Mahler's Seventh symphony:
Gustav Mahler's Seventh Symphony stands out as one of the most provocative symphonic statements of the early twentieth century. Throughout its performance history, it has often been heard as "existing in the shadow" of the Sixth Symphony or as "too reminiscent" of Richard Wa...
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2019]
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| Schriftenreihe: | Studies in musical genesis, structure, and interpretation
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Gustav Mahler's Seventh Symphony stands out as one of the most provocative symphonic statements of the early twentieth century. Throughout its performance history, it has often been heard as "existing in the shadow" of the Sixth Symphony or as "too reminiscent" of Richard Wagner's opera Die Meistersinger von Nurnberg. Anna Stoll Knecht's Mahler's Seventh Symphony offers a new interpretation of the Seventh based on a detailed study of Mahler's compositional materials and a close reading of the finished work. With a focus on sketches previously considered as "discarded," Stoll Knecht exposes unexpected connections between the Seventh and both the Sixth and Meistersinger, confirming that Mahler's compositional project was firmly grounded in a dialogue with works from the past. This referential aspect acts as an important interpretive key to the work, enabling the first thorough analysis of the sketches and drafts for the Seventh, and shedding light on its complex compositional history. Considering each movement of the symphony through a double perspective, genetic and analytic, Stoll Knecht demonstrates how sketch studies and analytical approaches can interact with each other. Mahler's Seventh Symphony exposes new facets of Mahler's musical humor and leads us to rethink much-debated issues concerning the composer's cultural identity, revealing the Seventh's pivotal role within his output. -- Book jacket |
| Beschreibung: | xviii, 377 Seiten Notenbeispiele |
| ISBN: | 9780190491116 |
Internformat
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| 505 | 8 | |a Introduction -- Premiere and reception -- Structure, interpretation, and genesis -- Compositional history -- Rondo-finale -- Genesis of the Rondo-finale -- Nachtmusiken -- Scherzo -- First movement -- Die Meistersinger in the Seventh symphony -- Conclusion -- Appendices | |
| 520 | 3 | |a Gustav Mahler's Seventh Symphony stands out as one of the most provocative symphonic statements of the early twentieth century. Throughout its performance history, it has often been heard as "existing in the shadow" of the Sixth Symphony or as "too reminiscent" of Richard Wagner's opera Die Meistersinger von Nurnberg. Anna Stoll Knecht's Mahler's Seventh Symphony offers a new interpretation of the Seventh based on a detailed study of Mahler's compositional materials and a close reading of the finished work. With a focus on sketches previously considered as "discarded," Stoll Knecht exposes unexpected connections between the Seventh and both the Sixth and Meistersinger, confirming that Mahler's compositional project was firmly grounded in a dialogue with works from the past. This referential aspect acts as an important interpretive key to the work, enabling the first thorough analysis of the sketches and drafts for the Seventh, and shedding light on its complex compositional history. Considering each movement of the symphony through a double perspective, genetic and analytic, Stoll Knecht demonstrates how sketch studies and analytical approaches can interact with each other. Mahler's Seventh Symphony exposes new facets of Mahler's musical humor and leads us to rethink much-debated issues concerning the composer's cultural identity, revealing the Seventh's pivotal role within his output. -- Book jacket | |
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Datensatz im Suchindex
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| adam_text |
CONTE NTS Series Editor’s Foreword Acknowledgments Note on Sources About the Companion Website List of Abbreviations Introduction tx xi xiii xv xvii I I. Premiere and Reception Premiere Reception The “Problems” of the Seventh 6 7 15 25 2. Structure, Interpretation, and Genesis Structure Main Interpretive Leads Genesis 36 36 44 56 3. Compositional History Autobiographical and Biographical Evidence Musical Evidence 64 65 75 4. Rondo-Finale Form and Content Interpretive Views 89 90 113 5. Genesis of the Rondo-Finale The Vienna Sketchbook and the Moldenhauer Sketches The Paris Sketchbook Leaves and the Moldenhauer Sketches Other Sketches and Drafts for the Finale 123 124 6. Nachtmusiken The First Nachtmusik The Second Nachtmusik 160 161 183 7. Scherzo Dancing Death (“Der Teufel tantz es mit mir”) 209 209 140 153 Mahkr’s Seventh Symphony. Anna Stoll Knecht, Oxford University Press (2019). © Oxford University Press. DOI: 10.1095/oso/9780190491116.001.0001
vüi : Contents Structure Sketches and Drafts Walpurgis Night 212 216 229 8. First Movement Beginning of the Seventh Form and Content Sketches and Drafts (Auto)biography, Genesis, and Interpretation 232 232 241 252 257 9. Die Meistersinger in the Seventh Symphony The Meistersinger References in the Finale Quartal Harmony in the Seventh and Meistersinger Preliminary Sketches in the Vienna Sketchbook E minor to C major: From Night to Day Mahler and Beckmesser 266 268 278 281 284 290 Conclusion What the Genesis Tells Us “Problems” of the Seventh From Tragedy to Comedy Beginnings and Ends 294 294 298 301 304 Appendices 309 A: Manuscripts and Editions of the Seventh Symphony 309 B: Mahler Discography 313 F: Formal Tables 315 Μ: Motivic Tables 329 CSk: Correspondences between theSketches 341 MSk: Motivic Table for the Sketches 343 Synopsis of Richard Wagners Die Meistersinger von Nürnberg 345 Bibliography 349 Index M |
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| contents | Introduction -- Premiere and reception -- Structure, interpretation, and genesis -- Compositional history -- Rondo-finale -- Genesis of the Rondo-finale -- Nachtmusiken -- Scherzo -- First movement -- Die Meistersinger in the Seventh symphony -- Conclusion -- Appendices |
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| discipline | Musikwissenschaft |
| format | Thesis Book |
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| isbn | 9780190491116 |
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| spelling | Stoll Knecht, Anna 1979- Verfasser (DE-588)1140662880 aut (DE-588)300098081 Sinfonien Nr. 7 e-Moll Mahler's Seventh symphony Anna Stoll Knecht New York, NY Oxford University Press [2019] xviii, 377 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Studies in musical genesis, structure, and interpretation Dissertation New York University 2014 Introduction -- Premiere and reception -- Structure, interpretation, and genesis -- Compositional history -- Rondo-finale -- Genesis of the Rondo-finale -- Nachtmusiken -- Scherzo -- First movement -- Die Meistersinger in the Seventh symphony -- Conclusion -- Appendices Gustav Mahler's Seventh Symphony stands out as one of the most provocative symphonic statements of the early twentieth century. Throughout its performance history, it has often been heard as "existing in the shadow" of the Sixth Symphony or as "too reminiscent" of Richard Wagner's opera Die Meistersinger von Nurnberg. Anna Stoll Knecht's Mahler's Seventh Symphony offers a new interpretation of the Seventh based on a detailed study of Mahler's compositional materials and a close reading of the finished work. With a focus on sketches previously considered as "discarded," Stoll Knecht exposes unexpected connections between the Seventh and both the Sixth and Meistersinger, confirming that Mahler's compositional project was firmly grounded in a dialogue with works from the past. This referential aspect acts as an important interpretive key to the work, enabling the first thorough analysis of the sketches and drafts for the Seventh, and shedding light on its complex compositional history. Considering each movement of the symphony through a double perspective, genetic and analytic, Stoll Knecht demonstrates how sketch studies and analytical approaches can interact with each other. Mahler's Seventh Symphony exposes new facets of Mahler's musical humor and leads us to rethink much-debated issues concerning the composer's cultural identity, revealing the Seventh's pivotal role within his output. -- Book jacket Mahler, Gustav 1860-1911 Sinfonien Nr. 7 (DE-588)300098081 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Mahler, Gustav 1860-1911 Sinfonien Nr. 7 (DE-588)300098081 u DE-604 Erscheint auch als Online-Ausgabe 978-0-19-049113-0 Erscheint auch als Online-Ausgabe, EPUB 978-0-19-005057-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031556057&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stoll Knecht, Anna 1979- Mahler's Seventh symphony Introduction -- Premiere and reception -- Structure, interpretation, and genesis -- Compositional history -- Rondo-finale -- Genesis of the Rondo-finale -- Nachtmusiken -- Scherzo -- First movement -- Die Meistersinger in the Seventh symphony -- Conclusion -- Appendices Mahler, Gustav 1860-1911 Sinfonien Nr. 7 (DE-588)300098081 gnd |
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| title | Mahler's Seventh symphony |
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| title_full | Mahler's Seventh symphony Anna Stoll Knecht |
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