Minority Stages: Sino-Indonesian Performance and Public Display
Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community's diverse performance practices are brought together as a family of genres. Combinin...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2019]
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| Schriftenreihe: | Music and Performing Arts of Asia and the Pacific
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| Schlagworte: | |
| Online-Zugang: | FAW01 FHA01 FKE01 FLA01 UPA01 UBG01 FAB01 FCO01 Volltext |
| Zusammenfassung: | Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community's diverse performance practices are brought together as a family of genres. Combining fieldwork with evidence from Indonesian, Chinese, and Dutch primary and secondary sources, Josh Stenberg takes a close look at Chinese Indonesian self-representation, covering genres from the Dutch colonial period to the present day. From glove puppets of Chinese origin in East Java and Hakka religious processions in West Kalimantan, to wartime political theatre on Sumatra and contemporary Sino-Sundanese choirs and dance groups in Bandung, this book takes readers on a tour of hybrid and diverse expressions of identity, tracing the stories and strategies of minority self-representation over time. Each performance form is placed in its social and historical context, highlighting how Sino-Indonesian groups and individuals have represented themselves locally and nationally to the archipelago's majority population as well as to Indonesian state power. In the last twenty years, the long political suppression of manifestations of Chinese culture in Indonesia has lifted, and a wealth of evidence now coming to light shows how Sino-Indonesians have long been an integral part of Indonesian culture, including the performing arts. Valorizing that contribution challenges essentialist readings of ethnicity or minority, complicates the profile of a group that is often considered solely in socioeconomic terms, and enriches the understanding of Indonesian culture, Southeast Asian Chinese identities, and transnational cultural exchanges. Minority Stages helps counter the dangerous either/or thinking that is a mainstay of ethnic essentialism in general and of Chinese and Indonesian nationalisms in particular, by showing the fluidity and adaptability of Sino-Indonesian identity as expressed in performance and public display |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019) |
| Beschreibung: | 1 online resource 22 b&w illustrations, 3 maps |
| ISBN: | 9780824880279 |
| DOI: | 10.1515/9780824880279 |
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| 520 | |a Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community's diverse performance practices are brought together as a family of genres. Combining fieldwork with evidence from Indonesian, Chinese, and Dutch primary and secondary sources, Josh Stenberg takes a close look at Chinese Indonesian self-representation, covering genres from the Dutch colonial period to the present day. From glove puppets of Chinese origin in East Java and Hakka religious processions in West Kalimantan, to wartime political theatre on Sumatra and contemporary Sino-Sundanese choirs and dance groups in Bandung, this book takes readers on a tour of hybrid and diverse expressions of identity, tracing the stories and strategies of minority self-representation over time. | ||
| 520 | |a Each performance form is placed in its social and historical context, highlighting how Sino-Indonesian groups and individuals have represented themselves locally and nationally to the archipelago's majority population as well as to Indonesian state power. In the last twenty years, the long political suppression of manifestations of Chinese culture in Indonesia has lifted, and a wealth of evidence now coming to light shows how Sino-Indonesians have long been an integral part of Indonesian culture, including the performing arts. Valorizing that contribution challenges essentialist readings of ethnicity or minority, complicates the profile of a group that is often considered solely in socioeconomic terms, and enriches the understanding of Indonesian culture, Southeast Asian Chinese identities, and transnational cultural exchanges. | ||
| 520 | |a Minority Stages helps counter the dangerous either/or thinking that is a mainstay of ethnic essentialism in general and of Chinese and Indonesian nationalisms in particular, by showing the fluidity and adaptability of Sino-Indonesian identity as expressed in performance and public display | ||
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Datensatz im Suchindex
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| any_adam_object | |
| author | Stenberg, Josh |
| author2 | Lau, Frederick |
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| author_role | aut |
| author_sort | Stenberg, Josh |
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| doi_str_mv | 10.1515/9780824880279 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Electronic eBook |
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| spelling | Stenberg, Josh Verfasser aut Minority Stages Sino-Indonesian Performance and Public Display Josh Stenberg; Frederick Lau Honolulu University of Hawaii Press [2019] © 2019 1 online resource 22 b&w illustrations, 3 maps txt rdacontent c rdamedia cr rdacarrier Music and Performing Arts of Asia and the Pacific Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019) Minority Stages: Sino-Indonesian Performance and Public Display offers intriguing new perspectives on historical and contemporary Sino-Indonesian performance. For the first time in a major study, this community's diverse performance practices are brought together as a family of genres. Combining fieldwork with evidence from Indonesian, Chinese, and Dutch primary and secondary sources, Josh Stenberg takes a close look at Chinese Indonesian self-representation, covering genres from the Dutch colonial period to the present day. From glove puppets of Chinese origin in East Java and Hakka religious processions in West Kalimantan, to wartime political theatre on Sumatra and contemporary Sino-Sundanese choirs and dance groups in Bandung, this book takes readers on a tour of hybrid and diverse expressions of identity, tracing the stories and strategies of minority self-representation over time. Each performance form is placed in its social and historical context, highlighting how Sino-Indonesian groups and individuals have represented themselves locally and nationally to the archipelago's majority population as well as to Indonesian state power. In the last twenty years, the long political suppression of manifestations of Chinese culture in Indonesia has lifted, and a wealth of evidence now coming to light shows how Sino-Indonesians have long been an integral part of Indonesian culture, including the performing arts. Valorizing that contribution challenges essentialist readings of ethnicity or minority, complicates the profile of a group that is often considered solely in socioeconomic terms, and enriches the understanding of Indonesian culture, Southeast Asian Chinese identities, and transnational cultural exchanges. Minority Stages helps counter the dangerous either/or thinking that is a mainstay of ethnic essentialism in general and of Chinese and Indonesian nationalisms in particular, by showing the fluidity and adaptability of Sino-Indonesian identity as expressed in performance and public display In English Geschichte gnd rswk-swf PERFORMING ARTS / Theater / History & Criticism bisacsh Chinesen (DE-588)4009946-5 gnd rswk-swf Darstellende Kunst (DE-588)4129566-3 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Indonesien (DE-588)4026761-1 gnd rswk-swf Indonesien (DE-588)4026761-1 g Chinesen (DE-588)4009946-5 s Kultur (DE-588)4125698-0 s Darstellende Kunst (DE-588)4129566-3 s Geschichte z 1\p DE-604 Lau, Frederick edt https://doi.org/10.1515/9780824880279 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Stenberg, Josh Minority Stages Sino-Indonesian Performance and Public Display PERFORMING ARTS / Theater / History & Criticism bisacsh Chinesen (DE-588)4009946-5 gnd Darstellende Kunst (DE-588)4129566-3 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4009946-5 (DE-588)4129566-3 (DE-588)4125698-0 (DE-588)4026761-1 |
| title | Minority Stages Sino-Indonesian Performance and Public Display |
| title_auth | Minority Stages Sino-Indonesian Performance and Public Display |
| title_exact_search | Minority Stages Sino-Indonesian Performance and Public Display |
| title_full | Minority Stages Sino-Indonesian Performance and Public Display Josh Stenberg; Frederick Lau |
| title_fullStr | Minority Stages Sino-Indonesian Performance and Public Display Josh Stenberg; Frederick Lau |
| title_full_unstemmed | Minority Stages Sino-Indonesian Performance and Public Display Josh Stenberg; Frederick Lau |
| title_short | Minority Stages |
| title_sort | minority stages sino indonesian performance and public display |
| title_sub | Sino-Indonesian Performance and Public Display |
| topic | PERFORMING ARTS / Theater / History & Criticism bisacsh Chinesen (DE-588)4009946-5 gnd Darstellende Kunst (DE-588)4129566-3 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | PERFORMING ARTS / Theater / History & Criticism Chinesen Darstellende Kunst Kultur Indonesien |
| url | https://doi.org/10.1515/9780824880279 |
| work_keys_str_mv | AT stenbergjosh minoritystagessinoindonesianperformanceandpublicdisplay AT laufrederick minoritystagessinoindonesianperformanceandpublicdisplay |