Locating the Gothic in British modernity:
" The late-Victorian era has been extensively researched as a period of Gothic literature, and this study seeks to build upon this body of work by connecting the content of such studies to the early decades of the twentieth century, which are less often seen in terms of Gothic or supernatural l...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Clemson, SC
Clemson University Press
2019
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Ausgabe: | First edition |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | " The late-Victorian era has been extensively researched as a period of Gothic literature, and this study seeks to build upon this body of work by connecting the content of such studies to the early decades of the twentieth century, which are less often seen in terms of Gothic or supernatural literature. Beginning with the quintessentially urban Gothic space of fin de siècle London, as represented in classic texts such as Dracula and Arthur Machen's The Great God Pan, the study proceeds to ask how the themes and energies which emerge in this moment evolve throughout the early twentieth century. In the ghost stories of authors like M.R. James, the Edwardian era witnesses an uncanny return to the rural English landscape, in which modernity encounters the re-emergence of suppressed fears and forces. After World War One, London again experiences a renewal of Gothic themes, with figures such as D.H. Lawrence and T.S. Eliot representing the city as a stricken and desolate space, haunted by the trauma and ghosts of the recent conflict. That legacy of violence and loss is also evident in rural representations of place in the 1920s and 1930s, along with a renewed interest in supernaturalism and paganism found in authors like Sylvia Townsend Warner and Mary Butts. Ultimately, this study argues, this period of dramatic social and cultural change is shadowed by a corresponding evolution in Gothic literary representation, whether that is expressed through modernist experimentation or more conventional narrative forms. "-- "This study considers how British literature from the late-Victorian era to the 1930s draws upon Gothic and supernatural narrative and imagery in its representations of place, whether metropolitan, suburban or rural; it argues that this period of dramatic socio-cultural change is shadowed by a corresponding evolution in Gothic literary representation"-- |
Beschreibung: | vii, 257 Seiten 24 cm |
ISBN: | 9781942954897 1942954891 |
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520 | 3 | |a " The late-Victorian era has been extensively researched as a period of Gothic literature, and this study seeks to build upon this body of work by connecting the content of such studies to the early decades of the twentieth century, which are less often seen in terms of Gothic or supernatural literature. Beginning with the quintessentially urban Gothic space of fin de siècle London, as represented in classic texts such as Dracula and Arthur Machen's The Great God Pan, the study proceeds to ask how the themes and energies which emerge in this moment evolve throughout the early twentieth century. In the ghost stories of authors like M.R. James, the Edwardian era witnesses an uncanny return to the rural English landscape, in which modernity encounters the re-emergence of suppressed fears and forces. After World War One, London again experiences a renewal of Gothic themes, with figures such as D.H. Lawrence and T.S. Eliot representing the city as a stricken and desolate space, haunted by the trauma and ghosts of the recent conflict. That legacy of violence and loss is also evident in rural representations of place in the 1920s and 1930s, along with a renewed interest in supernaturalism and paganism found in authors like Sylvia Townsend Warner and Mary Butts. Ultimately, this study argues, this period of dramatic social and cultural change is shadowed by a corresponding evolution in Gothic literary representation, whether that is expressed through modernist experimentation or more conventional narrative forms. "-- | |
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Datensatz im Suchindex
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adam_text | Contents Acknowledgements Introduction: Tracing the Modem Gothic 1 2 3 The Strangely Mingled Monster: Gothic Invasions, Occupations, and Outgrowths in Fin de Siècle London vii 1 13 I. Invading the Metropolis 14 II. In Darkest England 26 III. City of Nightmares 38 IV. Half-town and Half-country 50 The Old Subconscious Trail of Dread: Shadows, Animism, and Re-Emergence in the Rural World 63 I. A Flare of the Pit 64 II. The Whirlpool of Dreaming Life 75 III. On the Borderlands of Fear 84 IV. Counter-sites 95 In the Black Ruins of the Frenzied Night: Spectral Encounters in Wartime and Postwar London I. A Richer Feast of Horror 109 110
4 II. Hosts of Homeless Ghosts 123 III. The Detested Habitation of the Dead 132 IV. Grey Labyrinths 141 From the Waste Land to the Dark Tower: Revitalizing the Rural Gothic in the Interwar Period 153 I. Tales of Empty Houses 154 II. Restoring the Ghostly Groves 166 III. Dark Enchantments 176 IV. Marshland and Granite, Heather and Stone 187 Conclusion: Afterlives and Revenants of Gothic Modernity 199 Notes 205 Index 249
|
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author | Wiseman, Sam 1980- |
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discipline | Anglistik / Amerikanistik |
edition | First edition |
era | Geschichte 1880-1940 gnd |
era_facet | Geschichte 1880-1940 |
format | Book |
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institution | BVB |
isbn | 9781942954897 1942954891 |
language | English |
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physical | vii, 257 Seiten 24 cm |
publishDate | 2019 |
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publisher | Clemson University Press |
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spelling | Wiseman, Sam 1980- Verfasser (DE-588)1062884957 aut Locating the Gothic in British modernity Sam Wiseman First edition Clemson, SC Clemson University Press 2019 vii, 257 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier " The late-Victorian era has been extensively researched as a period of Gothic literature, and this study seeks to build upon this body of work by connecting the content of such studies to the early decades of the twentieth century, which are less often seen in terms of Gothic or supernatural literature. Beginning with the quintessentially urban Gothic space of fin de siècle London, as represented in classic texts such as Dracula and Arthur Machen's The Great God Pan, the study proceeds to ask how the themes and energies which emerge in this moment evolve throughout the early twentieth century. In the ghost stories of authors like M.R. James, the Edwardian era witnesses an uncanny return to the rural English landscape, in which modernity encounters the re-emergence of suppressed fears and forces. After World War One, London again experiences a renewal of Gothic themes, with figures such as D.H. Lawrence and T.S. Eliot representing the city as a stricken and desolate space, haunted by the trauma and ghosts of the recent conflict. That legacy of violence and loss is also evident in rural representations of place in the 1920s and 1930s, along with a renewed interest in supernaturalism and paganism found in authors like Sylvia Townsend Warner and Mary Butts. Ultimately, this study argues, this period of dramatic social and cultural change is shadowed by a corresponding evolution in Gothic literary representation, whether that is expressed through modernist experimentation or more conventional narrative forms. "-- "This study considers how British literature from the late-Victorian era to the 1930s draws upon Gothic and supernatural narrative and imagery in its representations of place, whether metropolitan, suburban or rural; it argues that this period of dramatic socio-cultural change is shadowed by a corresponding evolution in Gothic literary representation"-- Geschichte 1880-1940 gnd rswk-swf Gothic novel (DE-588)4157930-6 gnd rswk-swf Schauerliteratur (DE-588)4179419-9 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf English literature / 20th century / History and criticism English literature / 19th century / History and criticism Modernism (Literature) / Great Britain Gothic revival (Literature) / Great Britain Place (Philosophy) in literature English literature Gothic revival (Literature) Modernism (Literature) Great Britain 1800-1999 Criticism, interpretation, etc Englisch (DE-588)4014777-0 s Schauerliteratur (DE-588)4179419-9 s Gothic novel (DE-588)4157930-6 s Geschichte 1880-1940 z DE-604 Erscheint auch als Online-Ausgabe, e-book 978-1-942954-90-3 Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031542593&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Wiseman, Sam 1980- Locating the Gothic in British modernity Gothic novel (DE-588)4157930-6 gnd Schauerliteratur (DE-588)4179419-9 gnd Englisch (DE-588)4014777-0 gnd |
subject_GND | (DE-588)4157930-6 (DE-588)4179419-9 (DE-588)4014777-0 |
title | Locating the Gothic in British modernity |
title_auth | Locating the Gothic in British modernity |
title_exact_search | Locating the Gothic in British modernity |
title_full | Locating the Gothic in British modernity Sam Wiseman |
title_fullStr | Locating the Gothic in British modernity Sam Wiseman |
title_full_unstemmed | Locating the Gothic in British modernity Sam Wiseman |
title_short | Locating the Gothic in British modernity |
title_sort | locating the gothic in british modernity |
topic | Gothic novel (DE-588)4157930-6 gnd Schauerliteratur (DE-588)4179419-9 gnd Englisch (DE-588)4014777-0 gnd |
topic_facet | Gothic novel Schauerliteratur Englisch |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031542593&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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