From film practice to data process: production aesthetics and representational practices of a film industry in transition
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
2019
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xiv, 274 Seiten Illustrationen 24 cm |
ISBN: | 1474431887 9781474431880 |
Internformat
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653 | 0 | |a Digital media / Influence | |
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Datensatz im Suchindex
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adam_text | Contents Acknowledgements Preface List of Tables and Figures vi ix xii 1. Digital Film Production Studies 1 2. Digital Film Production People 21 3. Digital Film Production Time 59 4. Digital Film Production Space 106 5. Digital Film Production Representations 141 6. Digital Film Production Preservation and Access 178 7. Epilogue 206 Practitioner Filmography Ginger Rosa Full Credit List Filmography Bibliography Index 213 219 225 230 254
‘Sarah Atkinson enlivens the digital transition as she explores the production of a film from beginning to end, capturing the drama and impact on the UK industry. Hers is a truly original take on the continuities, ruptures and invisible translations taking place in the shift from film to data.’ Jennifer Holt, University of California, Santa Barbara To what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals? The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, ad to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances. With an in-depth case study of Sally Potter’s 2012 film Ginger Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change. Sarah Atkinson is Senior Lecturer in Digital Cultures at King’s College London.
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any_adam_object | 1 |
author | Atkinson, Sarah 1975- |
author_GND | (DE-588)1052205569 |
author_facet | Atkinson, Sarah 1975- |
author_role | aut |
author_sort | Atkinson, Sarah 1975- |
author_variant | s a sa |
building | Verbundindex |
bvnumber | BV046183600 |
classification_rvk | AP 45000 |
ctrlnum | (OCoLC)1142677101 (DE-599)BVBBV046183600 |
discipline | Allgemeines |
format | Book |
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institution | BVB |
isbn | 1474431887 9781474431880 |
language | English |
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physical | xiv, 274 Seiten Illustrationen 24 cm |
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spelling | Atkinson, Sarah 1975- Verfasser (DE-588)1052205569 aut From film practice to data process production aesthetics and representational practices of a film industry in transition Sarah Atkinson Edinburgh Edinburgh University Press 2019 xiv, 274 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Potter, Sally 1949- (DE-588)122855930 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Technischer Fortschritt (DE-588)4059252-2 gnd rswk-swf Digitale Filmtechnik (DE-588)4763566-6 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Ginger and Rosa (Motion picture) Motion pictures / Production and direction / Data processing Motion picture industry / Technological innovations Motion pictures / Aesthetics Digital media / Influence Potter, Sally 1949- (DE-588)122855930 p DE-604 Großbritannien (DE-588)4022153-2 g Filmproduktion (DE-588)4124971-9 s Technischer Fortschritt (DE-588)4059252-2 s Filmwirtschaft (DE-588)4154384-1 s Digitale Filmtechnik (DE-588)4763566-6 s 1\p DE-604 Äquivalent Druck-Ausgabe, Hardcover 978-0-7486-9358-0 Erscheint auch als Online-Ausgabe, webready PDF 978-0-7486-9359-7 Erscheint auch als Online-Ausgabe, EPUB 978-1-4744-2647-3 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031563106&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031563106&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Atkinson, Sarah 1975- From film practice to data process production aesthetics and representational practices of a film industry in transition Potter, Sally 1949- (DE-588)122855930 gnd Filmwirtschaft (DE-588)4154384-1 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Digitale Filmtechnik (DE-588)4763566-6 gnd Filmproduktion (DE-588)4124971-9 gnd |
subject_GND | (DE-588)122855930 (DE-588)4154384-1 (DE-588)4059252-2 (DE-588)4763566-6 (DE-588)4124971-9 (DE-588)4022153-2 |
title | From film practice to data process production aesthetics and representational practices of a film industry in transition |
title_auth | From film practice to data process production aesthetics and representational practices of a film industry in transition |
title_exact_search | From film practice to data process production aesthetics and representational practices of a film industry in transition |
title_full | From film practice to data process production aesthetics and representational practices of a film industry in transition Sarah Atkinson |
title_fullStr | From film practice to data process production aesthetics and representational practices of a film industry in transition Sarah Atkinson |
title_full_unstemmed | From film practice to data process production aesthetics and representational practices of a film industry in transition Sarah Atkinson |
title_short | From film practice to data process |
title_sort | from film practice to data process production aesthetics and representational practices of a film industry in transition |
title_sub | production aesthetics and representational practices of a film industry in transition |
topic | Potter, Sally 1949- (DE-588)122855930 gnd Filmwirtschaft (DE-588)4154384-1 gnd Technischer Fortschritt (DE-588)4059252-2 gnd Digitale Filmtechnik (DE-588)4763566-6 gnd Filmproduktion (DE-588)4124971-9 gnd |
topic_facet | Potter, Sally 1949- Filmwirtschaft Technischer Fortschritt Digitale Filmtechnik Filmproduktion Großbritannien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031563106&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031563106&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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