Everybody's doin' it: sex, music, and dance in New York, 1840-1917
Everybody's Doin' It is the eye-opening story of popular music's seventy-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming f...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
W. W. Norton & Company; independent publishers since 1923
[2019]
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Everybody's Doin' It is the eye-opening story of popular music's seventy-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming from a single piano player or a small band, live music was a nightly feature in New York's spirited dives, where men and women, often black and white, mingled freely--to the horror of the elite. This rollicking demimonde drove the development of an energetic dance music that would soon span the world. The Virginia Minstrels, Juba, Stephen Foster, Irving Berlin and his hit "Alexander's Ragtime Band," and the Original Dixieland Jass Band all played a part in popularizing startling new sounds. Musicologist Dale Cockrell recreates this ephemeral underground world by mining tabloids, newspapers, court records of police busts, lurid exposés, journals, and the reports of undercover detectives working for social-reform organizations, who were sent in to gather evidence against such low-life places. Everybody's Doin' It illuminates the how, why, and where of America's popular music and its buoyant journey from the dangerous Five Points of downtown to the interracial black and tans of Harlem.--Book jacket |
| Beschreibung: | Includes bibliographical references and index. |
| Beschreibung: | xvi, 270 Seiten Illustrationen |
| ISBN: | 9780393608946 |
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| 505 | 8 | |a Introduction -- Libertines, blackface minstrels, and the small-potatoe humbug -- Asmodeus, Juba, and Blood on fire -- The wickedest man, the pugilist, and pretty waiter girls -- The bishop, Comstock, and juvenile delinquents -- Dives, cornets, and the Cancan out-Paris-ed in New York -- Ragtime, spieling, and leapfrogging for the reverend -- Tough dancing, white slavery, and "Just tell them that you saw me" -- C XIV, alleged music, and superlatively rotten dances -- Reflections -- Appendix 1. Songs identified by Committee of Fourteen Agents, 1913-1917 -- Appendix 2. "Cock eyed Reilly" -- Appendix 3. The people &c. against Wallace W. Sweeney | |
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Datensatz im Suchindex
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CONTENTS Preface ♦ xi Introduction ♦ 1 CHAPTER ONE Libertines, Blackface Minstrels, and the Small-Potatoe Humbug ♦ 7 CHAPTER TWO Asmodeus, Juba, and Blood on Fire ♦ 27 CHAPTER THREE The Wickedest Man, the Pugilist, and Pretty Waiter Girls ♦ 45 CHAPTER POUR The Bishop, Comstock, and Juvenile Delinquents ♦ 65 CHAPTER FIVE Dives, Cornets, and the Cancan Out-Paris-ed in New York ♦ 85 CHAPTER SIX Ragtime, Spieling, and Leapfrogging for the Reverend ♦ 105 CHAPTER SEVEN Tough Dancing, White Slavery, and “Just Tell Them That You Saw Me” ♦ 129 CHAPTER EIGHT C XIV, Alleged Music, and Superlatively Rotten Dances ♦ 155
x Contents EPILOGUE Reflections ♦ 199 Acknowledgments 4 207 appendix i: Songs Identified by Committee ofFourteen Agents, 1913-1917 4 213 appendix appendix 2: “Cock Eyed Reilly” ♦ 215 3: The People c. Against Wallace W. Sweeney ♦ 217 Notes 4 223 Bibliography 4 247 Index 4 261 |
| any_adam_object | 1 |
| author | Cockrell, Dale 1947- |
| author_GND | (DE-588)1024156893 |
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| building | Verbundindex |
| bvnumber | BV046154488 |
| contents | Introduction -- Libertines, blackface minstrels, and the small-potatoe humbug -- Asmodeus, Juba, and Blood on fire -- The wickedest man, the pugilist, and pretty waiter girls -- The bishop, Comstock, and juvenile delinquents -- Dives, cornets, and the Cancan out-Paris-ed in New York -- Ragtime, spieling, and leapfrogging for the reverend -- Tough dancing, white slavery, and "Just tell them that you saw me" -- C XIV, alleged music, and superlatively rotten dances -- Reflections -- Appendix 1. Songs identified by Committee of Fourteen Agents, 1913-1917 -- Appendix 2. "Cock eyed Reilly" -- Appendix 3. The people &c. against Wallace W. Sweeney |
| ctrlnum | (OCoLC)1125195453 (DE-599)BVBBV046154488 |
| dewey-full | 781.6409747109034 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.6409747109034 |
| dewey-search | 781.6409747109034 |
| dewey-sort | 3781.6409747109034 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| edition | First edition |
| era | Geschichte 1840-1917 gnd |
| era_facet | Geschichte 1840-1917 |
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| spelling | Cockrell, Dale 1947- Verfasser (DE-588)1024156893 aut Everybody's doin' it sex, music, and dance in New York, 1840-1917 Dale Cockrell Everybody is doing it First edition New York W. W. Norton & Company; independent publishers since 1923 [2019] xvi, 270 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index. Introduction -- Libertines, blackface minstrels, and the small-potatoe humbug -- Asmodeus, Juba, and Blood on fire -- The wickedest man, the pugilist, and pretty waiter girls -- The bishop, Comstock, and juvenile delinquents -- Dives, cornets, and the Cancan out-Paris-ed in New York -- Ragtime, spieling, and leapfrogging for the reverend -- Tough dancing, white slavery, and "Just tell them that you saw me" -- C XIV, alleged music, and superlatively rotten dances -- Reflections -- Appendix 1. Songs identified by Committee of Fourteen Agents, 1913-1917 -- Appendix 2. "Cock eyed Reilly" -- Appendix 3. The people &c. against Wallace W. Sweeney Everybody's Doin' It is the eye-opening story of popular music's seventy-year rise in the brothels, dance halls, and dives of New York City. It traces the birth of popular music, including ragtime and jazz, to convivial meeting places for sex, drink, music, and dance. Whether coming from a single piano player or a small band, live music was a nightly feature in New York's spirited dives, where men and women, often black and white, mingled freely--to the horror of the elite. This rollicking demimonde drove the development of an energetic dance music that would soon span the world. The Virginia Minstrels, Juba, Stephen Foster, Irving Berlin and his hit "Alexander's Ragtime Band," and the Original Dixieland Jass Band all played a part in popularizing startling new sounds. Musicologist Dale Cockrell recreates this ephemeral underground world by mining tabloids, newspapers, court records of police busts, lurid exposés, journals, and the reports of undercover detectives working for social-reform organizations, who were sent in to gather evidence against such low-life places. Everybody's Doin' It illuminates the how, why, and where of America's popular music and its buoyant journey from the dangerous Five Points of downtown to the interracial black and tans of Harlem.--Book jacket Geschichte 1840-1917 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Massenkultur (DE-588)4125858-7 gnd rswk-swf New York, NY (DE-588)4042011-5 gnd rswk-swf Popular music / New York (State) / New York / To 1901 / History and criticism Popular music / New York (State) / New York / 1901-1910 / History and criticism Popular music / New York (State) / New York / 1911-1920 / History and criticism Popular music / Social aspects / New York (State) / New York / History Popular music Popular music / Social aspects New York (State) / New York MUSIC / History & Criticism To 1920 Criticism, interpretation, etc History New York, NY (DE-588)4042011-5 g Massenkultur (DE-588)4125858-7 s Musik (DE-588)4040802-4 s Geschichte 1840-1917 z DE-604 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031534535&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cockrell, Dale 1947- Everybody's doin' it sex, music, and dance in New York, 1840-1917 Introduction -- Libertines, blackface minstrels, and the small-potatoe humbug -- Asmodeus, Juba, and Blood on fire -- The wickedest man, the pugilist, and pretty waiter girls -- The bishop, Comstock, and juvenile delinquents -- Dives, cornets, and the Cancan out-Paris-ed in New York -- Ragtime, spieling, and leapfrogging for the reverend -- Tough dancing, white slavery, and "Just tell them that you saw me" -- C XIV, alleged music, and superlatively rotten dances -- Reflections -- Appendix 1. Songs identified by Committee of Fourteen Agents, 1913-1917 -- Appendix 2. "Cock eyed Reilly" -- Appendix 3. The people &c. against Wallace W. Sweeney Musik (DE-588)4040802-4 gnd Massenkultur (DE-588)4125858-7 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4125858-7 (DE-588)4042011-5 |
| title | Everybody's doin' it sex, music, and dance in New York, 1840-1917 |
| title_alt | Everybody is doing it |
| title_auth | Everybody's doin' it sex, music, and dance in New York, 1840-1917 |
| title_exact_search | Everybody's doin' it sex, music, and dance in New York, 1840-1917 |
| title_full | Everybody's doin' it sex, music, and dance in New York, 1840-1917 Dale Cockrell |
| title_fullStr | Everybody's doin' it sex, music, and dance in New York, 1840-1917 Dale Cockrell |
| title_full_unstemmed | Everybody's doin' it sex, music, and dance in New York, 1840-1917 Dale Cockrell |
| title_short | Everybody's doin' it |
| title_sort | everybody s doin it sex music and dance in new york 1840 1917 |
| title_sub | sex, music, and dance in New York, 1840-1917 |
| topic | Musik (DE-588)4040802-4 gnd Massenkultur (DE-588)4125858-7 gnd |
| topic_facet | Musik Massenkultur New York, NY |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031534535&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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