)4009937-4 gnd |
| geographic_facet | China |
| id | DE-604.BV046184178 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:37:34Z |
| institution | BVB |
| institution_GND | (DE-588)1064201490 |
| isbn | 9783897333680 3897333686 |
| language | English Chinese |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031563673 |
| oclc_num | 1100535823 |
| open_access_boolean | |
| owner | DE-12 DE-20 |
| owner_facet | DE-12 DE-20 |
| physical | 382 Seiten Illustrationen 21 cm, 650 g |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | projekt verlag |
| record_format | marc |
| spelling | Chen, Yan Verfasser aut A brief history of Chinese aesthetic culture Chen Yan, Liao Qun, Yi Pingce, Wang Xiaoshu ; translated by Zhai Jiangyue & Wang Xiaonong Bochum ; Freiburg projekt verlag [2019] 382 Seiten Illustrationen 21 cm, 650 g txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf China Kultur Geschichte China (DE-588)4009937-4 g Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s Geschichte z DE-604 Kultur (DE-588)4125698-0 s Liao, Qun Verfasser aut Yi, Pingce Verfasser aut Wang, Xiaoshu Verfasser aut Zhai, Jiangyue (DE-588)1112576118 trl Wang, Xiaoping 1975- (DE-588)1164198084 trl Projekt Verlag (DE-588)1064201490 pbl B:DE-101 application/pdf http://d-nb.info/1179844289/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031563673&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Chen, Yan Liao, Qun Yi, Pingce Wang, Xiaoshu A brief history of Chinese aesthetic culture Kultur (DE-588)4125698-0 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4125698-0 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)4009937-4 |
| title | A brief history of Chinese aesthetic culture |
| title_auth | A brief history of Chinese aesthetic culture |
| title_exact_search | A brief history of Chinese aesthetic culture |
| title_full | A brief history of Chinese aesthetic culture Chen Yan, Liao Qun, Yi Pingce, Wang Xiaoshu ; translated by Zhai Jiangyue & Wang Xiaonong |
| title_fullStr | A brief history of Chinese aesthetic culture Chen Yan, Liao Qun, Yi Pingce, Wang Xiaoshu ; translated by Zhai Jiangyue & Wang Xiaonong |
| title_full_unstemmed | A brief history of Chinese aesthetic culture Chen Yan, Liao Qun, Yi Pingce, Wang Xiaoshu ; translated by Zhai Jiangyue & Wang Xiaonong |
| title_short | A brief history of Chinese aesthetic culture |
| title_sort | a brief history of chinese aesthetic culture |
| topic | Kultur (DE-588)4125698-0 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Kultur Kunst Ästhetik China |
| url | http://d-nb.info/1179844289/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031563673&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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Inhaltsverzeichnis