Fenomen Dmitrija Šostakoviča: = The phenomenon of Dmitriy Shostakovich
Феномен Дмитрия Шостаковича
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Russian |
| Veröffentlicht: |
Sankt-Peterburg
Izdatelʹstvo Russkoj christianskoj gumanitarnoj akademii
2018
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Literaturverzeichnis: Seite 699-728, gemischtes Personen- und Werkverzeichnis Seiten 729-[752] |
| Beschreibung: | 754 Seiten Notenbeispiele |
| ISBN: | 9785888128510 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804180495425077248 |
|---|---|
| adam_text | ОГЛАВЛЕНИЕ ВВЕДЕНИЕ..................................................................................................... 3 ГЛАВА 1 НА ПЕРЕДНЕМ КРАЕ МОДЕРНИЗМА: ДВАДЦАТЫЕ ГОДЫ........... 19 От первых опытов к Первой симфонии и пьесам для октета............... 25 Первая соната и
«Афоризмы».................................................................. 46 «Праздничные» симфонии....................................................................... 62 «Нос».......................................................................................................... 85
«Японские» романсы.................................................................................. 125 ГЛАВА 2 ДО И ПОСЛЕ ТРИДЦАТЬ ШЕСТОГО......................................................
Балеты......................................................................................................... «Леди Макбет Мценского уезда»............................................................. После «Леди
Макбет»................................................................................ «Сумбур вместо музыки»......................................................................... Четвертая симфония.................................................................................. Интерлюдия.
Шостакович и Прокофьев................................................. Пятая симфония......................................................................................... После Пятой симфонии............... 127 130 135 186 193 205 221 235 268 ГЛАВА 3 ГОДЫ
ВОЙНЫ.............................................................................................. «Ленинградская симфония »...................................................................... «Игроки»..................................................................................................... «Британские» романсы и Вторая фортепианная соната........................ Восьмая симфония...................................................................................... Камерные ансамбли 1944 года................................................................... 285 286 317 331 342 362 ГЛАВА 4 ДО И ПОСЛЕ СОРОК ВОСЬМОГО.......................................................... 377 Между концом войны и сорок восьмым: Девятая симфония, Третий квартет.......................................................... 377 Ждановщина............................................................................................... 392 754
ОГЛАВЛЕНИЕ Скрипичный концерт.................................................................................. «Из еврейской народной поэзии».............................................................. Вынужденные компромиссы..................................................................... Свободное творчество.................................................................................. 414 426 434 442 ГЛАВА 5 «ОТТЕПЕЛЬ».................................................................................................... Десятая симфония....................................................................................... « 1905 год» и его спутники........................................................................... Виолончельный концерт, два квартета, «Сатиры»................................. «1917 год»...................................................................................................... Тринадцатая симфония.............................................................................. 471 472 491 514 532 542 ГЛАВА 6 ЗАКАТ.................................................................................................................. После Тринадцатой симфонии................................................................... Симфония-«реквием».................................................................................. Кода................................................................................................................. 567 567 590 615 ГЛАВА 7 ШКОЛА
ШОСТАКОВИЧА............................................................................ Свиридов............................................... Уствольская.................................................................................................. Вайнберг........................................................................................................ Караев и Сарьян........................................................................................... Галынин.......................................................................................................... Борис Чайковский....................................................................................... Бунин............................................................................................................. Тищенко......................................................................................................... Послесловие.................................................................................................. 651 652 660 669 674 678 679 683 684 688 СПИСОК СОЧИНЕНИЙ ШОСТАКОВИЧА............................................ 693 БИБЛИОГРАФИЯ........................................................................................... 699 УКАЗАТЕЛЬ ИМЕН И МУЗЫКАЛЬНЫХ ПРОИЗВЕДЕНИЙ................................................. 729 SUMMARY......................................................................................................... 753
SUMMARY Levon Hakobian THE PHENOMENON OF DMITRIY SHOSTAKOVICH The oeuvre of Shostakovich is examined in its integrity as a specific pheno menon, related to the most diverse trends in art and culture and testifying to the human spirit’s amazing capacity to derive a benefit even from the most inauspicious conditions. The book consists of Introduction and seven chapters, illustrated with nume rous music examples. In the Introduction, the principal methodological positions are specified. Though it seems hardly possible to regard Shostakovich’s oeuvre without taking into account the political realities of his time, the author tries to follow a more ‘phenomenological’ approach and to concentrate especially on the music’s intrinsic qualities and on its deeper cultural and psychological background. The book’s division into chapters reflects the periodization of Shostakovich’s creative biography which, in its turn, was largely conditioned by the evolution of the Soviet civilization with all its bizarre meanders. The first six chapters are entitled, respectively: (1) ‘The Twenties: at the Forward Line of Modernism’; (2) ‘Before and after 1936’; (3) ‘War Years’; (4) ‘Before and after 1948’; (5) ‘The Thaw’; (6) ‘Decline’. All of Shostakovich’s key works, from the early extravagant The Nose to the series of gloomy auto-epitaphs of his late years, are analyzed in detail with due attention to their manifold relations with arts, letters, and ideas of past and present. Within the ‘phenomenon of Shostakovich’, different lines of evolution are traced, fundamental compositional ideas, sty
listic constants, and leitmotifs are detected. The essence of the phenomenon of Shostakovich’, in the most general outline, is defined as organic incapacity to refrain from being ambivalent, contradictory, if not directly embarrassing and uncomfortable. The paramount metaphysical theme of his oeuvre is de scribed as the decline of the universe and the disruption of the ‘right’ order of things. The seventh chapter, ‘The Shostakovich School’, deals with such an important aspect of the ‘phenomenon of Shostakovich’ as the impact of his oeuvre and per sonality on his pupils and followers. 753
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| id | DE-604.BV046151961 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T08:36:40Z |
| institution | BVB |
| isbn | 9785888128510 |
| language | Russian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-031532072 |
| oclc_num | 1119014525 |
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| owner_facet | DE-12 |
| physical | 754 Seiten Notenbeispiele |
| psigel | BSB_NED_20191016 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Izdatelʹstvo Russkoj christianskoj gumanitarnoj akademii |
| record_format | marc |
| spelling | 880-01 Akopjan, Levon Oganesovič 1953- Verfasser (DE-588)1038658462 aut 880-02 Fenomen Dmitrija Šostakoviča = The phenomenon of Dmitriy Shostakovich Levon Akopjan izdatelstvo The phenomenon of Dmitriy Shostakovich 880-03 Sankt-Peterburg Izdatelʹstvo Russkoj christianskoj gumanitarnoj akademii 2018 754 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis: Seite 699-728, gemischtes Personen- und Werkverzeichnis Seiten 729-[752] Text russisch. Zusammenfassung in englischer Sprache Kyrillische Schrift Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 p Komposition Musik (DE-588)4133320-2 s DE-604 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031532072&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=031532072&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract 100-01/(N Акопян, Левон Оганесович ut 245-02/(N Феномен Дмитрия Шостаковича Левон Акопян 264-03/(N Санкт-Петербург Издательство Русской христианской гуманитарной академии 2018 |
| spellingShingle | Akopjan, Levon Oganesovič 1953- Fenomen Dmitrija Šostakoviča = The phenomenon of Dmitriy Shostakovich Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)118642472 (DE-588)4133320-2 |
| title | Fenomen Dmitrija Šostakoviča = The phenomenon of Dmitriy Shostakovich |
| title_alt | izdatelstvo The phenomenon of Dmitriy Shostakovich |
| title_auth | Fenomen Dmitrija Šostakoviča = The phenomenon of Dmitriy Shostakovich |
| title_exact_search | Fenomen Dmitrija Šostakoviča = The phenomenon of Dmitriy Shostakovich |
| title_full | Fenomen Dmitrija Šostakoviča = The phenomenon of Dmitriy Shostakovich Levon Akopjan |
| title_fullStr | Fenomen Dmitrija Šostakoviča = The phenomenon of Dmitriy Shostakovich Levon Akopjan |
| title_full_unstemmed | Fenomen Dmitrija Šostakoviča = The phenomenon of Dmitriy Shostakovich Levon Akopjan |
| title_short | Fenomen Dmitrija Šostakoviča |
| title_sort | fenomen dmitrija sostakovica the phenomenon of dmitriy shostakovich |
| title_sub | = The phenomenon of Dmitriy Shostakovich |
| topic | Šostakovič, Dmitrij Dmitrievič 1906-1975 (DE-588)118642472 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Šostakovič, Dmitrij Dmitrievič 1906-1975 Komposition Musik |
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