Austral jazz: the localization of a global music form in Sydney
Austral Jazz: The Localization of a Global Music Form in Sydney proposes a new theoretical framework for understanding local jazz communities as they develop outside the United States, demonstrating such processes in action by applying the framework to a significant period of the history of jazz in...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2020
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| Schriftenreihe: | Transnational studies in jazz
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Austral Jazz: The Localization of a Global Music Form in Sydney proposes a new theoretical framework for understanding local jazz communities as they develop outside the United States, demonstrating such processes in action by applying the framework to a significant period of the history of jazz in Sydney, Australia after 1973. This volume introduces the notion ofAustral Jazz,'coined in order to reset the focus on supranational conceptions of jazz expressions in the southwestern Pacific. It makes the case for Austral Jazz chronologically across six chapters that discuss, interpret and critique major events and seminal recordings, tracing the development of the Austral shift from a pre-Austral period prior to 1973. Austral Jazz presents a fresh approach to understanding the development of jazz communities, and while its focus is on the Sydney scene after 1973, the Austral' theory can be applied to creative communities globally. A creative shift took place in Sydney in the early 1970s, which led to the flourishing of a new kind of jazz-based expression, one that reflected Australia's increasingly globalized and multicultural outlook. This study is timely, and it builds on the work of local jazz researchers. Historiographical understandings of global developments in jazz can be understood within a framework of four overarching narratives: The birth and belonging' narrative; the spread and adaptation' narrative; the pluralization by localization' narrative; and the self-fashioning of the already local' narrative |
| Beschreibung: | xix, 161 Seiten Illustrationen |
| ISBN: | 9781138316027 |
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| 520 | 3 | |a Austral Jazz: The Localization of a Global Music Form in Sydney proposes a new theoretical framework for understanding local jazz communities as they develop outside the United States, demonstrating such processes in action by applying the framework to a significant period of the history of jazz in Sydney, Australia after 1973. This volume introduces the notion ofAustral Jazz,'coined in order to reset the focus on supranational conceptions of jazz expressions in the southwestern Pacific. It makes the case for Austral Jazz chronologically across six chapters that discuss, interpret and critique major events and seminal recordings, tracing the development of the Austral shift from a pre-Austral period prior to 1973. Austral Jazz presents a fresh approach to understanding the development of jazz communities, and while its focus is on the Sydney scene after 1973, the Austral' theory can be applied to creative communities globally. A creative shift took place in Sydney in the early 1970s, which led to the flourishing of a new kind of jazz-based expression, one that reflected Australia's increasingly globalized and multicultural outlook. This study is timely, and it builds on the work of local jazz researchers. Historiographical understandings of global developments in jazz can be understood within a framework of four overarching narratives: The birth and belonging' narrative; the spread and adaptation' narrative; the pluralization by localization' narrative; and the self-fashioning of the already local' narrative | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS List of Figures xi List of Tables xiii Series Foreword: Transnational Studies in Jazz XV Preface Disclaimer xvi Acknowledgements xxi Introduction to Austral Jazz XX 1 Jazz Beyond Nation 2 Austral Jazz 3 Double Identification and Local Circumstance 6 Reidentification and Cultural Revitalization 7 Self-Fashioning of the Already Local 8 Moving Beyond the Cringe 9 New Zealand 11 Chapter Outline 12 Notes 15 References 16 1 Jazz Australia: A Window into the Pre-Austral Jazz Australia 18 Jazz Australia: Ћге Bandleaders 21 Don Burrows 21 John Sangster 24 17
viii Contents Judy Bailey 26 Bemie McGann 28 Other Pre-Austral Currents 32 Charlie Munro 32 Mike Nock and The 3 Out Trio 33 Conclusion 35 Notes 37 Discography 39 References 39 2 Chain Reaction: Jazz in the Classroom and Jazz After Dark Part I: Jazz Studies Enters the Australian Classroom 41 Burrows, Hobcroft, and Smith: The Sydney Conservatorium’s First Jazz Trio? 42 The New Jazz Course Begins ... 48 1973: The First Faculty (aka Howie Smith)— A Faculty of One 51 Jazz Education: Why Was Sydney Different? 52 Part П: Outside the Castle Walls 54 Jazz After Dark: The Basement 54 Horst Liepolt 55 Galapagos Duck and Jazz Co/op 57 Galapagos Duck 57 Jazz Co/op 58 The Jazz Action Society 61 Conclusion 62 Notes 62 Discography 65 References 65 3 Action, Re-Action, and Interaction Part I: Jazz Education and Its Austral Implications 67 Institutionalizing Jazz 70 Ringing the Changes 71 Part II: Austral’s New Wave—Die Keys Music Association 74 Keys: The Beginnings of the KMA 75 The KMA: Developing an Aesthetic 77 An Alternative Creative Vision 78 March of the Five Limbs: Keys Music Association (Released 1983) 81
Contents ix Part III: The Keys Music Association—17tree Associated Bands 83 The Benders 83 Great White Noise 89 The Freeboppers 90 Part IV: Sandy Evans and Women and Children First 91 The National Tour 93 The Aftermath 96 Conclusion 91 Notes 98 Discography 100 References 101 4 Doing It for Ourselves: Self-Fashioning of the Already Local Part I: Changing of the Guard 103 The Sydney Improvised Music Association 104 Jenny’s Wine Bar 106 McGann Records: At Long Last 107 Renaissance: The Mythologizing of Bemie McGann 108 Morgan’s Feedwell: A Turning Point for McGann 110 Consolidating the Austral Scene: SIMA in the Late 1980s 111 The Strawberry Hills Hotel (1989-1997) 113 Record Labels 116 Part II: The Sydney Scene into the 1990s—Eight Key Austral Ensembles 118 The Necks 119 Ten Part Invention (1986) 121 The Engine Room 122 The catholics 123 Clarion Fracture Zone 123 Bemie McGann Trio 125 Mike Nock Quartet 126 Wanderlust 126 Part III: Austral Currents of the 1990s 127 Part IV: Austral Jazz—Towards Gender Equity 128 Conclusion 131 Appendix 133 103
x Contents Notes 134 Discography 136 References 137 5 The Continuing Reidentifications of Austral Jazz Two Streams: Geocultural and Etimo-Historical Connection 140 Stream One: Geocultural Connection 140 Stream Two: Ethno-Historical Connection 141 The Project-Based Approach in a Changing Austral Landscape 142 Two Case Studies 144 Geocultural Connection: Simon Barker 144 Ethno-Historical Connection: Lloyd Swanton’s Ambon (2015) 146 Emerging Trends 148 Conclusion: Towards an Austral Future 149 Postscript 151 Notes 152 Discography 152 References 153
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| spelling | Robson, Andrew Verfasser (DE-588)1196641552 aut Austral jazz the localization of a global music form in Sydney Andrew Robson New York ; London Routledge, Taylor & Francis Group 2020 xix, 161 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Transnational studies in jazz Austral Jazz: The Localization of a Global Music Form in Sydney proposes a new theoretical framework for understanding local jazz communities as they develop outside the United States, demonstrating such processes in action by applying the framework to a significant period of the history of jazz in Sydney, Australia after 1973. This volume introduces the notion ofAustral Jazz,'coined in order to reset the focus on supranational conceptions of jazz expressions in the southwestern Pacific. It makes the case for Austral Jazz chronologically across six chapters that discuss, interpret and critique major events and seminal recordings, tracing the development of the Austral shift from a pre-Austral period prior to 1973. Austral Jazz presents a fresh approach to understanding the development of jazz communities, and while its focus is on the Sydney scene after 1973, the Austral' theory can be applied to creative communities globally. A creative shift took place in Sydney in the early 1970s, which led to the flourishing of a new kind of jazz-based expression, one that reflected Australia's increasingly globalized and multicultural outlook. This study is timely, and it builds on the work of local jazz researchers. Historiographical understandings of global developments in jazz can be understood within a framework of four overarching narratives: The birth and belonging' narrative; the spread and adaptation' narrative; the pluralization by localization' narrative; and the self-fashioning of the already local' narrative Geschichte gnd rswk-swf Musikerziehung (DE-588)4040843-7 gnd rswk-swf Musikpflege (DE-588)4128827-0 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Australien (DE-588)4003900-6 gnd rswk-swf Sydney (DE-588)4058708-3 gnd rswk-swf Jazz / Australia / History and criticism Jazz musicians / Australia Jazz Jazz musicians Australia Criticism, interpretation, etc Australien (DE-588)4003900-6 g Sydney (DE-588)4058708-3 g Jazz (DE-588)4028532-7 s Musikpflege (DE-588)4128827-0 s Musikerziehung (DE-588)4040843-7 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-0-429-85022-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031534938&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Robson, Andrew Austral jazz the localization of a global music form in Sydney Musikerziehung (DE-588)4040843-7 gnd Musikpflege (DE-588)4128827-0 gnd Jazz (DE-588)4028532-7 gnd |
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| title | Austral jazz the localization of a global music form in Sydney |
| title_auth | Austral jazz the localization of a global music form in Sydney |
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| title_full | Austral jazz the localization of a global music form in Sydney Andrew Robson |
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