On women's films: across worlds and generations
Looks at contemporary and classic films from emerging and established makers such as Maria Augusta Ramos, Xiaolu Guo, Valérie Massadian, Lynne Ramsay, Lucrecia Martel, Rakhshan Bani-Etemad, Chantal Akerman, or Claire Denis. The collection is also tuned to the continued provocation of feminist cinema...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY ; London
Bloomsbury Academic
2019
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | Looks at contemporary and classic films from emerging and established makers such as Maria Augusta Ramos, Xiaolu Guo, Valérie Massadian, Lynne Ramsay, Lucrecia Martel, Rakhshan Bani-Etemad, Chantal Akerman, or Claire Denis. The collection is also tuned to the continued provocation of feminist cinema landmarks such as Chick Strand's Soft Fiction; Barbara Loden's Wanda; Valie Export's Invisible Adversaries, Cecilia Mangini's Essere donne. Attentive to minor moments, to the pauses and the charge and forms bodies adopt through cinema, the contributors suggest the capacity of women's films to embrace, shape and question the world |
| Beschreibung: | vii, 397 Seiten Illustrationen 24 cm |
| ISBN: | 9781501332456 9781501332463 |
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| 505 | 8 | |a Acknowledgments. Introduction: on women's films: moving thought across worlds and generations / Ivone Margulies and Jeremi Szaniawski. Part 1 Phrasing (in)significance : "Wanda's" slowness: enduring insigificance / Elena Gorfinkel -- "And it's so tiring": Chantal Akerman's ruminative economy / Ivone Margulies -- When to speak and when to be quiet: the act of waiting and the loneliness of bodies in Maria Ramos's films / Andréa França -- Social realism, melodrama, and the mute text: Rakhshan Bani-Etemad's "The May lady" and "Under the skin of the city" / Laura Mulvey. Part 2 Collective voice and documentary poetics : Documentary poetics as a field of action: Cecilia Mangini's "Essere donne" / Noa Steimatsky -- On talking heads and "Las muertes chiquitas / Solomé Aguilera Skvirsky -- Agnès Varda and "Ydessa": engaging personal and cultural histories / Rebecca J. DeRoo -- | |
| 505 | 8 | |a Peace and love, true false: Agnès Varda in Los Angeles / Jean Ma. Part 3 Embodied configurations: material and self-inscription : She carries the film on her naked body: environmental and embodied debt in Claire Denis's "Bastards" / Katrin Pesch -- Ornaments and sites of self-suspension: Hito Steyerl's multimedial essayism / Nora Gortcheva -- Female material: "Invisible adversaries" and the intermedial / Jennifer Stob -- "Dedicated to the one I love": authorship and adaptation in Lynne Ramsay's "Morvern Callar" / Michael Cramer. Part 4 Subjectivities across local,national, and neoliberal logics : She, a Chinese director? Xiaolu Guo and transnational feminist authorship / Patricia White -- Floating light and shadows: Huang Yu-shan's chronicles of modern Taiwan / Zhen Zhang -- On death and dying: Małgorzata Szumowska between Poland and self / Izabela Kalinowska. Part 5 Women's imaginaries, same-sex worlds : Soft fictions / Rebekah Rutkoff -- | |
| 505 | 8 | |a Perverse angle: feminist film, queer film, shame / Liza Johnson -- Thinking like a holy girl: a philosophy of Grandma's bedroom / Karen Redrobe -- "Once upon her time?": the cinema of Valérie Massadian, or, living and creating at the periphery of patriarchy / Jeremi Szaniawski. Notes on contributors -- Index of names and titles | |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgments viii Introduction: On Women’s Films: Moving Thought Across Worlds and Generations Ivone Margulies and Jeremi Szaniawski і Part One Phrasing (in)Significance 25 1 Wanda s Slowness: Enduring Insignificance Elena Gorfinkel 27 2 “And It’s So Tiring”: Chantal Akerman’s Ruminative Economy Ivone Margulies 49 3 When to Speak and When to be Quiet: The Act of Waiting and the Loneliness of Bodies in Maria Ramos’s Films Andrea França 70 4 Social Realism, Melodrama, and the Mute Text: Rakhshan Bani-Etemad’s The May Lady and Under the Skin of the City Laura Mulvey 90 Part Two Collective Voice and Documentary Poetics 103 5 Documentary Poetics as a Field of Action: Cecilia Mangini’s Essere donne Noa Steimatsky 105 6 On Talking Heads and Las muertes chiquitas Salomé Aguilera Skvirsky 125 7 Agnès Varda and Ydessa։ Engaging Personal and Cultural Histories Rebecca J. DeRoo 147
CONTENTS 8 Peace and Love, True and False: Agnès Varda in Los Angeles Jean Ma 162 Part Three Embodied Configurations: Material and Self-inscription 181 9 She Carries the Film on Her Naked Body: Environment and Embodied Debt in Claire Denis’s Bastards Katrin Pesch 183 10 Ornaments and Sites of Self-suspension: Hito Steyerl’s Multimedial Essayism Nora Gortcheva 197 11 Female Material: Invisible Adversaries and the Intermediai Jennifer Stob 213 12 “Dedicated to the One I Love”: Authorship and Adaptation in Lynne Ramsay’s Morvern Callar Michael Cramer 231 Part Four Subjectivities Across Local, National, and Neoliberal Logics 249 13 She, a Chinese Director? Xiaolu Guo and Transnational Feminist Authorship Patricia White 251 14 Floating Light and Shadows: Huang Yu-shan’s Chronicles of Modern Taiwan Zhen Zhang 267 15 On Death and Dying: Malgorzata Szumowska Between Poland and Self Izabela Kalinowska 289 Part Five Women’s Imaginaries, Same-sex Worlds 307 16 Soft Fictions Rebekah Rutkoff мм 17 Perverse Angle: Feminist Film, Queer Film, Shame I.iza Johnson 326 18 Ihinking Like a Holy (»iri: A Philosophy of Grandma’s Bedroom Karen Redrobe Ա6
CONTENTS 19 “Once Upon Her Time?”: The Cinema of Valérie Massadian, or, Living and Creating at the Periphery of Patriarchy Jeremi Szaniawski 368 Notes on Contributors 387 Index of Names and Titles 393 vii
ON WOMEN S FILMS looks at contemporary and classic films from emerging and established makers such as Maria Augusta Ramos, Xiaolu Guo, Valérie Massadian, Lynne Ramsay, Lucrecia Martel, Rakhshan Bani-Etemad, Chantal Åkerman, and Claire Denis. The collection is also tuned to the continued provocation of feminist cinema landmarks such as Chick Strand s Soft Fiction; Barbara Loden s Wanda; Valié Export s invisible Adversaries, and Cecilia Mangini s Essere donne. Attentive to minor moments, to the pauses and the charge and forms bodies adopt through cinema, the contributors suggest the capacity of women’s films to embrace, shape, and question the world. IVONE MARGULIES is Professor in the Film and Media Studies Department at Hunter College, CUNY, USA. She is the author of In Person: Reenactment in Postwar and Contemporary Cinema (2018), Nothing Happens: Chantal Akerman s Hyperrealist Everyday (1996), and is the editor of Rites of Realism: Essays on Corporeal Cinema (2003). JEREMI SZANIAWSKI is Assistant Professor of comparative literature and film studies in the Department of Languages, Literatures, and Cultures at the University of Massachusetts Amherst, USA. He is the author of The Cinema of Alexander Sokurov: Figures of Paradox (2014) and the co-editor of Directory of World Cinema: Belgium (2014) .and The Global Auteur: The Politics of Authorship in 21st Century Cinema (2016).
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| contents | Acknowledgments. Introduction: on women's films: moving thought across worlds and generations / Ivone Margulies and Jeremi Szaniawski. Part 1 Phrasing (in)significance : "Wanda's" slowness: enduring insigificance / Elena Gorfinkel -- "And it's so tiring": Chantal Akerman's ruminative economy / Ivone Margulies -- When to speak and when to be quiet: the act of waiting and the loneliness of bodies in Maria Ramos's films / Andréa França -- Social realism, melodrama, and the mute text: Rakhshan Bani-Etemad's "The May lady" and "Under the skin of the city" / Laura Mulvey. Part 2 Collective voice and documentary poetics : Documentary poetics as a field of action: Cecilia Mangini's "Essere donne" / Noa Steimatsky -- On talking heads and "Las muertes chiquitas / Solomé Aguilera Skvirsky -- Agnès Varda and "Ydessa": engaging personal and cultural histories / Rebecca J. DeRoo -- Peace and love, true false: Agnès Varda in Los Angeles / Jean Ma. Part 3 Embodied configurations: material and self-inscription : She carries the film on her naked body: environmental and embodied debt in Claire Denis's "Bastards" / Katrin Pesch -- Ornaments and sites of self-suspension: Hito Steyerl's multimedial essayism / Nora Gortcheva -- Female material: "Invisible adversaries" and the intermedial / Jennifer Stob -- "Dedicated to the one I love": authorship and adaptation in Lynne Ramsay's "Morvern Callar" / Michael Cramer. Part 4 Subjectivities across local,national, and neoliberal logics : She, a Chinese director? Xiaolu Guo and transnational feminist authorship / Patricia White -- Floating light and shadows: Huang Yu-shan's chronicles of modern Taiwan / Zhen Zhang -- On death and dying: Małgorzata Szumowska between Poland and self / Izabela Kalinowska. Part 5 Women's imaginaries, same-sex worlds : Soft fictions / Rebekah Rutkoff -- Perverse angle: feminist film, queer film, shame / Liza Johnson -- Thinking like a holy girl: a philosophy of Grandma's bedroom / Karen Redrobe -- "Once upon her time?": the cinema of Valérie Massadian, or, living and creating at the periphery of patriarchy / Jeremi Szaniawski. Notes on contributors -- Index of names and titles |
| ctrlnum | (OCoLC)1103976173 (DE-599)BVBBV046155834 |
| discipline | Allgemeines |
| format | Book |
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| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | On women's films across worlds and generations edited by Ivone Margulies and Jeremi Szaniawski New York, NY ; London Bloomsbury Academic 2019 vii, 397 Seiten Illustrationen 24 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Acknowledgments. Introduction: on women's films: moving thought across worlds and generations / Ivone Margulies and Jeremi Szaniawski. Part 1 Phrasing (in)significance : "Wanda's" slowness: enduring insigificance / Elena Gorfinkel -- "And it's so tiring": Chantal Akerman's ruminative economy / Ivone Margulies -- When to speak and when to be quiet: the act of waiting and the loneliness of bodies in Maria Ramos's films / Andréa França -- Social realism, melodrama, and the mute text: Rakhshan Bani-Etemad's "The May lady" and "Under the skin of the city" / Laura Mulvey. Part 2 Collective voice and documentary poetics : Documentary poetics as a field of action: Cecilia Mangini's "Essere donne" / Noa Steimatsky -- On talking heads and "Las muertes chiquitas / Solomé Aguilera Skvirsky -- Agnès Varda and "Ydessa": engaging personal and cultural histories / Rebecca J. DeRoo -- Peace and love, true false: Agnès Varda in Los Angeles / Jean Ma. Part 3 Embodied configurations: material and self-inscription : She carries the film on her naked body: environmental and embodied debt in Claire Denis's "Bastards" / Katrin Pesch -- Ornaments and sites of self-suspension: Hito Steyerl's multimedial essayism / Nora Gortcheva -- Female material: "Invisible adversaries" and the intermedial / Jennifer Stob -- "Dedicated to the one I love": authorship and adaptation in Lynne Ramsay's "Morvern Callar" / Michael Cramer. Part 4 Subjectivities across local,national, and neoliberal logics : She, a Chinese director? Xiaolu Guo and transnational feminist authorship / Patricia White -- Floating light and shadows: Huang Yu-shan's chronicles of modern Taiwan / Zhen Zhang -- On death and dying: Małgorzata Szumowska between Poland and self / Izabela Kalinowska. Part 5 Women's imaginaries, same-sex worlds : Soft fictions / Rebekah Rutkoff -- Perverse angle: feminist film, queer film, shame / Liza Johnson -- Thinking like a holy girl: a philosophy of Grandma's bedroom / Karen Redrobe -- "Once upon her time?": the cinema of Valérie Massadian, or, living and creating at the periphery of patriarchy / Jeremi Szaniawski. Notes on contributors -- Index of names and titles Looks at contemporary and classic films from emerging and established makers such as Maria Augusta Ramos, Xiaolu Guo, Valérie Massadian, Lynne Ramsay, Lucrecia Martel, Rakhshan Bani-Etemad, Chantal Akerman, or Claire Denis. The collection is also tuned to the continued provocation of feminist cinema landmarks such as Chick Strand's Soft Fiction; Barbara Loden's Wanda; Valie Export's Invisible Adversaries, Cecilia Mangini's Essere donne. Attentive to minor moments, to the pauses and the charge and forms bodies adopt through cinema, the contributors suggest the capacity of women's films to embrace, shape and question the world Filmregisseurin (DE-588)4244485-8 gnd rswk-swf Frauenfilm (DE-588)4125060-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Motion pictures and women Women in motion pictures Women motion picture producers and directors (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Filmregisseurin (DE-588)4244485-8 s Frauenfilm (DE-588)4125060-6 s DE-604 Margulies, Ivone 1955- (DE-588)188400788 edt Szaniawski, Jeremi (DE-588)105861410X edt Erscheint auch als Online-Ausgabe, PDF 978-1-5013-3249-4 Erscheint auch als Online-Ausgabe 978-1-5013-3248-7 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031535849&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031535849&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | On women's films across worlds and generations Acknowledgments. Introduction: on women's films: moving thought across worlds and generations / Ivone Margulies and Jeremi Szaniawski. Part 1 Phrasing (in)significance : "Wanda's" slowness: enduring insigificance / Elena Gorfinkel -- "And it's so tiring": Chantal Akerman's ruminative economy / Ivone Margulies -- When to speak and when to be quiet: the act of waiting and the loneliness of bodies in Maria Ramos's films / Andréa França -- Social realism, melodrama, and the mute text: Rakhshan Bani-Etemad's "The May lady" and "Under the skin of the city" / Laura Mulvey. Part 2 Collective voice and documentary poetics : Documentary poetics as a field of action: Cecilia Mangini's "Essere donne" / Noa Steimatsky -- On talking heads and "Las muertes chiquitas / Solomé Aguilera Skvirsky -- Agnès Varda and "Ydessa": engaging personal and cultural histories / Rebecca J. DeRoo -- Peace and love, true false: Agnès Varda in Los Angeles / Jean Ma. Part 3 Embodied configurations: material and self-inscription : She carries the film on her naked body: environmental and embodied debt in Claire Denis's "Bastards" / Katrin Pesch -- Ornaments and sites of self-suspension: Hito Steyerl's multimedial essayism / Nora Gortcheva -- Female material: "Invisible adversaries" and the intermedial / Jennifer Stob -- "Dedicated to the one I love": authorship and adaptation in Lynne Ramsay's "Morvern Callar" / Michael Cramer. Part 4 Subjectivities across local,national, and neoliberal logics : She, a Chinese director? Xiaolu Guo and transnational feminist authorship / Patricia White -- Floating light and shadows: Huang Yu-shan's chronicles of modern Taiwan / Zhen Zhang -- On death and dying: Małgorzata Szumowska between Poland and self / Izabela Kalinowska. Part 5 Women's imaginaries, same-sex worlds : Soft fictions / Rebekah Rutkoff -- Perverse angle: feminist film, queer film, shame / Liza Johnson -- Thinking like a holy girl: a philosophy of Grandma's bedroom / Karen Redrobe -- "Once upon her time?": the cinema of Valérie Massadian, or, living and creating at the periphery of patriarchy / Jeremi Szaniawski. Notes on contributors -- Index of names and titles Filmregisseurin (DE-588)4244485-8 gnd Frauenfilm (DE-588)4125060-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4244485-8 (DE-588)4125060-6 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | On women's films across worlds and generations |
| title_auth | On women's films across worlds and generations |
| title_exact_search | On women's films across worlds and generations |
| title_full | On women's films across worlds and generations edited by Ivone Margulies and Jeremi Szaniawski |
| title_fullStr | On women's films across worlds and generations edited by Ivone Margulies and Jeremi Szaniawski |
| title_full_unstemmed | On women's films across worlds and generations edited by Ivone Margulies and Jeremi Szaniawski |
| title_short | On women's films |
| title_sort | on women s films across worlds and generations |
| title_sub | across worlds and generations |
| topic | Filmregisseurin (DE-588)4244485-8 gnd Frauenfilm (DE-588)4125060-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Filmregisseurin Frauenfilm Film Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031535849&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031535849&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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