Hitler's last hostages: looted art and the soul of the Third Reich
"The story of art is integral to the story of the rise of Nazi Germany. Adolf Hitler, an artist himself, was obsessed with art--in particular, the aesthetic of a purified regime, scoured of 'degenerate' influences that characterized Germany during the 1920s and 1930s. When they came t...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
PublicAffairs
September 2019
|
Ausgabe: | First edition |
Schlagworte: | |
Zusammenfassung: | "The story of art is integral to the story of the rise of Nazi Germany. Adolf Hitler, an artist himself, was obsessed with art--in particular, the aesthetic of a purified regime, scoured of 'degenerate' influences that characterized Germany during the 1920s and 1930s. When they came to power in 1933, Hitler and Goebbels set their aesthetic vision into motion and removed degenerate art from German life: artists fled the country; museums were purged; and great works disappeared, only a fraction of which were rediscovered at the end of the Second World War. Most remained in garrets and cellars, the last hostages of the era of the Reich. In 2013, 1290 works by Chagall, Picasso, Matisse, Otto Dix, Max Beckmann and others were rediscovered. In Hitler's Last Hostages, Mary Lane brilliantly tells the story of art and the Third Reich, and the fate of Germany's great artists as they fought to survive the Nazi era"-- |
Beschreibung: | ix, 321 Seiten, 8 ungezählte Seiten Illustrationen 25 cm |
ISBN: | 9781610397360 |
Internformat
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505 | 8 | |a Prologue: Wake-up call -- Portrait of the dictator as a young man -- Enigma of war -- Eclipse of the sun -- Adolf's silver hammer -- Bad company corrupts good morals -- Cultural complicity -- Revisionist history -- Our sincere condolences -- Hitler's last hostages -- Epilogue: Business as usual -- Timeline | |
520 | 3 | |a "The story of art is integral to the story of the rise of Nazi Germany. Adolf Hitler, an artist himself, was obsessed with art--in particular, the aesthetic of a purified regime, scoured of 'degenerate' influences that characterized Germany during the 1920s and 1930s. When they came to power in 1933, Hitler and Goebbels set their aesthetic vision into motion and removed degenerate art from German life: artists fled the country; museums were purged; and great works disappeared, only a fraction of which were rediscovered at the end of the Second World War. Most remained in garrets and cellars, the last hostages of the era of the Reich. In 2013, 1290 works by Chagall, Picasso, Matisse, Otto Dix, Max Beckmann and others were rediscovered. In Hitler's Last Hostages, Mary Lane brilliantly tells the story of art and the Third Reich, and the fate of Germany's great artists as they fought to survive the Nazi era"-- | |
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Datensatz im Suchindex
_version_ | 1818270085369823232 |
---|---|
adam_text | |
any_adam_object | |
author | Lane, Mary M. 1987- |
author_GND | (DE-588)1195800096 |
author_facet | Lane, Mary M. 1987- |
author_role | aut |
author_sort | Lane, Mary M. 1987- |
author_variant | m m l mm mml |
building | Verbundindex |
bvnumber | BV046173693 |
classification_rvk | LH 60180 |
contents | Prologue: Wake-up call -- Portrait of the dictator as a young man -- Enigma of war -- Eclipse of the sun -- Adolf's silver hammer -- Bad company corrupts good morals -- Cultural complicity -- Revisionist history -- Our sincere condolences -- Hitler's last hostages -- Epilogue: Business as usual -- Timeline |
ctrlnum | (OCoLC)1125191658 (DE-599)BVBBV046173693 |
discipline | Kunstgeschichte |
edition | First edition |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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geographic | Deutschland (DE-588)4011882-4 gnd |
geographic_facet | Deutschland |
id | DE-604.BV046173693 |
illustrated | Illustrated |
indexdate | 2024-12-12T21:04:40Z |
institution | BVB |
isbn | 9781610397360 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031553389 |
oclc_num | 1125191658 |
open_access_boolean | |
owner | DE-12 DE-M352 DE-255 DE-19 DE-BY-UBM DE-Y3 DE-Y2 DE-Y7 |
owner_facet | DE-12 DE-M352 DE-255 DE-19 DE-BY-UBM DE-Y3 DE-Y2 DE-Y7 |
physical | ix, 321 Seiten, 8 ungezählte Seiten Illustrationen 25 cm |
psigel | BSB_NED_20191129 DHB_IFZ |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | PublicAffairs |
record_format | marc |
spelling | Lane, Mary M. 1987- Verfasser (DE-588)1195800096 aut Hitler's last hostages looted art and the soul of the Third Reich Mary M. Lane First edition New York PublicAffairs September 2019 ix, 321 Seiten, 8 ungezählte Seiten Illustrationen 25 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Prologue: Wake-up call -- Portrait of the dictator as a young man -- Enigma of war -- Eclipse of the sun -- Adolf's silver hammer -- Bad company corrupts good morals -- Cultural complicity -- Revisionist history -- Our sincere condolences -- Hitler's last hostages -- Epilogue: Business as usual -- Timeline "The story of art is integral to the story of the rise of Nazi Germany. Adolf Hitler, an artist himself, was obsessed with art--in particular, the aesthetic of a purified regime, scoured of 'degenerate' influences that characterized Germany during the 1920s and 1930s. When they came to power in 1933, Hitler and Goebbels set their aesthetic vision into motion and removed degenerate art from German life: artists fled the country; museums were purged; and great works disappeared, only a fraction of which were rediscovered at the end of the Second World War. Most remained in garrets and cellars, the last hostages of the era of the Reich. In 2013, 1290 works by Chagall, Picasso, Matisse, Otto Dix, Max Beckmann and others were rediscovered. In Hitler's Last Hostages, Mary Lane brilliantly tells the story of art and the Third Reich, and the fate of Germany's great artists as they fought to survive the Nazi era"-- Hitler, Adolf 1889-1945 (DE-588)118551655 gnd rswk-swf Gurlitt, Hildebrand 1895-1956 (DE-588)116930683 gnd rswk-swf Große Deutsche Kunstausstellung München (DE-588)507844-1 gnd rswk-swf Ausstellung Entartete Kunst 1937 - München u.a. (DE-588)2102539-3 gnd rswk-swf Geschichte gnd rswk-swf Kunstpolitik (DE-588)4033667-0 gnd rswk-swf Kunstraub (DE-588)4134168-5 gnd rswk-swf Nationalsozialismus (DE-588)4041316-0 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Gurlitt, Hildebrand Hitler, Adolf / 1889-1945 / Political and social views Art thefts / Germany / History / 20th century Art treasures in war / Germany / History / 20th century World War, 1939-1945 / Destruction and pillage / Germany Art / Mutilation, defacement, etc / Germany / History / 20th century Germany / Cultural policy Germany / History / 1933-1945 Hitler, Adolf / 1889-1945 World War (1939-1945) Art / Mutilation, defacement, etc Art / Private collections Art thefts Art treasures in war Cultural policy Destruction and pillage Political and social views Germany 1900-1999 History Deutschland (DE-588)4011882-4 g Nationalsozialismus (DE-588)4041316-0 s Kunstpolitik (DE-588)4033667-0 s Kunstraub (DE-588)4134168-5 s Geschichte z DE-604 Gurlitt, Hildebrand 1895-1956 (DE-588)116930683 p Hitler, Adolf 1889-1945 (DE-588)118551655 p Ausstellung Entartete Kunst 1937 - München u.a. (DE-588)2102539-3 f Große Deutsche Kunstausstellung München (DE-588)507844-1 f Erscheint auch als Online-Ausgabe 978-1-61039-737-7 |
spellingShingle | Lane, Mary M. 1987- Hitler's last hostages looted art and the soul of the Third Reich Prologue: Wake-up call -- Portrait of the dictator as a young man -- Enigma of war -- Eclipse of the sun -- Adolf's silver hammer -- Bad company corrupts good morals -- Cultural complicity -- Revisionist history -- Our sincere condolences -- Hitler's last hostages -- Epilogue: Business as usual -- Timeline Hitler, Adolf 1889-1945 (DE-588)118551655 gnd Gurlitt, Hildebrand 1895-1956 (DE-588)116930683 gnd Große Deutsche Kunstausstellung München (DE-588)507844-1 gnd Ausstellung Entartete Kunst 1937 - München u.a. (DE-588)2102539-3 gnd Kunstpolitik (DE-588)4033667-0 gnd Kunstraub (DE-588)4134168-5 gnd Nationalsozialismus (DE-588)4041316-0 gnd |
subject_GND | (DE-588)118551655 (DE-588)116930683 (DE-588)507844-1 (DE-588)2102539-3 (DE-588)4033667-0 (DE-588)4134168-5 (DE-588)4041316-0 (DE-588)4011882-4 |
title | Hitler's last hostages looted art and the soul of the Third Reich |
title_auth | Hitler's last hostages looted art and the soul of the Third Reich |
title_exact_search | Hitler's last hostages looted art and the soul of the Third Reich |
title_full | Hitler's last hostages looted art and the soul of the Third Reich Mary M. Lane |
title_fullStr | Hitler's last hostages looted art and the soul of the Third Reich Mary M. Lane |
title_full_unstemmed | Hitler's last hostages looted art and the soul of the Third Reich Mary M. Lane |
title_short | Hitler's last hostages |
title_sort | hitler s last hostages looted art and the soul of the third reich |
title_sub | looted art and the soul of the Third Reich |
topic | Hitler, Adolf 1889-1945 (DE-588)118551655 gnd Gurlitt, Hildebrand 1895-1956 (DE-588)116930683 gnd Große Deutsche Kunstausstellung München (DE-588)507844-1 gnd Ausstellung Entartete Kunst 1937 - München u.a. (DE-588)2102539-3 gnd Kunstpolitik (DE-588)4033667-0 gnd Kunstraub (DE-588)4134168-5 gnd Nationalsozialismus (DE-588)4041316-0 gnd |
topic_facet | Hitler, Adolf 1889-1945 Gurlitt, Hildebrand 1895-1956 Große Deutsche Kunstausstellung München Ausstellung Entartete Kunst 1937 - München u.a. Kunstpolitik Kunstraub Nationalsozialismus Deutschland |
work_keys_str_mv | AT lanemarym hitlerslasthostageslootedartandthesoulofthethirdreich |