Pop Empires: Transnational and Diasporic Flows of India and Korea
At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world's consumers of culture (principally, popular culture) are India and South Korea. &q...
Gespeichert in:
Weitere Verfasser: | , , , |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Honolulu
University of Hawaii Press
[2019]
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Schriftenreihe: | Asia Pop!
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Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-355 DE-739 Volltext |
Zusammenfassung: | At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world's consumers of culture (principally, popular culture) are India and South Korea. "Bollywood" and "Hallyu" are increasingly competing with "Hollywood"-either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019) |
Beschreibung: | 1 online resource 15 b&w illustrations |
ISBN: | 9780824879921 |
DOI: | 10.1515/9780824879921 |
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520 | |a At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world's consumers of culture (principally, popular culture) are India and South Korea. "Bollywood" and "Hallyu" are increasingly competing with "Hollywood"-either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas | ||
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Datensatz im Suchindex
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author2 | Alexy, Allison Ku, Robert Ji-Song Lee, S. Heijin Mehta, Monika 1970- |
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author_facet | Alexy, Allison Ku, Robert Ji-Song Lee, S. Heijin Mehta, Monika 1970- |
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discipline | Wirtschaftswissenschaften |
doi_str_mv | 10.1515/9780824879921 |
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genre | 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
geographic | Indien (DE-588)4026722-2 gnd Südkorea (DE-588)4078029-6 gnd |
geographic_facet | Indien Südkorea |
id | DE-604.BV046167586 |
illustrated | Illustrated |
indexdate | 2024-10-23T14:02:48Z |
institution | BVB |
isbn | 9780824879921 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031547418 |
oclc_num | 1120133320 |
open_access_boolean | |
owner | DE-473 DE-BY-UBG DE-1046 DE-Aug4 DE-860 DE-859 DE-739 DE-355 DE-BY-UBR DE-706 DE-1043 DE-858 |
owner_facet | DE-473 DE-BY-UBG DE-1046 DE-Aug4 DE-860 DE-859 DE-739 DE-355 DE-BY-UBR DE-706 DE-1043 DE-858 |
physical | 1 online resource 15 b&w illustrations |
psigel | ZDB-23-DGG ZDB-23-DSW ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | University of Hawaii Press |
record_format | marc |
series2 | Asia Pop! |
spelling | Pop Empires Transnational and Diasporic Flows of India and Korea S. Heijin Lee, Monika Mehta, Robert Ji-Song Ku, Allison Alexy Honolulu University of Hawaii Press [2019] © 2019 1 online resource 15 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Asia Pop! Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019) At the start of the twenty-first century challenges to the global hegemony of U.S. culture are more apparent than ever. Two of the contenders vying for the hearts, minds, bandwidths, and pocketbooks of the world's consumers of culture (principally, popular culture) are India and South Korea. "Bollywood" and "Hallyu" are increasingly competing with "Hollywood"-either replacing it or filling a void in places where it never held sway. This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas In English SOCIAL SCIENCE / Popular Culture bisacsh Culture in motion pictures Motion picture industry India Mumbai Motion picture industry Korea (South) Motion pictures and transnationalism Motion pictures, Indic Motion pictures, Korean Popkultur (DE-588)4175361-6 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Indien (DE-588)4026722-2 gnd rswk-swf Südkorea (DE-588)4078029-6 gnd rswk-swf 1\p (DE-588)4143413-4 Aufsatzsammlung gnd-content Indien (DE-588)4026722-2 g Südkorea (DE-588)4078029-6 g Popkultur (DE-588)4175361-6 s Globalisierung (DE-588)4557997-0 s DE-604 Alexy, Allison edt Gopinath, Praseeda 1975- Sonstige (DE-588)1036116824 oth Kang, Dredge Byung'chu Sonstige oth Khubchandani, Kareem Sonstige oth Kim, Hae Joo Sonstige (DE-588)1141299089 oth Ku, Robert Ji-Song (DE-588)1051121434 edt Akshaya Kumar Sonstige (DE-588)1089420757 oth Lee, S. Heijin (DE-588)1187859087 edt Maliangkay, Roald Sonstige (DE-588)103496190X oth Mehta, Monika 1970- (DE-588)1019314354 edt Park, Jane Chi Hyun Sonstige oth Patti, Lisa Sonstige oth Rudisill, Kristen Sonstige oth Shin, Layoung Sonstige oth Shin, Solee I. Sonstige oth Siddiqui, Gohar Sonstige oth Soe, Valerie Sonstige oth Sunya, Samhita Sonstige oth Vogel, Erica Sonstige oth https://doi.org/10.1515/9780824879921 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Pop Empires Transnational and Diasporic Flows of India and Korea SOCIAL SCIENCE / Popular Culture bisacsh Culture in motion pictures Motion picture industry India Mumbai Motion picture industry Korea (South) Motion pictures and transnationalism Motion pictures, Indic Motion pictures, Korean Popkultur (DE-588)4175361-6 gnd Globalisierung (DE-588)4557997-0 gnd |
subject_GND | (DE-588)4175361-6 (DE-588)4557997-0 (DE-588)4026722-2 (DE-588)4078029-6 (DE-588)4143413-4 |
title | Pop Empires Transnational and Diasporic Flows of India and Korea |
title_auth | Pop Empires Transnational and Diasporic Flows of India and Korea |
title_exact_search | Pop Empires Transnational and Diasporic Flows of India and Korea |
title_full | Pop Empires Transnational and Diasporic Flows of India and Korea S. Heijin Lee, Monika Mehta, Robert Ji-Song Ku, Allison Alexy |
title_fullStr | Pop Empires Transnational and Diasporic Flows of India and Korea S. Heijin Lee, Monika Mehta, Robert Ji-Song Ku, Allison Alexy |
title_full_unstemmed | Pop Empires Transnational and Diasporic Flows of India and Korea S. Heijin Lee, Monika Mehta, Robert Ji-Song Ku, Allison Alexy |
title_short | Pop Empires |
title_sort | pop empires transnational and diasporic flows of india and korea |
title_sub | Transnational and Diasporic Flows of India and Korea |
topic | SOCIAL SCIENCE / Popular Culture bisacsh Culture in motion pictures Motion picture industry India Mumbai Motion picture industry Korea (South) Motion pictures and transnationalism Motion pictures, Indic Motion pictures, Korean Popkultur (DE-588)4175361-6 gnd Globalisierung (DE-588)4557997-0 gnd |
topic_facet | SOCIAL SCIENCE / Popular Culture Culture in motion pictures Motion picture industry India Mumbai Motion picture industry Korea (South) Motion pictures and transnationalism Motion pictures, Indic Motion pictures, Korean Popkultur Globalisierung Indien Südkorea Aufsatzsammlung |
url | https://doi.org/10.1515/9780824879921 |
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