Pieter Bruegel the Elder: religious art for the urban community
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Leiden ; Boston
Brill
[2019]
|
Schriftenreihe: | Art and material culture in Medieval and Renaissance Europe
volume 15 |
Schlagworte: | |
Online-Zugang: | https://www.gbv.de/dms/art-berlin/1668272504.pdf Rezension Rezension |
Beschreibung: | Outgrowth of the author's thesis (doctoral), University of California, Santa Barbara, 2014, under the title: Shaping the urban community : convivial conversations and the display of Pieter Bruegel the Elder's religious paintings Includes bibliographical references and index |
Beschreibung: | XIV, 241 Seiten Illustrationen |
ISBN: | 9789004400399 |
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Datensatz im Suchindex
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adam_text | SEHEPUNKTE 20 (2020), NR. 12
BARBARA A. KAMINSKA: PIETER BRUEGEL THE ELDER
THE 1574 EULOGY FOR PIETER BRUEGEL THE ELDER BY ABRAHAM ORTELIUS
CONTAINS AN INTERESTING REMARK: IN ALL HIS
WORKS MORE IS ALWAYS IMPLIED THAN IS DEPICTED (210). THIS PRAISE OF THE
HERMENEUTIC RICHNESS OF BRUEGEL S
ART AFFORDED BY ITS PICTORIAL ECONOMY IMPLIES SOMETHING ON ITS OWN: A
KNOWING, AND WILLING, AUDIENCE - LIKE
ORTELIUS HIMSELF - ALERT TO THE NUANCES OF THE PICTURE. WHAT ORTELIUS
TENTATIVELY SUGGESTS - A TACIT,
COLLABORATIVE, EVEN COMPLICIT, RELATIONSHIP BETWEEN THE ARTIST AND HIS
VIEWER - BECOMES A VIVID PORTRAIT IN
BARBARA KAMINSKA S BOOK IN WHICH SHE EXPLORES DEXTEROUSLY THE MAKING AND
RECEPTION OF ART DURING THE
RELIGIOUS UPHEAVAL IN BRUEGEL S ANTWERP.
KAMINSKA WRITES IN SIMPLE STRUCTURE. EACH OF THE BOOK S SIX CHAPTERS
EXAMINES A RELIGIOUS PAINTING BY
BRUEGEL AND THE WAYS HIS WORK CULTIVATED SPIRITUAL
AND MORAL EDIFICATIONS AMONG HIS URBAN AUDIENCE. YET IN
EVERY CHAPTER THIS AGENDA GIVES WAY TO A PENETRATING EXAMINATION OF
INTELLECTUAL TRADITIONS AS WELL AS
PICTORIAL AND SPECTATORIAL AGENCIES. READERS WILL EXPLORE THE CODIFIED
SOCIAL LIFE OF ANTWERP S ILLUSTRIOUS
RESIDENTS, WHO APPROACHED THE OPEN-ENDED QUESTIONS RAISED BY BRUEGEL S
PAINTINGS AS AN OPPORTUNITY TO
NEGOTIATE COMMUNAL IDENTITY. THEY WILL ALSO WITNESS THE CALCULATED USES
OF ART BY HABSBURG RULERS, LOCAL
GOVERNMENT, AND CITIZENS AS ALL PARTIES STRUGGLED TO NAVIGATE THEIR
INFLAMMATORY, OFTEN FATAL, DIFFERENCES.
FOR THIS MATTER, I FIND THIS STUDY A THOUGHTFUL RESPONSE TO BAXANDALL S
PERIOD EYE [
1], IN PARTICULAR AS
KAMINSKA DEMONSTRATES THAT INTERPRETIVE PLURALITY STEMMED FROM A
CULTURAL ONE.
BEYOND SUBJECT MATTER, PLURALITY IS THE REFLEXIVE THEME OF THIS BOOK.
KAMINSKA MAINTAINS THAT BRUEGEL S
PAINTINGS PLAYED MULTIVALENT ROLES IN CULTIVATING DIVERSE RESPONSES. HER
EXAMINATIONS OF THE TOWER OF BABEL
(1563) AND THE CONVERSION OF SAINT PAUL (1567) EXEMPLIFY THAT APPROACH.
AS SHE DEMONSTRATES, THE FORMER
PAINTING PROMPTED INTERROGATION OF THE ELITE S ALLEGIANCE TO MAINTAINING
ANTWERP S DIVERSITY AND
COSMOPOLITAN PROSPERITY, WHILE THE LATTER WORK THEMATIZES THE STRAIGHT
AND NARROW, THOUGH NOT WITHOUT
CRITIQUING THOSE WHO MISTOOK CONFESSIONAL DISPLAY FOR SPIRITUAL
ILLUMINATION. SUCH PICTORIAL PROVOCATIONS
WERE CERTAINLY RESPONDED TO BY THE AUDIENCE, BUT THEY WERE
SIMULTANEOUSLY IMPORTANT CATALYSTS FOR
CONGEALING EXCLUSIVE CIRCLES OF INTERPRETIVE HETEROGENEITY. WHILE THESE
NONSECTARIAN WORKS OFFERED
BENEFICIAL CHALLENGES TO BRUEGEL S OPEN-MINDED AUDIENCE, THEIR
INTERPRETIVE AMBIGUITY FURTHER SHIELDED
THESE VIEWERS FROM ACCUSATIONS OF HERESY. TO BE SURE, BRUEGEL PAINTINGS
HAD LIMITED AGENCY - THEY DID NOT
PREVENT THE CATASTROPHES THAT BEFELL ANTWERP (215), AS KAMINSKA DEFTLY
POINTS OUT - BUT, EMBODYING THE
RENAISSANCE S FASCINATION WITH COPIOUSNESS (40), THEY POINTED TO
DIVERSITY AND TOLERANCE AS ENDURING CIVIL
SOLUTIONS TO CONFLICTS.
ARGUABLY THE MOST TELLING CASE ABOUT THE AUDIENCE S APPEAL TO SPIRITUAL
DIVERSITY COMES IN THE DISCUSSION OF
CONVIVIA, FORMAL GATHERINGS OF THE CITY S WELL-TO-DO OUTSIDE THE URBAN
HUSTLE AND BUSTLE. HERE, THE AUTHOR
EXPLORES THE DEEPLY REFLEXIVE WORLD OF EARLY MODERN SUBURBS. THE
COUNTRY RETREATS, LIKE THE ACTIVITIES
TAKING PLACE INSIDE THEM, WERE RENDERED MEANINGFUL THESES ON BALANCE AND
MODERATION. JUST AS THE VILLAS
PROVIDED COMFORT AND OBLIGED HUSBANDRY, THEREBY DEMANDING A RECKONING OF
OTIUM AND NEGOTIUM - OR
LEISURE AND BUSINESS - THE DINNER PARTIES THEMSELVES CREATED AN EXERCISE
IN NEGOTIATING DIFFERENCES.
PARTICIPANTS WERE EXPECTED TO WANDER AMONG TOPICS RANGING FROM
PHILOSOPHY TO RELIGION IN THE DEVELOPMENT
OF A DYNAMIC CONVERSATION, WHICH IN TURN ALLOWED FOR A MULTIDIMENSIONAL
DISCUSSION THAT DID NOT REQUIRE
REACHING A CONSENSUS (37). THE RESULTS, ACCORDING TO THE AUTHOR, WERE
MECHANISMS DEVELOPED BY THE
OPEN-MINDED ELITE, THROUGH WHICH THE COMMUNITY NEGOTIATED THE
CONDITIONS OF ITS EXISTENCE (51).
ALTHOUGH THE CONTENT OF THESE DINNER TABLE CONVERSATIONS REMAINS
OBSCURE, CONVIVIAL LITERATURE TITILLATES OUR
IMAGINATION WITH PRUDENT FICTIONS. KAMINSKA CONVINCINGLY ARGUES THAT
LITERATURE AND CUSTOMS WERE
ANALOGOUS, TO SAY THE LEAST. ON THE FACE OF IT, THE FORMER DREW
INSPIRATION FROM THE LATTER, WHICH IN TURN
ECHOED THE FORMER. BUT MORE IMPORTANTLY, SHE DEMONSTRATES, BOTH WERE
DEEPLY INVOLVED IN THE CULTIVATION
OF A HARMONIOUS SOCIETY, DESPITE THEIR DIFFERENT MOTIVATIONS - SPIRITUAL
EDIFICATION FOR THE ONE, AND
ENTREPRENEURIAL GAIN FOR THE OTHER.
KAMINSKA S CONTRIBUTION TO THE FIELD EXTENDS BEYOND THE DEMONSTRATION
THAT PICTORIAL COMPLEXITY REQUIRES
BOTH ARTICULATION AND ENACTMENT. THE ORIGINALITY OF THE BOOK IS ALSO A
MATTER OF RIGOROUS USE OF NEW ARCHIVAL
MATERIAL, PERSPICACIOUSLY UNCOVERED BY THE AUTHOR. THANKS TO THESE
DISCOVERIES, WE ARE INVITED TO WITNESS
THE LIVES OF NOT ONLY THE USUAL SUSPECTS OF ANTWERP S ELITE, BUT ALSO
CITIZENS OF LESSER HISTORICAL
CONSEQUENCES. NOTABLY, THE AUTHOR PRESENTS TO US SOMETHING QUITE CLOSE
TO A VIRTUAL TOUR OF MIDDLE-CLASS
HOUSES BELONGING TO HITHERTO ANONYMOUS RESIDENTS, CATHOLIC AND
PROTESTANT ALIKE. A WELL-OFF LUTHERAN
COUPLE, WE LEARN, CHOSE TO DECORATE THEIR SEMI-PUBLIC LIVING ROOM WITH
PAINTINGS OF GENERIC RELIGIOUS THEMES
AND RESERVED THOSE OF SPECIFIC LUTHERAN MOTIFS FOR THEIR PRIVATE STUDY
(78-79) - A TELLING STORY ABOUT THE
IMPACT OF THE HABSBURG S RELIGIOUS CENSORSHIP. MIDCENTURY CITY LIFE,
INCLUDING SUCH ACTS OF CONFESSIONAL SELF-
FASHIONING, UNFOLDS, AND THE READER BEGINS TO GRASP THE RELATIONSHIP
BETWEEN INDIVIDUALS AND HIGHLY
CULTIVATED COMMUNITIES IN FULLER, MORE INSPIRED WAYS.
THROUGHOUT THE BOOK, KAMINSKA PRESENTS INNOVATIVE IDEAS IN BEAUTIFUL,
EFFORTLESS PROSE, WHICH IN TURN BRINGS
LUCIDITY TO HER COMPLEX ACUMEN. YET, A QUESTION EMERGED AS I TRIED TO
DECIPHER HER MEANING OF DISCURSIVE.
IT APPEARS THAT SHE EMPLOYS THIS TERM TO REFER TO OPEN-ENDED,
FLEXIBLE, AND TOLERANT. FOR INSTANCE, SHE
TALKS ABOUT THE DISCURSIVE EXCHANGES BETWEEN PERFORMERS AND AUDIENCE
AT BANQUETS (137) AND
NONDISCURSIVE IMAGES SUGGESTING CONFESSIONAL FIXATION AT PROCESSIONS
(130). NONETHELESS, THE ENORMOUS
IMPLICATIONS OF THE TERM, PARTICULARLY FROM DISCOURSE THEORY, MERIT SOME
EXPLANATION, IF ONLY SO THAT THE
SPECIFIC SUGGESTION OF PLURALITY CAN BE READILY GRASPED. IN ADDITION, I
BELIEVE THIS STUDY WOULD HAVE
BENEFITED FROM AN EXAMINATION OF ERASMUS S PRAISE OF FOLLY [
2], THE TOWERING ACHIEVEMENT IN INTERPRETIVE
PLURALITY. THE ADVANTAGE OF MAKING SUCH A CONNECTION LIES BEYOND AN
UNDERSTANDING OF THE PSYCHE OF
BRUEGEL S RECEPTIVE, ERASMIAN COLLECTORS, BUT ALSO IN TRACING THE
EVOLVING AGENDA OF HUMANISM IN THE
INCREASINGLY POLEMIC SOCIETY OF THE SIXTEENTH CENTURY.
KAMINSKA S ERUDITE STUDY OF ARTISTIC AGENCY AND A TRANSFORMING SOCIETY
ADDS AN IMPORTANT PIECE TO THE
PUZZLE OF BRUEGEL S INGENUITY. BEYOND THE INTERESTS OF BRUEGELIAN
SCHOLARS, THE STUDY ALSO PROMPTS TOPICAL
REFLECTION BY A WIDER AUDIENCE ON MATTERS THAT SURPASS VISUALITY, SUCH
AS THE SOCIAL AND INTELLECTUAL VALUES
OF PLURALISM. WRITING ON NEGOTIATION AND THE BUILDING OF COMMUNITIES,
KAMINSKA INVITES COLLECTIVE
RUMINATION OVER A TIMELY QUESTION: UNDER WHAT CIRCUMSTANCES DOES IT
BECOME POSSIBLE FOR US TO AGREE TO
DISAGREE?
NOTES:
[
1] MICHAEL BAXANDALL: THE PERIOD EYE, IN: PAINTING AND EXPERIENCE IN
FIFTEENTH CENTURY ITALY: A PRIMER IN
THE SOCIAL HISTORY OF PICTORIAL STYLE, ED. BY MICHAEL BAXANDALL, OXFORD
1972, 29-108.
[2] DESIDERIUS ERASMUS: MORIAE ENCOMIUM SEU LAUS STULTITIAE, PARIS 1511.
REZENSION UEBER:
BARBARA A. KAMINSKA: PIETER BRUEGEL THE ELDER. RELIGIOUS ART FOR THE
URBAN COMMUNITY (= ART AND MATERIAL CULTURE IN MEDIEVAL AND
RENAISSANCE EUROPE; VOL. 15), LEIDEN / BOSTON: BRILL 2019, XIV + 241 S.,
E-BOOK, ISBN 978-90-04-40840-1 , EUR 121,00
REZENSION VON:
HAOHAO LU
VASSAR COLLEGE
EMPFOHLENE ZITIERWEISE:
HAOHAO LU: REZENSION VON: BARBARA A. KAMINSKA: PIETER BRUEGEL THE ELDER.
RELIGIOUS ART FOR THE URBAN COMMUNITY, LEIDEN / BOSTON:
BRILL 2019, IN: SEHEPUNKTE 20 (2020), NR. 12 [15.12.2020], URL:
HTTP://WWW.SEHEPUNKTE.DE/2020/12/34318.HTML
BITTE GEBEN SIE BEIM ZITIEREN DIESER REZENSION DIE
EXAKTE URL UND DAS DATUM IHRES LETZTEN BESUCHS DIESER ONLINE-ADRESSE AN.
|
any_adam_object | 1 |
author | Kaminska, Barbara A. |
author_GND | (DE-588)1192380193 |
author_facet | Kaminska, Barbara A. |
author_role | aut |
author_sort | Kaminska, Barbara A. |
author_variant | b a k ba bak |
building | Verbundindex |
bvnumber | BV046154935 |
callnumber-first | N - Fine Arts |
callnumber-label | ND673 |
callnumber-raw | ND673.B73 |
callnumber-search | ND673.B73 |
callnumber-sort | ND 3673 B73 |
callnumber-subject | ND - Painting |
classification_rvk | LI 19543 LI 19545 |
ctrlnum | (OCoLC)1120131700 (DE-599)KXP1668272504 |
dewey-full | 759.9492 |
dewey-hundreds | 700 - The arts |
dewey-ones | 759 - History, geographic treatment, biography |
dewey-raw | 759.9492 |
dewey-search | 759.9492 |
dewey-sort | 3759.9492 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
era | Geschichte 1551-1569 gnd |
era_facet | Geschichte 1551-1569 |
format | Thesis Book |
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genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
geographic | Flandern (DE-588)4071249-7 gnd |
geographic_facet | Flandern |
id | DE-604.BV046154935 |
illustrated | Illustrated |
indexdate | 2024-07-10T08:36:45Z |
institution | BVB |
isbn | 9789004400399 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031534972 |
oclc_num | 1120131700 |
open_access_boolean | |
owner | DE-19 DE-BY-UBM DE-12 DE-255 DE-Y3 DE-11 DE-355 DE-BY-UBR DE-Y2 DE-188 |
owner_facet | DE-19 DE-BY-UBM DE-12 DE-255 DE-Y3 DE-11 DE-355 DE-BY-UBR DE-Y2 DE-188 |
physical | XIV, 241 Seiten Illustrationen |
psigel | BSB_NED_20191009 |
publishDate | 2019 |
publishDateSearch | 2019 |
publishDateSort | 2019 |
publisher | Brill |
record_format | marc |
series | Art and material culture in Medieval and Renaissance Europe |
series2 | Art and material culture in Medieval and Renaissance Europe |
spelling | Kaminska, Barbara A. Verfasser (DE-588)1192380193 aut Shaping the urban community Pieter Bruegel the Elder religious art for the urban community by Barbara A. Kaminska Convivial conversations and the display of Pieter Bruegel the Elder's religious paintings Leiden ; Boston Brill [2019] XIV, 241 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Art and material culture in Medieval and Renaissance Europe volume 15 Outgrowth of the author's thesis (doctoral), University of California, Santa Barbara, 2014, under the title: Shaping the urban community : convivial conversations and the display of Pieter Bruegel the Elder's religious paintings Includes bibliographical references and index Dissertation University of California, Santa Barbara 2014 Bruegel, Pieter de Oudere 1525-1569 (DE-588)118674013 gnd rswk-swf Geschichte 1551-1569 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Stadt (DE-588)4056723-0 gnd rswk-swf Christliche Kunst (DE-588)4010109-5 gnd rswk-swf Flandern (DE-588)4071249-7 gnd rswk-swf Bruegel, Pieter / approximately 1525-1569 / Criticism and interpretation Bible / Illustrations Painting, Netherlandish / Themes, motives Conversation Dinners and dining / Belgium / Antwerp / History / 16th century Art and society / Belgium / Antwerp / History / 16th century Antwerp (Belgium) / Intellectual life / 16th century (DE-588)4113937-9 Hochschulschrift gnd-content Bruegel, Pieter de Oudere 1525-1569 (DE-588)118674013 p Flandern (DE-588)4071249-7 g Christliche Kunst (DE-588)4010109-5 s Stadt (DE-588)4056723-0 s Gesellschaft (DE-588)4020588-5 s Geschichte 1551-1569 z DE-604 Erscheint auch als Online-Ausgabe 978-90-04-40840-1 Art and material culture in Medieval and Renaissance Europe volume 15 (DE-604)BV042194873 15 https://www.gbv.de/dms/art-berlin/1668272504.pdf http://www.sehepunkte.de/2020/12/34318.html rezensiert in: sehepunkte 20 (2020), Nr. 12 Rezension SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031534972&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Rezension |
spellingShingle | Kaminska, Barbara A. Pieter Bruegel the Elder religious art for the urban community Art and material culture in Medieval and Renaissance Europe Bruegel, Pieter de Oudere 1525-1569 (DE-588)118674013 gnd Gesellschaft (DE-588)4020588-5 gnd Stadt (DE-588)4056723-0 gnd Christliche Kunst (DE-588)4010109-5 gnd |
subject_GND | (DE-588)118674013 (DE-588)4020588-5 (DE-588)4056723-0 (DE-588)4010109-5 (DE-588)4071249-7 (DE-588)4113937-9 |
title | Pieter Bruegel the Elder religious art for the urban community |
title_alt | Shaping the urban community Convivial conversations and the display of Pieter Bruegel the Elder's religious paintings |
title_auth | Pieter Bruegel the Elder religious art for the urban community |
title_exact_search | Pieter Bruegel the Elder religious art for the urban community |
title_full | Pieter Bruegel the Elder religious art for the urban community by Barbara A. Kaminska |
title_fullStr | Pieter Bruegel the Elder religious art for the urban community by Barbara A. Kaminska |
title_full_unstemmed | Pieter Bruegel the Elder religious art for the urban community by Barbara A. Kaminska |
title_short | Pieter Bruegel the Elder |
title_sort | pieter bruegel the elder religious art for the urban community |
title_sub | religious art for the urban community |
topic | Bruegel, Pieter de Oudere 1525-1569 (DE-588)118674013 gnd Gesellschaft (DE-588)4020588-5 gnd Stadt (DE-588)4056723-0 gnd Christliche Kunst (DE-588)4010109-5 gnd |
topic_facet | Bruegel, Pieter de Oudere 1525-1569 Gesellschaft Stadt Christliche Kunst Flandern Hochschulschrift |
url | https://www.gbv.de/dms/art-berlin/1668272504.pdf http://www.sehepunkte.de/2020/12/34318.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031534972&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV042194873 |
work_keys_str_mv | AT kaminskabarbaraa shapingtheurbancommunity AT kaminskabarbaraa pieterbruegeltheelderreligiousartfortheurbancommunity AT kaminskabarbaraa convivialconversationsandthedisplayofpieterbruegeltheeldersreligiouspaintings |