Faking, forging, counterfeiting: discredited practices at the margins of mimesis
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...
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| Format: | Elektronisch E-Book |
| Sprache: | German |
| Veröffentlicht: |
Bielefeld
transcript Verlag
2018
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| Schlagworte: | |
| Online-Zugang: | ASH01 EFN01 FLA01 FKE01 Volltext |
| Zusammenfassung: | Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation |
| Beschreibung: | 1 Online-Ressource |
| ISBN: | 9783839437629 |
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| spelling | Faking, forging, counterfeiting discredited practices at the margins of mimesis Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) Bielefeld transcript Verlag 2018 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art.The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation Culture Creativity Cultural History Art Theory of Art Cultural Studies Media Aesthetics Literature General Literature Studies Translation Aesthetic Practice Imitation Original Cultural Transfer Copy Faked Tradition Pseudotranslation Imposter Identity Theft Hoax Plagiat (DE-588)4046196-8 gnd rswk-swf Kunstfälschung (DE-588)4166027-4 gnd rswk-swf Kopie (DE-588)4032423-0 gnd rswk-swf Fälschung (DE-588)4016247-3 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift Conference of the Munich Doctoral Program for Literature and the Arts MIMESIS, CAS – Centre for Advanced Studies, LMU Munich 29.10.2015-31.10.2015 München gnd-content Fälschung (DE-588)4016247-3 s Kunstfälschung (DE-588)4166027-4 s Plagiat (DE-588)4046196-8 s Kopie (DE-588)4032423-0 s 2\p DE-604 Becker, Daniel (DE-588)1152093800 edt Fischer, Annalisa (DE-588)1152093959 edt Schmitz, Yola 1985- (DE-588)1064718965 edt Niehoff, Simone 1986- (DE-588)1026354927 ctb Erscheint auch als Druck-Ausgabe 978-3-8376-3762-5 https://elibrary.utb.de/doi/book/10.5555/9783839437629 Aggregator URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Faking, forging, counterfeiting discredited practices at the margins of mimesis Culture Creativity Cultural History Art Theory of Art Cultural Studies Media Aesthetics Literature General Literature Studies Translation Aesthetic Practice Imitation Original Cultural Transfer Copy Faked Tradition Pseudotranslation Imposter Identity Theft Hoax Plagiat (DE-588)4046196-8 gnd Kunstfälschung (DE-588)4166027-4 gnd Kopie (DE-588)4032423-0 gnd Fälschung (DE-588)4016247-3 gnd |
| subject_GND | (DE-588)4046196-8 (DE-588)4166027-4 (DE-588)4032423-0 (DE-588)4016247-3 (DE-588)1071861417 |
| title | Faking, forging, counterfeiting discredited practices at the margins of mimesis |
| title_auth | Faking, forging, counterfeiting discredited practices at the margins of mimesis |
| title_exact_search | Faking, forging, counterfeiting discredited practices at the margins of mimesis |
| title_full | Faking, forging, counterfeiting discredited practices at the margins of mimesis Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) |
| title_fullStr | Faking, forging, counterfeiting discredited practices at the margins of mimesis Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) |
| title_full_unstemmed | Faking, forging, counterfeiting discredited practices at the margins of mimesis Daniel Becker, Annalisa Fischer, Yola Schmitz (eds.) |
| title_short | Faking, forging, counterfeiting |
| title_sort | faking forging counterfeiting discredited practices at the margins of mimesis |
| title_sub | discredited practices at the margins of mimesis |
| topic | Culture Creativity Cultural History Art Theory of Art Cultural Studies Media Aesthetics Literature General Literature Studies Translation Aesthetic Practice Imitation Original Cultural Transfer Copy Faked Tradition Pseudotranslation Imposter Identity Theft Hoax Plagiat (DE-588)4046196-8 gnd Kunstfälschung (DE-588)4166027-4 gnd Kopie (DE-588)4032423-0 gnd Fälschung (DE-588)4016247-3 gnd |
| topic_facet | Culture Creativity Cultural History Art Theory of Art Cultural Studies Media Aesthetics Literature General Literature Studies Translation Aesthetic Practice Imitation Original Cultural Transfer Copy Faked Tradition Pseudotranslation Imposter Identity Theft Hoax Plagiat Kunstfälschung Kopie Fälschung Konferenzschrift Conference of the Munich Doctoral Program for Literature and the Arts MIMESIS, CAS – Centre for Advanced Studies, LMU Munich 29.10.2015-31.10.2015 München |
| url | https://elibrary.utb.de/doi/book/10.5555/9783839437629 |
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